<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4632435085083780021</id><updated>2011-12-19T09:44:12.633-08:00</updated><category term='coulomb'/><category term='potential'/><category term='Henry'/><category term='yagi'/><category term='reactance'/><category term='inductance'/><category term='peak'/><category term='Q'/><category term='balun'/><category term='Z'/><category term='safety'/><category term='joule'/><category term='cathode'/><category term='galvanometer'/><category term='Session 2 - Summer Digital Series - FLDIGI Setup'/><category term='voltage'/><category term='RF Burn'/><category term='Multiband Antennas'/><category term='mho&apos;s'/><category term='Lowest Usable Frequency'/><category term='balanced unbalanced balun feedline coax ladder-line twin-lead window-line'/><category term='work'/><category term='Avagadro'/><category term='pot'/><category term='DUT'/><category term='charge'/><category term='ammeter'/><category term='lightning'/><category term='F-Layer'/><category term='mole'/><category term='DAC'/><category term='General Exam'/><category term='A Index'/><category term='vertical'/><category term='products'/><category term='ADC'/><category term='taper'/><category term='Sunspots'/><category term='LUF'/><category term='ohm&apos;s law'/><category term='voltage source'/><category term='mixing'/><category term='D-Layer'/><category term='power factor'/><category term='interference'/><category term='DSP'/><category term='Sunspot Cycle'/><category term='Leyden'/><category term='ground'/><category term='antennas'/><category term='resistance'/><category term='LC Circuits'/><category term='Traps'/><category term='watt-hour'/><category term='theta'/><category term='SFU'/><category term='Johnson'/><category term='capacitor'/><category term='harmonic'/><category term='Tank Circuits'/><category term='linear'/><category term='K Index'/><category term='Electrical Length'/><category term='Wimshurst'/><category term='Lenz'/><category term='balanced'/><category term='monopole'/><category term='DC'/><category term='current'/><category term='hf propagation'/><category term='hexagonal'/><category term='MUF'/><category term='conductance'/><category term='ampere'/><category term='resonance'/><category term='Schedule - Educational Radio Net - Summer of Digital Fun 2009'/><category term='anode'/><category term='AC'/><category term='rheostat'/><category term='Faraday'/><category term='Introduction to Digital Amateur Radio'/><category term='quarter-wave'/><category term='ground plane'/><category term='beam'/><category term='farad'/><category term='insulator'/><category term='resistor'/><category term='cermet'/><category term='potentiometer'/><category term='ground bus'/><category term='RMS'/><category term='energy'/><category term='Bob'/><category term='log'/><category term='current source'/><category term='Maximum Usable Frequency'/><category term='Solar Flux'/><category term='dipole'/><category term='phi'/><category term='R'/><category term='voltage drop'/><title type='text'>Educational Radio Net</title><subtitle type='html'>This blog supports the Educational Radio Net, an amateur radio net that takes place Wednesdays at 8:00PM on the 2 meter repeater of the Puget Sound Repeater Group, 146.96MHz -600, with a tone of 103.5, located on Queen Anne Hill in Seattle.

The purpose of this net is to help our fellow amateur radio operators learn theory, gain practical knowledge, and generally benefit from the experience of the more seasoned operators.

Your hosts are Bob Helling, K9PQ, and Lee Bond, N7KC.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Bob Helling</name><uri>http://www.blogger.com/profile/02352636352618704676</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>95</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-3458691843817295818</id><published>2009-10-28T20:00:00.000-07:00</published><updated>2009-11-04T19:50:17.170-08:00</updated><title type='text'>The Basics for the New Ham, Bob, No. 75</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;Here are a few questions provided by Mike, KF7DTI for the newer ham...&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;What is “Legal” (1500 watts) vs. Proper ( 5 to 20 watts) and why…&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;First of all, let's look at what the legal limit is: 1,500 watts PEP (Peak Envelope Power) this is defined as the average power provided to the transmission line over one cycle where the envelope is at it's peak.&amp;nbsp; The envelope is the carrier plus the modulation, so it is the average power of the signal at it's highest modulation.&amp;nbsp; This gives a good indication of the likelihood of the signal to interfere with neighboring frequencies.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;So now we get to the real question, what is proper.&amp;nbsp; Well the regulations have something to say about that too.&amp;nbsp; We are required to use the lowest amount of power to accomplish the communications we are trying to do.&amp;nbsp; This is definitely a gray area and a guideline rather than a hard and fast rule.&amp;nbsp; Sometimes it can be obvious, you don't need 50 watts to talk on 2 meter simplex to your neighbor a few blocks away.&amp;nbsp; Sometimes it is not obvious at all, just how much power do you need to be heard by that rare DX station in a South Seas island that dozens of other hams are also trying to reach.&amp;nbsp; There are endless possibilities for arguments here but this is a sort of "good faith" rule.&amp;nbsp; You need to use your own best judgment to decide how much power is necessary.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;The other reason to use less power is personal safety.&amp;nbsp; I won't go into the specifics but there is good reason that your handheld doesn't put out more than about 5 watts.&amp;nbsp; If you want to use your mobile rig as a portable, as many of us in emergency communications do, it is important to get the antenna away from your body and anyone elses.&amp;nbsp; Just how far is another judgment call but it helps if you also have it up high so that when it is radiating primarily in the horizontal direction, it will be above your and everyone else's heads.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;Proper handling of my unit .. will my Mobile work OK in the Freezing snow?..&amp;nbsp; 110 degree Desert Sun?... pouring Rain?&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;Your mobile rig is designed to stay in a vehicle and to operate in one too.&amp;nbsp; There are a handful of new weather-proof and even water-proof rigs on the market but leaving those out, you should use your rig where it will be kept dry and reasonably clean.&amp;nbsp; As for cold and heat, you should check your owner's manual to be sure but generally you can do very well in the cold.&amp;nbsp; When it gets hot you run the risk of overheating your rig when you run full power.&amp;nbsp; Once again, this is a gray area.&amp;nbsp; You can run at a pretty high ambient temperature as long as you use low power.&amp;nbsp; The more power you use, the lower the ambient temperature has to be. &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;What happens when my batteries get low?.. How can I tell?&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;I assume you &lt;/span&gt;&lt;/span&gt;mean your portable here.&amp;nbsp; You should here a beep to tell you.&amp;nbsp; HT's are notorious for beeping about 5 seconds before they shutdown.&amp;nbsp; None of the HT's that I'm aware of have battery charge indicators.&amp;nbsp; I may be wrong about this and if anyone knows of ones that do please speak up.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;Why is my brand new Mobile that I just put in my &amp;nbsp;old TRUCK so staticy?&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: small;"&gt;There are a couple of possible reasons.&amp;nbsp; The most likely is the old truck itself.&amp;nbsp; It is either emitting radiation from sparking or other electronics or it is causing fluctuations in the voltage where you are hooking up your radio.&amp;nbsp; For this reason it is usually suggested to connect your radio directly to the battery, properly fused of course.&amp;nbsp; Then all you have to worry about is the radiation caused by your truck.&amp;nbsp; The only way I know to diagnose and fix it is to try putting some filters on the wires and see what happens.&amp;nbsp; But this is a well known problem and there is a lot out there already to help diagnose it.&amp;nbsp; One reason it happens is that mobile and HT rigs usually don't have the good filtering that base stations do.&amp;nbsp; You can pay a lot for a Motorola or other rig designed for professional use in high radiation environments and do a lot better.&amp;nbsp;&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;I can use my old CB Radio Antenna as my Mobile antenna right?&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: small;"&gt;I wouldn't try it.&amp;nbsp; Antennas are a huge subject that has been covered in various ERN's.&amp;nbsp; You can check the blog for more info.&amp;nbsp; In general, you can probably modify an old CB antenna if you know what you are doing to make it work for amateur radio, but you are almost certainly better buying an antenna build to do the job.&amp;nbsp; Or you can make your own from scratch.&amp;nbsp; Most people don't make their mobile anteannas though, that is better suited for base operations.&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;What is SWR and why do I care? (that is a good subject)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&amp;nbsp;&lt;span style="font-size: small;"&gt;SWR has been covered a few times and Lee has an exhaustive set of lectures on fundamental electronics leading up to impedance.&amp;nbsp; In short, SWR, the Standing Wave Ratio, is a measure of how much of an electronic signal that you are transmitting, is reflected at a junction.&amp;nbsp; The cause of the reflection is an impedance mismatch at the junction.&amp;nbsp; For example, if you connected your transceiver that has an impediance at it's output of 50 ohms to 75 ohm cable, you will get an impedance mismatch that will cause a high SWR.&amp;nbsp; Since most of us know to use 50 ohm cable the mismatch almost always comes at the connection to the antenna.&amp;nbsp; The impedance at the connection to an antenna is a very complex subject and can depend on the antenna height above ground and other factors.&amp;nbsp; For VHF/UHF it is simplified by the fact that the antenna is high above the ground compared to the wavelength so there is little variation.&amp;nbsp; That's why you can buy an antenna with a 50 ohm connector and be pretty confident that it actually is 50 ohms.&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;What does QSL, QTH, QRV, 73… etc. mean?.. &amp;nbsp;&amp;nbsp;When is OK to use “Shorthand” like that?&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: small;"&gt;QSL, QTH, QRV and other three letter combinations starting with Q are known as Q signals.&amp;nbsp; They come to us from the days of CW where it was worthwhile to have a shortcut for some commonly used phrases.&amp;nbsp; Q was chosen since it is almost always followed by U so that by creating these combinations, not using U you could be assured that it was not a word.&amp;nbsp; If the Q signal is followed by a question mark it means that it is a question, if no question mark then it is a positive statement.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: small;"&gt;For example, probably the most common one heard is QSL.&amp;nbsp; You will hear it in place of Roger, Acknowledged, etc.&amp;nbsp; It means, "I acknowledge receipt" or with a question mark, "Do you acknowledge receipt."&amp;nbsp; This is also the reason for QSL cards, which are an acknowledgment of receipt of a contact form another station.&amp;nbsp; These are used to prove that you made a contact with that rare DX station.&amp;nbsp; By the way DX is just shorthand for distance and means a long distance, usually international.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: small;"&gt;73 goes back a long way as well and just means, "Best Wishes"&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: small;"&gt;There are no hard and fast rules about using these.&amp;nbsp; The most important thing to keep in mind is that you want to make yourself clearly understood.&amp;nbsp; If the person or people you are communicating with understand the Q signals it is fine to use them.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Calibri; font-size: x-small;"&gt;&lt;span style="font-size: 11pt;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-3458691843817295818?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/3458691843817295818/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=3458691843817295818' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/3458691843817295818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/3458691843817295818'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/10/basics-for-new-ham.html' title='The Basics for the New Ham, Bob, No. 75'/><author><name>Bob Helling</name><uri>http://www.blogger.com/profile/02352636352618704676</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-3068396279194349620</id><published>2009-10-21T21:07:00.000-07:00</published><updated>2009-10-21T21:09:50.029-07:00</updated><title type='text'>ASCII one oh one, Lee Bond N7KC</title><content type='html'>October 21, 2009 Educational Radio Net, PSRG 74th Session&lt;br /&gt;&lt;br /&gt;Have you ever wondered about the relationship between computers and data entry? What really happens when you hit a key on your computer and the corresponding character pops up on the monitor? If you are old enough to remember the Mits Altair or IMSAI 8 bit microcomputers then you will have no problem answering these two lead in questions.&lt;br /&gt;&lt;br /&gt;Surely one of the oldest schemes for encoding alphabetical characters and numerals is the code developed by Samuel Morse and is known as Morse code. Early amateur radio operators had no choice but to learn the code in order to communicate with their fellow hams. The railroad telegraphers code is a variant of the Morse code and both the radio and railroad schemes were the backbone of the early communications industry.&lt;br /&gt;&lt;br /&gt;As telecommunications technique improved the mechanical tele-printer based on the 5 level Baudot code was introduced. Communications was much easier when typing replaced the telegraph key and the distant output was in easily read text. Since only 5 symbols were used the number of possible combinations was limited to 32. If you count all the letters of the alphabet, both lower and upper case, and the numerals 0 through 9, and various punctuation characters it is clear that even a shifted 32 will not do the job.&lt;br /&gt;&lt;br /&gt;During the late 50’s, when the early mainframe computers were evolving, it was obvious that something had to be done to improve the encoding of alpha-numerical character information that would be fed to the room sized digital monsters that glowed in the dark.&lt;br /&gt;&lt;br /&gt;Enter ASCII, pronounced ass-key, the acronym for American Standard Code for Information Interchange. ASCII is a 7 bit code hence 128 unique bit pattern combinations are possible. Enough combinations to represent all the upper and lower case alphabetical characters plus numbers plus punctuation plus special formatting characters in use at the time. The first meeting of the committee which adopted this code was in 1960. The code later became known as US ASCII since it was only good for English systems.&lt;br /&gt;&lt;br /&gt;During this time frame IBM developed a proprietary code known as EBCDIC which was based on all possible combinations of the 8 bits in a byte. There are 256 possible unique combinations of 8 bits so EBCDIC offered twice as many possibilities as did ASCII. EBCDIC was used in the large mainframe computers that IBM produced and ASCII became the standard coding scheme for the micro-computing industry.&lt;br /&gt;&lt;br /&gt;From the late 50’s until recently the use of US ASCII dominated the microcomputer industry and information exchange on the Internet. Today ASCII is taking a back seat to the Unicode in its various implementations as UTF-8, UTF-16, or UTF-32 as in Unicode Transformation Format. Using 16 bits, or a word, offers over 65 thousand unique possibilities so numerous languages can be represented in addition to English and this makes the encoding truly universal and a natural for Internet use.&lt;br /&gt;&lt;br /&gt;Historically ASCII is a 7 bit code. Always has been and always will be. However, that inviting 8th bit in the word could be useful and double the number of coding possibilities. Implementations of ASCII using all 8 bits became known as "extended" ASCII and found much use for formatting characters and such when word processing came to fore. Other names were "upper" level ASCII in contrast to the original "lower" level scheme.&lt;br /&gt;&lt;br /&gt;Let’s look at 7 bit ASCII in some detail to see how it is structured.&lt;br /&gt;&lt;br /&gt;Referring to the Bits, Nybles, Bytes, and Words (presentation 71) a few weeks ago we know that computers like to operate with patterns of 4 bits (a nyble), 8 bits (a byte), or 16 bits (a word). If ASCII requires 7 bits then the best choice for a pattern would be the next largest set or byte consisting of an assemblage of 8 bits. The extra 8th bit became useful as a rudimentary error detecting bit and was called the parity bit. More on this later.&lt;br /&gt;&lt;br /&gt;A table of the ASCII characters is generally shown as 16 rows and 8 columns. The multiple of 16x8 is 128 so this array matches all the combination possibilities of 7 bits. The first two columns from the left contain all of the, so called, formatting characters, the third column from the left is where you find the various punctuation symbols and math symbols, the fourth column from the left lists the numerical symbols, and the last four columns are the upper and lower case alphabetical symbols.&lt;br /&gt;&lt;br /&gt;To identify any one of 16 rows requires 4 bits and the lower 4 bits of the 7 bits is used as the row identifier where bit 1 is least significant. To identify any one of the 8 columns requires 3 bits and the bits 5, 6, and 7 (most significant) are used for this purpose. So, to recap… bits 1, 2, 3, and 4 are used to identify in which row a character is located and bits 5, 6, and 7 are used to identify in which column a character is located. Every box in the array is uniquely identified by a bit pattern. Bit 8 is always a zero unless the optional parity possibility is in play.&lt;br /&gt;&lt;br /&gt;The data entry and identification process goes like this. Suppose you depress the capital or upper case "H" key on your keyboard. Bit 7 is forced to a "1" and 6 and 5 remain at zero. Bit 4 is forced to a "1" and bits 3, 2, and 1 remain at zero. Finally the "H" is coded as 01001000 or 48h in shorthand hexadecimal notation. This bit pattern is sent to the computer where it is checked, pattern by pattern, against a table looking for a match. When the match is found the computer proper knows which key was pressed.&lt;br /&gt;&lt;br /&gt;Any error in this transmission process is serious since the computer will interpret your intended bit pattern incorrectly. The 8th bit or parity bit allows a low level error check as follows. Parity can be defined as even or odd. If you choose even then if the sum of the 7 bit 1’s is odd you just force bit 8 to a 1 and the overall number of 1 bits is even. If the sum of the 1 bits is even then leave the 8th bit at zero. This same process holds for odd parity. On the receiving end the system will check the count to determine if parity is correct. This scheme will detect all 1 bit errors or odd multiples thereof.&lt;br /&gt;&lt;br /&gt;In summary, bits 5, 6, and 7 determine a column and indicate if the symbol is formatting, a number, or alphabetical character. Bits 1, 2, 3, and 4 determine which character of the alphabet or which number or which formatting symbol is to be used.&lt;br /&gt;&lt;br /&gt;This concludes the set up discussion for ASCII one oh one. Are there any questions or comments with regard to tonight's discussion topic?&lt;br /&gt;&lt;br /&gt;This is N7KC for the Wednesday night Educational Radio Net&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-3068396279194349620?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/3068396279194349620/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=3068396279194349620' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/3068396279194349620'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/3068396279194349620'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/10/ascii-one-oh-one-lee-bond-n7kc.html' title='ASCII one oh one, Lee Bond N7KC'/><author><name>LBond</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-4275379176771706852</id><published>2009-10-20T00:49:00.000-07:00</published><updated>2009-10-20T00:49:25.639-07:00</updated><title type='text'>The Future of the Educational Radio Net</title><content type='html'>Lee and I are considering ending our involvement with the Educational Radio Net.&amp;nbsp; If we do, it will very likely end the net itself.&lt;br /&gt;&lt;br /&gt;This has been a labor of love for the two of us. &amp;nbsp; It is a fair amount of work to come up with new subjects each week, research them and write the scripts for them.&amp;nbsp; Getting on the air and doing the net is the payoff.&amp;nbsp; What has kept us going has been the interest and participation of the hams checking in to the net.&amp;nbsp; Lately that interest has fallen off somewhat.&amp;nbsp; We both agree that we do not wish to continue as it is going now.&lt;br /&gt;&lt;br /&gt;We are soliciting ideas, suggestions, questions, etc. to assist us with creating future nets.&amp;nbsp; We are also looking to add to our base of regular contributors.&lt;br /&gt;&lt;br /&gt;To give your suggestions, please contact Lee Bond: n7kc@comcast.net &lt;br /&gt;&lt;br /&gt;We are very grateful for the contributions from those listed below.&amp;nbsp; They have helped sustain the net.&lt;br /&gt;John Pollock, K7MCX&lt;br /&gt;Jim Hadlock, K7WA&lt;br /&gt;Brian Daly, WB7OML&lt;br /&gt;Curt Black, WR5J&lt;br /&gt;Boone Barker, KC7RK &lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-4275379176771706852?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/4275379176771706852/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=4275379176771706852' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/4275379176771706852'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/4275379176771706852'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/10/future-of-educational-radio-net.html' title='The Future of the Educational Radio Net'/><author><name>Bob Helling</name><uri>http://www.blogger.com/profile/02352636352618704676</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-2214533838152060530</id><published>2009-10-14T19:23:00.000-07:00</published><updated>2009-10-14T19:26:17.751-07:00</updated><title type='text'>Extra Class Exam Grab Bag, Bob, No. 73</title><content type='html'>&lt;div style="font-family: inherit;"&gt;Tonight was supposed to be about current use of Spread Spectrum in Ham Radio but I couldn't find any information about it.&amp;nbsp; If anyone on frequency knows about it or knows where to point me to look please let me know.&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;Instead, tonight I will discuss a few test questions from the Extra Class exam.&amp;nbsp; &lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;E9B08 (C)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;How does the total amount of radiation emitted by a directional (gain) antenna compare with the total amount of radiation emitted from an isotropic antenna, assuming each is driven by the same amount of power?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;A. The total amount of radiation from the directional antenna is increased by the gain of the antenna&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;B. The total amount of radiation from the directional antenna is stronger by its front to back ratio&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;C. There is no difference between the two antennas&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;D. The radiation from the isotropic antenna is 2.15 dB stronger than that from the directional antenna&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: inherit;"&gt;The important point to take away from this is that the total radiation depends solely on the amount of power that is transferred to the antenna.&amp;nbsp; What the antenna design can do is shape or focus that radiation so that more goes in the direction you want and less in the directions you don't want.&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;E9D06 (C)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;Why should an HF mobile antenna loading coil have a high ratio of reactance to resistance?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;A. To swamp out harmonics&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;B. To maximize losses&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;C. To minimize losses&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;D. To minimize the Q&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;The reactance in the loading coil doesn't contribute to heat loss.&amp;nbsp; All heat loss comes from resistance.&amp;nbsp; Resistance acts directly on current, converting it to heat.&amp;nbsp; Reactance, being out of phase with current, doesn't produce heat and doesn't contribute to losses.&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;&amp;nbsp; &lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;E9D08 (B)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;What happens to the bandwidth of an antenna as it is shortened through the use of loading coils?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;A. It is increased&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;B. It is decreased&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;C. No change occurs&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;D. It becomes flat&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;E9D14(B)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;Which of the following types of conductor would be best for minimizing losses in a station's RF ground system?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;A. A resistive wire, such as a spark-plug wire&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;B. A thin, flat copper strap several inches wide&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;C. A cable with 6 or 7 18-gauge conductors in parallel&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;D. A single 12 or 10 gauge stainless steel wire&lt;br /&gt;&lt;br style="font-family: inherit;" /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: inherit;"&gt;The reason for the thin, flat copper strap is that it increases the Capacitive reactance vs. the Inductive reactance making the strap less likely to become resonant.&amp;nbsp; For similar reasons the RF ground strap should be as short as possible.&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;&amp;nbsp; &lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;E9D15 (C)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;Which of these choices would provide the best RF ground for your station?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;A. A 50-ohm resistor connected to ground&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;B. A connection to a metal water pipe&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;C. A connection to 3 or 4 interconnected ground rods driven into the Earth&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;D. A connection to 3 or 4 interconnected ground rods via a series RF choke&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: inherit;"&gt;We want a very low impedance path directly to earth ground.&amp;nbsp; We are not trying to match impedance here, just reduce it, so no resistors or chokes.&amp;nbsp; The metal water pipe might serve as a safety ground, although today, more and more pipes are PVC so don't count on that metal pipe you are connecting to, to be metal the entire length.&amp;nbsp; But even so, an all metal pipe system in your house makes a pretty active antenna system in itself.&amp;nbsp; This is not what you want for your RF ground.&amp;nbsp; The short-run ground strap to interconnected ground rods in the Earth is the way to go.&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-2214533838152060530?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/2214533838152060530/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=2214533838152060530' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/2214533838152060530'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/2214533838152060530'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/10/extra-class-exam-grab-bag-bob-no-73.html' title='Extra Class Exam Grab Bag, Bob, No. 73'/><author><name>Bob Helling</name><uri>http://www.blogger.com/profile/02352636352618704676</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-8772344303392923766</id><published>2009-10-06T16:16:00.000-07:00</published><updated>2009-10-06T16:37:40.436-07:00</updated><title type='text'>Digital Summer Notes, Boone Barker, KC7RK, No. 72</title><content type='html'>&lt;h3 style="text-align: center;" align="center"&gt;Notes from Curt Black's“Summer of Digital Communications Fun”&lt;/h3&gt;&lt;p class="Para" style="text-align: center;" align="center"&gt;By Boone Barker, KC7RKOctober 3, 2009&lt;/p&gt;&lt;p class="Para"&gt;I was a student in the ham radio class taught by Curt Black WR5Jduring the summer of 2009. Included in the class were Lee N7KC, Bob K9PQ, TammyWA7TZ, Glen K7GLE and others. We learned about and experimented with a varietyof digital communication modes, many of which could be useful for emergencycommunications. I know that everyone who participated enjoyed the challenge oflearning about digital communications. We all owe Curt a huge debt of gratitudefor his success in making this a fun experience.&lt;/p&gt;&lt;p class="Para"&gt;This paper is my effort to recap the summer sessions and some keypoints that I wanted to remember. Full descriptions and more are in theWA-DIGITAL Yahoo Group site at &lt;a href="http://groups.yahoo.com/group/wa-digital/"&gt;http://groups.yahoo.com/group/wa‑digital/&lt;/a&gt;.&lt;/p&gt;&lt;h3&gt;Overview&lt;/h3&gt;&lt;p class="Para"&gt;Students met Wednesday evenings from June 6 through August 26,2009, on the PSRG Seattle repeater (146.960 MHz) for the Educational Radio Nethosted by Curt Black, WR5J.&lt;/p&gt;&lt;p class="Para"&gt;All 12 sessions were written and led by Curt– EnvironmentalScientist – ham for ¼ century—had a packet network then in Texas. Also anaturalist – birds and bats and nature in general – Sound Recordist.&lt;/p&gt;&lt;p class="Para"&gt;Curt emphasized that nearly everything came from the internetsomewhere and sources were cited each time. Only of little of the informationwas based on direct communication with the authors of the software—only when hehad questions on how to make something work or what was the current bestapproach for achieving some objective.&lt;/p&gt;&lt;p class="Para"&gt;Training purpose: explore and experiment with a variety ofdigital communication modes over radio.&lt;/p&gt;&lt;p class="Para"&gt;The WA-DIGITAL Yahoo Group established at &lt;a href="http://groups.yahoo.com/group/wadigital/"&gt;http://groups.yahoo.com/group/wa‑digital/&lt;/a&gt;for this topic has extensive files and messages on this topic, including a BlogPost script for each session. The information below is only a very briefsummary of each session; go to the corresponding Blog Post for completedirections and information.&lt;/p&gt;&lt;p class="Para"&gt;Session scripts were also posted on the PSRG Educational RadioNet blog at &lt;a href="http://www.educationalradionet.blogspot.com/"&gt;http://www.educationalradionet.blogspot.com/&lt;/a&gt;and are still there.&lt;/p&gt;&lt;p class="Para"&gt;Participants were asked to have a computer, VHF and HF radiosand—eventually—a sound card interface, home-brew or purchased. &lt;/p&gt;&lt;h3&gt;Session 1 - Intro to Digital Communication, Software and Modes &lt;/h3&gt;&lt;p class="Para"&gt;&lt;b&gt;Planned activity&lt;/b&gt; for the summer&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 1 Intro to DigitalCommunication, Software and Modes&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 2 Intro to FLDIGI –Install, Setup and Mode Selection&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 3 Using FLDIGI – Startingwith PSK-31 and Transmitting a Good Signal&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 4 More FLDIGI – RTTY, theWRAP Utility and RS-ID&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 5 WSPR – Weak SignalPropagation Reporter&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 6 MMSSTV Slow Scan ImageTransmission&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 7 Digital SSTV EasyPAL&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 8 WSJT-JT65A – TerrestrialHF&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 9 WSJT-HS-Meteor Scatter&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 10 Packet Radio UsingFlex32&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 11 Packet Radio Using AGWPacket Engine&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Session 12 WINDRM – Digital Voice &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Soundcard to radio interface options&lt;/b&gt;&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;Acoustic coupling: microphone feeding shack audio intoyour computer and the rig audio softly coming out of a speaker in the roomwith you fairly close to the mic&lt;/li&gt;&lt;li class="MsoNormal"&gt;Hardware: range from very simple ones for a few bucks to$100 for a Tigertronics SignaLink USB. If you want to keep going you cango up to a $369 US Interface Navigator - Lots of choices.&lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;[See &lt;a href="http://www.kc2rlm.info/soundcardpacket/1cablestart.htm"&gt;http://www.kc2rlm.info/soundcardpacket/1cablestart.htm&lt;/a&gt;and &lt;a href="http://uspacket.org/network/index.php/topic,21.msg23/topicseen.html#new"&gt;http://uspacket.org/network/index.php/topic,21.msg23/topicseen.html#new&lt;/a&gt;for DIY soundcard interfaces.]&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Software now available&lt;/b&gt;&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;&lt;u&gt;Multifunctional&lt;/u&gt;: Multipsk, MixW, Ham Radio Deluxeand FLDIGI&lt;/li&gt;&lt;li class="MsoNormal"&gt;&lt;u&gt;Specialized&lt;/u&gt;: Digipan, MMSSTV, EasyPal, WSPR, WSJT,Flex32&lt;/li&gt;&lt;li class="MsoNormal"&gt;&lt;u&gt;Interface&lt;/u&gt;: AGW Packet Engine, Packet Engine Pro&lt;/li&gt;&lt;li class="MsoNormal"&gt;&lt;u&gt;Winlink&lt;/u&gt;: Airmail, Paclink&lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;&lt;b&gt;Assignment&lt;/b&gt;: install FLDIGI and get ready to receive at thenext session.&lt;/p&gt;&lt;h3&gt;Session 2 - Intro to FLDIGI – Install, Setup and Mode Selection&lt;/h3&gt;&lt;p class="Para"&gt;The group owes much of what we know about FLDIGI and the NarrowBand Emergency Messaging System (NBEMS) to the Pennsylvania group at &lt;a href="http://wpanbems.org/"&gt;http://wpanbems.org/&lt;/a&gt; .&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;&lt;u&gt;F&lt;/u&gt;ast &lt;u&gt;L&lt;/u&gt;ight &lt;u&gt;Dig&lt;/u&gt;ital Modem Application(FLDIGI) Software by W1HKJ and Friends (&lt;/b&gt;&lt;a href="http://www.w1hkj.com/"&gt;&lt;b&gt;http://www.w1hkj.com/&lt;/b&gt;&lt;/a&gt;&lt;b&gt;) &lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Modes:&lt;/b&gt;&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;CW AFCW (A2).&lt;/li&gt;&lt;li class="MsoNormal"&gt;DominoEX: (4,5,8,11,16,22)&lt;/li&gt;&lt;li class="MsoNormal"&gt;Hell: Feld Hell, Slow Hell, Feld Hell 5, Feld Hell 9, FSKHell, FSK Hell-105, Hell 80 &lt;/li&gt;&lt;li class="MsoNormal"&gt;MFSK: from 4 to 64 tones&lt;/li&gt;&lt;li class="MsoNormal"&gt;MT63: 500, 1000, 2000 Hz bandwidths&lt;/li&gt;&lt;li class="MsoNormal"&gt;Olivia: – several flavors from 250 to 1000Hz bandwidth andwith from 8 to 32 tones&lt;/li&gt;&lt;li class="MsoNormal"&gt;PSK: BPSK-31, QPSK-31, BPSK- 63, QPSK-63, BPSK- 125, QPSK125, BPSK-250, QPSK-250&lt;/li&gt;&lt;li class="MsoNormal"&gt;RTTY: 45 baud, 50-baud, 75-baud&lt;/li&gt;&lt;li class="MsoNormal"&gt;Thor: &lt;strong&gt;(&lt;/strong&gt;4, 5, 8, 11, 16, 22)&lt;/li&gt;&lt;li class="MsoNormal"&gt;Throb: (1, 2, 4)&lt;/li&gt;&lt;li class="MsoNormal"&gt;WWV: calibration of soundcard oscillator)&lt;/li&gt;&lt;li class="MsoNormal"&gt;Frequency Analysis: measure the frequency of a remotesignal that is transmitting a steady carrier.&lt;/li&gt;&lt;li class="MsoNormal"&gt;Tune: generates a continuous single frequency audio signalat the exact frequency to which the waterfall cursor has been set&lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;&lt;b&gt;To Install the Software:&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;See Blog Post 2 in the WA-DIGITAL group files for detailedinstructions. A summary: Go to the web site at &lt;a href="http://www.pa-sitrep.com/NBEMS"&gt;http://www.pa-sitrep.com/NBEMS&lt;/a&gt; . Followsteps on the left side of the page to get the &lt;b&gt;FLDIGI software&lt;/b&gt;, install, andconfigure it. Calibrate your sound card offsets by downloading and running &lt;b&gt;CheckSR&lt;/b&gt;from &lt;a href="http://www.pa-sitrep.com/NBEMS/fldigi_calibration.htm"&gt;http://www.pa-sitrep.com/NBEMS/fldigi_calibration.htm&lt;/a&gt;. Also download and install &lt;b&gt;NBEMS macros&lt;/b&gt; from &lt;a href="http://www.pa-sitrep.com/NBEMS/fldigi_macro.htm"&gt;http://www.pa-sitrep.com/NBEMS/fldigi_macro.htm&lt;/a&gt;. &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Application Notes&lt;/b&gt;&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;Win XP users should load FLDIGI 3.12.4. &lt;b&gt;Vista&lt;/b&gt;&lt;b&gt; OSusers&lt;/b&gt; should install FLDIGI 3.11.4-WinV (available at &lt;a href="http://groups.yahoo.com/group/wa-digital/"&gt;http://groups.yahoo.com/group/wa-digital/&lt;/a&gt;) until bugs in the later version are fixed.&lt;/li&gt;&lt;li class="MsoNormal"&gt;Bookmark &lt;b&gt;fldigi on-line help&lt;/b&gt; at &lt;a href="http://www.w1hkj.com/FldigiHelp/index.html"&gt;http://www.w1hkj.com/FldigiHelp/index.html&lt;/a&gt;and go to it for info on various modes, and for an index of sights andsounds of digital modes.&lt;/li&gt;&lt;li class="MsoNormal"&gt;Install &lt;b&gt;QuickMix&lt;/b&gt; by Product Technology Partners at &lt;a href="http://www.msaxon.com/quickmix/"&gt;http://www.msaxon.com/quickmix/&lt;/a&gt;.This is a simple applet that allows you to store all or part of thecurrent state of your audio mixer in a settings file, and to restore themixer to that state whenever you want.&lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;&lt;b&gt;Try out FLDIGI&lt;/b&gt; using some of the following modes andfrequencies. &lt;/p&gt;&lt;p class="Para"&gt;&lt;strong&gt;PSK &lt;/strong&gt;– narrow band low symbol rate modes usingsingle carrier differential Binary Phase Shift Keying, BPSK, or QuadraturePhase Shift Keying, QPSK. This is the most popular digital mode by far. CommonPSK31 frequencies:Daytime: 14.070 MHz/USB, 10.140 MHz/USB, 7.070 MHz/USBEvenings/Night: 3.580 MHz/USB, 7.070 MHz/USB, 10.140 MHz/USB&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;MT63&lt;/b&gt; employs a unique highly redundant Forward ErrorCorrection system which contributes to it robustness in the face ofinterference and fading.&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;MT63 &lt;a name="mt632kl"&gt;FM 6m/2m/70cm ops (2K Long Interleave)&lt;/a&gt;&lt;/li&gt;&lt;li class="MsoNormal"&gt;&lt;a name="mt631kl"&gt;MT63 HF USB ops – (1K/Long Interleave):NBEMS recommended USB frequencies: 3.590, 7.090, 14.109&lt;/a&gt; MHz&lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;&lt;a name="oliv16_500"&gt;&lt;b&gt;Olivia&lt;/b&gt; is a very robust mode with lowerror rates, but can be annoyingly slow.&lt;/a&gt;&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;HF USB ops – (500Hz/16 Tones): NBEMS recommended USBfrequencies: 3.584, 7.074, 14.074 MHz&lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;[See &lt;a href="http://hflink.com/olivia/"&gt;http://hflink.com/olivia/&lt;/a&gt;for a full list of Olivia calling frequencies.]&lt;/p&gt;&lt;p class="Para"&gt;&lt;a name="dominoex11fec"&gt;&lt;b&gt;Domino&lt;/b&gt; The mode is normally usedwithout Forward Error Correction, as it is very robust. The default speed (11baud) was designed for NVIS conditions (80m at night), and other speeds suitweak signal LF, and high speed HF use. The use of incremental keying gives themode complete immunity to transmitter-receiver frequency offset, drift andexcellent rejection of propagation induced Doppler. &lt;/a&gt;&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;Default calling mode - DominoEX11. NBEMS recommended USBfrequencies: 3.583, 7.073, 14.073 MHz&lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;&lt;b&gt;Feld Hell&lt;/b&gt; frequencies 3.580, 7.037, 10.137, 14.0635, 21.063,28.120 MHz&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;Description of Feld Hell is at &lt;a href="http://www.qsl.net/zl1bpu/FUZZY/Feld.htm"&gt;http://www.qsl.net/zl1bpu/FUZZY/Feld.htm&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h3&gt;Session 3 Using FLDIGI – Starting with PSK-31 and Transmitting a GoodSignal&lt;/h3&gt;&lt;p class="Para"&gt;Recommended reading: Clint Hurd KK7UK presentation at AlaskaHamfest in 2008: go to &lt;a href="http://kk7uq.com/html/hamfest.htm"&gt;http://kk7uq.com/html/hamfest.htm&lt;/a&gt;and click on &lt;u&gt;Digital Communication Basics&lt;/u&gt;.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Hints to new PSK users&lt;/b&gt; from that presentation:&lt;/p&gt;&lt;ol style="margin-top: 0in;" start="1" type="1"&gt;&lt;li class="MsoNormal"&gt;Make sure you are putting out a pure signal. Don'toverdrive the rig.&lt;/li&gt;&lt;li class="MsoNormal"&gt;Ask on the bands for a report from others – the softwareof the person receiving your signal can report your IMD – should be lessthan&lt;b&gt; minus 24dB&lt;/b&gt;.&lt;/li&gt;&lt;li class="MsoNormal"&gt;Don't type in all caps.&lt;/li&gt;&lt;li class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;Lower your power to a level of50% of what your rig can produce so you don’t burn out your finals.&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;Tune a little above the PSKactivity and call with Hell or MFSK16 or Olivia 16/500.&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p class="Para"&gt;&lt;b&gt;All PSK31 frequencies &lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;160meters 1.838 MHz &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;80meters 3.580 MHz &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;40meters 7.035 MHz &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;30meters 10.140 MHz &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;20meters 14.070 MHz &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;17meters 18.100 MHz &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;15meters 21.080 MHz &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;10meters 28.120 MHz &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;6meters 50.290 MHz&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;2meters 144.144 MHz&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;1.25meters 222.07 MHz&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;70centimeters 432.2 MHz&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;33centimeters 909 MHz&lt;/span&gt;&lt;/p&gt;&lt;p class="Para"&gt;Note: you will frequently see the wider signals of &lt;b&gt;PSK63 &lt;/b&gt;justa little higher.&lt;/p&gt;&lt;h3&gt;Session 4 More FLDIGI – RTTY, the WRAP Utility and RS-ID&lt;/h3&gt;&lt;p class="Para"&gt;&lt;b&gt;More features of FLDIGI described in Blog Post 4&lt;/b&gt;&lt;/p&gt;&lt;p class="Para" style="margin-left: 0.5in;"&gt;&lt;b&gt;Macros&lt;/b&gt;: content can be edited byright clicking on the button. Other sets can be accessed by clicking on the endof the bar. Left or right clicking on the mode button brings up options.&lt;/p&gt;&lt;p class="Para" style="margin-left: 0.5in;"&gt;&lt;b&gt;Waterfall&lt;/b&gt;: the size can beadjusted and magnified.&lt;/p&gt;&lt;p class="Para" style="margin-left: 0.5in;"&gt;&lt;b&gt;2-minutes buffer&lt;/b&gt;: constantlysaving the audio so that a new signal in a different mode can be selected fordecoding of that last 2 minutes.&lt;/p&gt;&lt;p class="Para" style="margin-left: 0.5in;"&gt;&lt;b&gt;Signal to noise and intermodulationdistortion&lt;/b&gt; of a received signal are displayed on the bottom of the screen.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;The Wrap Utility&lt;/b&gt; (downloaded with FLDIGI)&lt;/p&gt;&lt;p class="Para"&gt;Wrap allows you to transmit a text message, image, or binary fileto either single or multiple stations and allow each receiving station toverify that the transmission was received without error. &lt;b&gt;Blog Post 4&lt;/b&gt; hasdetailed instructions for configuring FLDIGI, converting and sending a“wrapped” message, and receiving and decoding wrapped messages.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;RS-ID&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;The "RS" ("RS" for "Reed-Solomon")identifier allows automatic identification any digital transmission done in oneof the RX/TX modes handled by FLDIGI if the sending station is using thefeature. In receive mode it can be activated by clicking on the RSID button inupper right. &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;RTTY&lt;/b&gt; (Radio Teletype) is the second most common digitalmode.&lt;/p&gt;&lt;p class="Para"&gt;Look to the following websites for &lt;b&gt;RTTY guidance&lt;/b&gt;:&lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;Getting Started in RTTY with MMTTY at&lt;a href="http://www.dxzone.com/cgi-bin/dir/jump2.cgi?ID=13022"&gt;http://www.dxzone.com/cgi-bin/dir/jump2.cgi?ID=13022&lt;/a&gt;&lt;/li&gt;&lt;li class="MsoNormal"&gt;An RTTY Tutorial for Beginners by Bill W7TI is at&lt;a href="http://www.iw5edi.com/ham-radio/26/a-rtty-tutorial-for-beginners"&gt;http://www.iw5edi.com/ham-radio/26/a-rtty-tutorial-for-beginners&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;&lt;b&gt;RTTY frequencies:&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;80 meters: 3580 - 3650 (3520 - 3525in Japan)&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;40 meters: 7080 - 7100 in the US (see note below)&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;30 meters: 10110 to top of band&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;20 meters: 14080 - 14099 (avoid theNCDXF beacons at 14100)&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;15 meters: 21080 - 21100 &lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;10 meters: 28080 – 28100&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Note&lt;/b&gt;: RTTY allocations for 40 meters vary greatly all overthe world. In the US, RTTY is permitted between 7000 and 7150, although most US activity is between 7080 and 7100. DX activity is often found between 7020 and 7045. TheARRL promotes 7040 as the RTTY DX calling frequency, but the CW QRP’ers use itas their calling frequency too. &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Three main digital packages&lt;/b&gt; are: &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;FLDIGI&lt;/b&gt; by David Freese, W1HKJ and Skip Teller, KH6TY: &lt;a href="http://www.w1hkj.com/"&gt;http://www.w1hkj.com/&lt;/a&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;HRD/DM780&lt;/b&gt; by Simon Brown, HB9DRV: &lt;a href="http://www.ham-radio-deluxe.com/"&gt;http://www.ham-radio-deluxe.com/&lt;/a&gt; &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;MULTIPSK&lt;/b&gt; by Patrick Lindecker, F6CTE: &lt;a href="http://f6cte.free.fr/index_anglais.htm"&gt;http://f6cte.free.fr/index_anglais.htm&lt;/a&gt;&lt;/p&gt;&lt;p class="Para"&gt;Patrick’s MULTIPSK is a great technical achievement. He offersthe most sensitive modems and detection routines available and many modes (suchas ALE-400) that are not available in any other software. The challenge is hisuser interface is very dense and can be tough on a first-time user. Hisphilosophy is he wants all the controls in one place – and they are. &lt;/p&gt;&lt;p class="Para"&gt;FLDIGI is a very elegant package that is fully featured butsimple to setup and use. HRD is not so simple, but is a great package and whenused with DM780 is very fully featured. MULTIPSK offers the most sensitivemodems and detection routines available and many modes (such as ALE-400) thatare not available in any other software. The challenge is his user interface isvery dense and can be tough on a first-time user.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Other packages&lt;/b&gt; of significance&lt;/p&gt;&lt;p class="Para"&gt;WINWARBLER, part of the DXLAB suite and available here: &lt;a href="http://www.dxlabsuite.com/winwarbler/download.htm"&gt;http://www.dxlabsuite.com/winwarbler/download.htm&lt;/a&gt;&lt;/p&gt;&lt;p class="Para"&gt;DIGIPAN – by Skip Teller KH6 and one of the authors of FLDIGI anda founding father of digital modes in amateur radio: &lt;a href="http://home.comcast.net/%7Ehteller/digipan/"&gt;http://home.comcast.net/~hteller/digipan/&lt;/a&gt;&lt;/p&gt;&lt;p class="Para"&gt;MixW – updated in Jan, 2009 after a long hiatus. Payment of $50required after a 15-day trial period. &lt;a href="http://www.mixw.net/index.php?j=downloads"&gt;http://www.mixw.net/index.php?j=downloads&lt;/a&gt;&lt;/p&gt;&lt;p class="Para"&gt;Check out this repository of digital and other ham radiosoftware: &lt;a href="http://www.g3vfp.org/download.html"&gt;http://www.g3vfp.org/download.html&lt;/a&gt;&lt;/p&gt;&lt;h3&gt;Session 5 WSPR – Weak Signal Propagation Reporter&lt;/h3&gt;&lt;p class="Para"&gt;Joe Taylor, K1JT, of Princeton has written a series of programsfor brilliantly combining Digital Signal Processing (DSP) and ham radio toallow us to plumb the depths of weak signal work.  &lt;b&gt;WSPR&lt;/b&gt; (pronounced"whisper") stands for "Weak Signal Propagation Reporter."This program is designed for sending and receiving low-power transmissions totest propagation paths on the MF and HF bands. Users with internet access canwatch results in real time at &lt;a href="http://wsprnet.org/drupal/"&gt;http://wsprnet.org/drupal/&lt;/a&gt;.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Downloads&lt;/b&gt; for Windows and documentation are at &lt;a href="http://physics.princeton.edu/pulsar/K1JT/wspr.html"&gt;http://physics.princeton.edu/pulsar/K1JT/wspr.html&lt;/a&gt;.Follow the &lt;u&gt;Quick Start Guide&lt;/u&gt; to install and configure.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Application notes&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Soundcard&lt;/b&gt;: In Configure&amp;gt;Options, enter the numbers fromthe “Audio Device” list on the black WSPR screen that comes up at startup. Notethat power is in dBm.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Frequency&lt;/b&gt; settings are automatic. Just choose the band.&lt;/p&gt;&lt;p class="Para"&gt;Install &lt;b&gt;Dimension 4&lt;/b&gt; from Thinking Man Software at &lt;a href="http://www.thinkman.com/dimension4/download.htm"&gt;http://www.thinkman.com/dimension4/download.htm&lt;/a&gt;to keep your computer clock accurate to within 0.01 sec.&lt;/p&gt;&lt;p class="Para"&gt;This is a &lt;b&gt;weak signal mode&lt;/b&gt; – it really doesn’t need muchpower – try 1 watt (30 dBm) and see who hears you and where they are.  &lt;/p&gt;&lt;p class="Para"&gt;Try operating at &lt;b&gt;local sunrise or sunset&lt;/b&gt; to really seewhat happens as the bands change.&lt;/p&gt;&lt;h3&gt;Session 6 MMSSTV, Slow Scan Image Transmission&lt;/h3&gt;&lt;p class="Para"&gt;&lt;b&gt;Download&lt;/b&gt; MMSSTV from &lt;a href="http://mmhamsoft.amateur-radio.ca/mmsstv/"&gt;http://mmhamsoft.amateur-radio.ca/mmsstv/&lt;/a&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Install and configure&lt;/b&gt; it using the Help file in theprogram, or instructions in the WA-DIGITAL Yahoo Group files.&lt;/p&gt;&lt;p class="Para"&gt;Most &lt;b&gt;common modes&lt;/b&gt;: Scotty 1 or Scotty 2 in US. Martin 1 or2 for DX.&lt;/p&gt;&lt;p class="Para"&gt;Suggested &lt;b&gt;SSTV frequencies&lt;/b&gt;: &lt;/p&gt;&lt;p class="Para" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;span style="font-family:Symbol;"&gt;·&lt;span style=";font-family:&amp;quot;;font-size:7pt;"  &gt;       &lt;/span&gt;&lt;/span&gt;&lt;b&gt;10 Meters:&lt;/b&gt;28.67328.67728.680=calling frequency28.68328.68628.690=K3ASI repeater28.700=ON4VRB repeater &lt;/p&gt;&lt;p class="Para" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;span style="font-family:Symbol;"&gt;·&lt;span style=";font-family:&amp;quot;;font-size:7pt;"  &gt;       &lt;/span&gt;&lt;/span&gt;&lt;b&gt;15 Meters:&lt;/b&gt;21.33421.33721.340=calling frequency21.34321.346Avoid SSTV around 21.350 because there is a Phone DX Net running &lt;/p&gt;&lt;p class="Para" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;span style="font-family:Symbol;"&gt;·&lt;span style=";font-family:&amp;quot;;font-size:7pt;"  &gt;       &lt;/span&gt;&lt;/span&gt;&lt;b&gt;20 Meters:&lt;/b&gt;14.230=calling frequency14.23314.23614.239Avoid SSTV on 14.227 because there is a Phone DX Net running there. &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Application Notes&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Soundcard oscillator calibration&lt;/b&gt; is critical to avoidtransmitting slanted images. See “Slant Correction” in the Help menu.&lt;/p&gt;&lt;p class="Para"&gt;To use this software, just go to the &lt;b&gt;SSTV watering holes&lt;/b&gt; at14.230 or 14.233. This is the best known and possibly the best defendedfrequency in all of amateur radio.  &lt;/p&gt;&lt;p class="Para"&gt;The &lt;b&gt;Ten Commandments&lt;/b&gt; of Slowscan by Dave Jones - KB4YZ&lt;/p&gt;&lt;ol style="margin-top: 0in;" start="1" type="1"&gt;&lt;li class="MsoNormal"&gt;Use voice before sending SSTV. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Wait for voice and SSTV traffic to finish before sendingSSTV. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Choose an SSTV mode that is proper for the image to besent, band conditions, and the receive capability of the receivingstations. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Announce the SSTV mode used prior to sending. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Transmit on frequency as confirmed by calibration of theVFO with WWV. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Send straight pictures as confirmed by calibration of theclock timing with WWV. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Send quality pictures with call sign on image. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Send full frame. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Avoid sending a CW ID unless required by regulations. &lt;/li&gt;&lt;li class="MsoNormal"&gt;Describe the picture only after it is confirmed that itwas properly received. &lt;/li&gt;&lt;/ol&gt;&lt;h3&gt;Session 7 Digital SSTV: EasyPAL&lt;/h3&gt;&lt;p class="Para"&gt;&lt;b&gt;EasyPAL&lt;/b&gt; is a piece of software by Erik VK4AES that usesDRM encoding and allows us to send any type of file on your computer, includingimages.  We can request “fills” or retransmission of any blocks not receivedperfectly. Or you can Reed-Solomon encode everything you send to increase theprobability your information will make it through the first time.   &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Download&lt;/b&gt; the software from &lt;a href="http://www.g4rob.co.uk/easypal.htm"&gt;http://www.g4rob.co.uk/easypal.htm&lt;/a&gt;and go to the help file on that web site for configuration instructions andhelp files.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;SSTV frequencies&lt;/b&gt; are listed above.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Application notes&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Soundcard volume settings are critical&lt;/b&gt;. Too high or toolow a signal level from your Receiver via your Radio Interface to your PCsoundcard will result in Total or partial LOSS OF RECEIVE SIGNAL. EasyPal willcorrectly receive and decode when ALL RECEIVE INDICATORS SHOW GREEN. Get itright and then use QuickMix to save settings for this application.&lt;/p&gt;&lt;p class="Para"&gt;Go to Setup&amp;gt;Calibrate Waterfall (WWV) to use WWV signals to &lt;b&gt;calibratewaterfall&lt;/b&gt; frequency scale.&lt;/p&gt;&lt;p class="Para"&gt;[N.B. EasyPal could be a powerful tool for emcomm. It could be usedto transmit a standard ICS form along with photos from the field to the EOC.]&lt;/p&gt;&lt;h3&gt;Session 8 WSJT-JT65A – Terrestrial HF&lt;/h3&gt;&lt;p class="Para"&gt;The &lt;b&gt;WJT Software &lt;/b&gt;was also written by Joe Taylor, K1JT. Itfacilitates basic digital communication using protocols explicitly optimized fora number of different propagation modes. Specifically:  &lt;/p&gt;&lt;ul style="margin-top: 0in;" type="disc"&gt;&lt;li class="MsoNormal"&gt;FSK441 for meteor scatter &lt;/li&gt;&lt;li class="MsoNormal"&gt;JT6M for ionospheric scatter &lt;/li&gt;&lt;li class="MsoNormal"&gt;JT65 for EME at VHF/UHF, and for HF skywave propagation &lt;/li&gt;&lt;/ul&gt;&lt;p class="Para"&gt;&lt;b&gt;Download&lt;/b&gt; for Windows is at &lt;a href="http://physics.princeton.edu/pulsar/K1JT/wsjt.html"&gt;http://physics.princeton.edu/pulsar/K1JT/wsjt.html&lt;/a&gt;. The user’s guide is included with the download.&lt;/p&gt;&lt;p class="Para"&gt;JT65 has three sub-modes known as JT65A, B, and C. They areidentical except for the spacing between transmitted tone intervals. At thepresent time JT65A is generally used on HF and 50 MHz, JT65B on 144 and 432MHz, and JT65C on 1296 MHz. JT65 uses 60 second transmission and receptionintervals.&lt;/p&gt;&lt;p class="Para"&gt;Andy K3UK has an excellent &lt;b&gt;JT65A guide&lt;/b&gt; at &lt;a href="http://www.obriensweb.com/bozoguidejt65a.htm"&gt;http://www.obriensweb.com/bozoguidejt65a.htm&lt;/a&gt;&lt;/p&gt;&lt;p class="Para"&gt;By far the simplest method of figuring out where the action canbe found is to use your web browser and go to the &lt;b&gt;JT65 Terrestrial Link&lt;/b&gt; &lt;b&gt;website&lt;/b&gt; by N0UK at &lt;a href="http://www.chris.org/cgibin/jt65talk"&gt;http://www.chris.org/cgi‑bin/jt65talk&lt;/a&gt;.&lt;/p&gt;&lt;p class="Para"&gt;The most commonly used &lt;b&gt;JT65A frequencies&lt;/b&gt; are:14.075 to 14.0767.0757.076 in North America7.042 to 7.0437.025 LSB for Europe and Oceania3.576 (North America)3.796 (Europe)18.102 &amp;amp; 18.10610.14721.07624.9101.805 to 1.808.&lt;/p&gt;&lt;p class="Para"&gt;14.076 or 10.147 or 7.076 are the best places to start. These areDIAL frequencies.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Application Notes&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Important&lt;/b&gt;: use the WSJT7 black and white DOS-like windowto check your input and output device numbers –then transfer that info to thecolorful WSJT7 by K1JT window - look under the SETUP menu - OPTIONS choice andenter the AUDIO IN and AUDIO OUT device numbers you got from the first columnon the DOS-like black window.&lt;/p&gt;&lt;p class="Para"&gt;As before, &lt;b&gt;input volume level is critical&lt;/b&gt;.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Soundcard oscillator calibration&lt;/b&gt; is also important. Seethe help files.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Operating with WSJT &lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;By longstanding tradition, a minimal valid QSO requires theexchange of call signs, a signal report or some other information, andacknowledgments. WSJT is designed to facilitate making such minimal QSOs underdifficult conditions, and the process can be made easier if you follow standardoperating practices. The &lt;b&gt;recommended procedure&lt;/b&gt; is as follows: &lt;/p&gt;&lt;p class="MsoNormal"&gt;1. If you have received less than both calls from the otherstation, send both calls. &lt;/p&gt;&lt;p class="MsoNormal"&gt;2. If you have received both calls, send both calls and asignal report. &lt;/p&gt;&lt;p class="MsoNormal"&gt;3. If you have received both calls and a report, send R plusyour signal report. &lt;/p&gt;&lt;p class="MsoNormal"&gt;4. If you have received R plus signal report, send RRR. &lt;/p&gt;&lt;p class="MsoNormal"&gt;5. If you have received RRR — that is, a definiteacknowledgment of all of your information — the QSO is “officially” complete.However, the other station may not know this, so it is conventional to send 73s(or some other conversational information) to signify that you are done. &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Typing the F5 key&lt;/b&gt; will cause WSJT to pop up a screen thatreminds you of the recommended procedures.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Digital on Six&lt;/b&gt; at &lt;a href="http://www.ykc.com/wa5ufh/DOS/index.html"&gt;http://www.ykc.com/wa5ufh/DOS/index.html&lt;/a&gt;promotes the use of digital modes on the 6 meter band. A weekly event is theJT65B activity on Friday evenings in 2 phases: 9:00 pm Eastern and then 8:00 pmPacific time. Default Mode JT65B on 50.294MHz. When the "Band IsOpen" QSY to PSK / Olivia / etc.on that mode’s appropriate calling frequency.50.260 WSJT Modes (Calling Frequency)50.290 PSK3150.2925 Olivia50.294 JT65B &amp;amp; Friday Activity Period Calling Frequency50.300 RTTY and MFSK&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Session 9 WSJT-High Speed-Meteor Scatter&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;WSJT/FSK441&lt;/b&gt; is now the &lt;b&gt;primary meteor scatter program&lt;/b&gt;and mode over nearly all the world.  &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Go to &lt;/b&gt;&lt;a href="http://www.qsl.net/w8wn/hscw/papers/fsk-sop.html"&gt;&lt;b&gt;http://www.qsl.net/w8wn/hscw/papers/fsk-sop.html&lt;/b&gt;&lt;/a&gt;&lt;b&gt;for Standard Operating Procedures&lt;/b&gt; for FSK441 meteor scatter communicationswithin the Americas. &lt;b&gt;Read this!&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;Go to &lt;b&gt;Ping Jockey Central&lt;/b&gt; at &lt;a href="http://www.pingjockey.net/cgi-bin/pingtalk"&gt;http://www.pingjockey.net/cgi-bin/pingtalk&lt;/a&gt;and click on &lt;b&gt;“read this!”&lt;/b&gt; at the top of the page to see Ping Jockey Etiquette.On that page are messages from ongoing HSMS scheds and contacts.&lt;/p&gt;&lt;p class="Para"&gt;Go to &lt;a href="http://www.ykc.com/wa5ufh/"&gt;http://www.ykc.com/wa5ufh/&lt;/a&gt;for the &lt;b&gt;WSJT Group&lt;/b&gt; –information and news about meteor scatter,including Random Hour operations on Saturday and Sunday mornings. See also the &lt;b&gt;WSTJYahoo group&lt;/b&gt;.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Application Notes&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Computer clock&lt;/b&gt; must be accurate.&lt;/p&gt;&lt;p class="Para"&gt;In North America, &lt;b&gt;50.260 MHz and 144.140 MHz&lt;/b&gt; are &lt;b&gt;calling(CQ) frequencies—not&lt;/b&gt; &lt;b&gt;operating&lt;/b&gt; frequencies. Schedules should alwaysbe made at least 5 kHz away from the calling (CQ) frequencies.&lt;/p&gt;&lt;p class="Para"&gt;"CQU5" means "I'm listening and will reply Up 5kHz.""CQD8" means "I'm listening and will reply Down 8 kHz".The offset frequency is always relative to the CQ frequency.&lt;/p&gt;&lt;p class="Para"&gt;“CQ123” means "I'm listening and will reply on 144.123 MHz."&lt;/p&gt;&lt;p class="Para"&gt;The commonly-accepted (and expected) &lt;b&gt;exchange for all HSMSoperation&lt;/b&gt; is the burst duration-signal strength report("2-number" report).&lt;/p&gt;&lt;div align="center"&gt;&lt;table class="MsoNormalTable" border="1" cellpadding="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;First Number: Ping Duration&lt;/p&gt;&lt;/td&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;Second Number: Signal Strength&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;1 - Ping with no info. (Not sent)&lt;/p&gt;&lt;/td&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;2 - ping, up to 5 sec in length&lt;/p&gt;&lt;/td&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;6 - up to S3 in strength&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;3 - 5-15 sec in length&lt;/p&gt;&lt;/td&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;7 - S4 to S5&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;4 - 15-60 sec burst&lt;/p&gt;&lt;/td&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;8 - S6 to S7&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;5 - over 60 sec burst&lt;/p&gt;&lt;/td&gt;&lt;td style="padding: 0.75pt;"&gt;&lt;p class="MsoNormal"&gt;9 - S8 and stronger&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;p class="Para"&gt;&lt;b&gt;Best time&lt;/b&gt; for MS operations is in the morning hours,around 0600 local time, when that part of the earth is facing the samedirection as the direction of travel of the earth in its orbit around the sun.&lt;/p&gt;&lt;h3&gt;Session 10 Packet Radio Using Flex32 and Paxon&lt;/h3&gt;&lt;p class="Para"&gt;Soundcard packet makes amateur packet radio available to any Hamwith a VHF transceiver and a soundcard-equipped computer, at little or noexpense.&lt;/p&gt;&lt;p class="Para"&gt;For the classic “Introduction to Packet Radio” by Larry Kenney,WB9LOZ, go to &lt;a href="http://www.choisser.com/packet/"&gt;http://www.choisser.com/packet/&lt;/a&gt;.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;&lt;u&gt;Flex32 Software&lt;/u&gt;&lt;/b&gt; written by Gunter Jost DK7WJ&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Go to&lt;/b&gt; &lt;a href="http://uspacket.org/network/index.php/topic,21.msg23/topicseen.html#new"&gt;http://uspacket.org/network/index.php/topic,21.msg23/topicseen.html#new&lt;/a&gt;for a tutorial by Charles Brabham N5PVL with download and installationinstructions. Two programs are downloaded:&lt;b&gt;flexnet32.zip&lt;/b&gt; this file contains the Flex32 software, some assorteddrivers, and a simple terminal program and&lt;b&gt;soundmodem-flex.zip&lt;/b&gt; this is the soundcard driver module, along with asetup utility.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Installation&lt;/b&gt;: See Blog Post 10 for details. Briefly: Unzipinto C:\FLEX32. Run soundmodem.config to configure soundcard driver. RunFlexctl.exe to bring up the Flexnet Control Center and add “soundmodem” to thechannel parameters. Create a command-line shortcut to Tnc32.exe with parameters“call‑sign 4 4” to bring up TNC32. Key Esc to enter commandmode and key H to list available commands. This is a simple terminal programthat may be used to connect to a packet network&lt;/p&gt;&lt;p class="Para"&gt;In Seattle, connect to SEA on 145.010 MHz.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;&lt;u&gt;Paxon software&lt;/u&gt; &lt;/b&gt;written by Ulf Haueisen DG1FAZ&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Go to&lt;/b&gt; &lt;a href="http://uspacket.org/network/index.php/topic,20.0.html"&gt;http://uspacket.org/network/index.php/topic,20.0.html&lt;/a&gt;for another tutorial by Charles Brabham N5PVL with download and configuration &lt;b&gt;instructions&lt;/b&gt;.The web-site, help files and installation program for Paxon are all in German,but the program comes up ready for English speaking users. However, the helpfile is still in German.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Paxon download&lt;/b&gt; is at &lt;a href="http://www.paxon.de/download.html"&gt;http://www.paxon.de/download.html&lt;/a&gt;for download. See Blog Post 10 for details of installation and configuration.&lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;First Steps&lt;/b&gt; are listed in the Help tab&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Click on Tools, Settings.&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Select General, My Calls, Add.&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Enter your Callsign and specify theconnectable SSIDs.&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Setup your Modems and TNCs:Devices, Device drivers, Add.&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Select Flexnet or Hostmode.&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Select your devices in the list,and edit their Properties.&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Confirm the settings with the OK-Button.&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left: 0.5in;"&gt;Click on Connect to make your firstconnect with Paxon. Have Fun!&lt;/p&gt;&lt;p class="Para"&gt;Try browsing around in Paxon's "Settings" and you willbe amazed at all of the nice things this program can do. It can be used forfile transfers, remote SYSOP'ing, and as a personal terminal.&lt;/p&gt;&lt;h3&gt;Session 11 Packet Radio Using AGW Packet Engine&lt;/h3&gt;&lt;p class="Para"&gt;&lt;b&gt;AGW Packet Engine&lt;/b&gt; by George Rossopoylos SV2AGW handles allthe traffic between packet applications and the computer/radio interface—TNC orsoundcard. It is freeware from the SV2AGW web site at &lt;a href="http://www.sv2agw.com/ham/"&gt;http://www.sv2agw.com/ham/&lt;/a&gt;  in the “&lt;b&gt;Downloads”&lt;/b&gt;section. A lengthy &lt;b&gt;tutorial&lt;/b&gt; by Ralph Milnes KC2RLM for installation andconfiguration is located at &lt;a href="http://www.kc2rlm.info/soundcardpacket"&gt;http://www.kc2rlm.info/soundcardpacket&lt;/a&gt;. See Blog Post 11 for details.&lt;/p&gt;&lt;p class="Para"&gt;A full featured version is Packet Engine Pro, with one month freeand then $59 license fee.  The SV2AGW web site also has software downloads forAGWTerminal and AGWMonitor, both useful accompaniments to AGWPE. &lt;/p&gt;&lt;p class="Para"&gt;&lt;b&gt;Application Notes&lt;/b&gt;&lt;/p&gt;&lt;p class="Para"&gt;When you configure a radioport in AGWPE for SignaLink USB, selectan unused printer port (LPT3) as your PTT port. &lt;/p&gt;&lt;p class="Para"&gt;Always format packet and WL2K messages in plain text. HTML formatadds unnecessary bytes to the message.&lt;/p&gt;&lt;p class="Para"&gt;For use with Airmail software, download and install AM to PEsoftware by Brian Smith KG9OG from &lt;a href="http://www.qsl.net/mararc/ampe.htm"&gt;http://www.qsl.net/mararc/ampe.htm&lt;/a&gt;.&lt;/p&gt;&lt;h3&gt;Session 12 &lt;a name="6302631280933418248"&gt;&lt;/a&gt;WinDRM—Digital Data and VoiceUsing Digital Radio Mondiale on the Ham Bands &lt;/h3&gt;&lt;p class="Para"&gt;The problem with digital voice modes is the loss of the use of a proprietarycodec.  &lt;b&gt;Digital voice is about dead&lt;/b&gt; and probably will remain that wayuntil a MELP equivalent codec is found or some new technology is found. SeeBlog Post 12 for more information.&lt;/p&gt;&lt;p class="Para"&gt;If you want to try it, here is the link: &lt;a href="http://n1su.com/windrm/download.html"&gt;http://n1su.com/windrm/download.html&lt;/a&gt;.14.236 MHz is the calling/net frequency for digital voice.  &lt;/p&gt;&lt;h3&gt;Postscript&lt;/h3&gt;&lt;p class="Para"&gt;At this writing, the WA-DIGITAL Yahoo Group is active—and thegroup web site at &lt;a href="http://groups.yahoo.com/group/wadigital/"&gt;http://groups.yahoo.com/group/wa‑digital/&lt;/a&gt;has a large collection of files and information about digital communications forRadio Amateurs. If you are interested in this topic but not yet a member of thegroup, please consider joining.&lt;/p&gt;&lt;p class="Para"&gt;October 5, 2009&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-8772344303392923766?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/8772344303392923766/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=8772344303392923766' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/8772344303392923766'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/8772344303392923766'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/10/testing123.html' title='Digital Summer Notes, Boone Barker, KC7RK, No. 72'/><author><name>Bob Helling</name><uri>http://www.blogger.com/profile/02352636352618704676</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-4943859657750898498</id><published>2009-09-30T19:25:00.000-07:00</published><updated>2009-09-30T19:38:14.184-07:00</updated><title type='text'>Bits, Nibbles, Bytes, and Words, Lee Bond N7KC</title><content type='html'>&lt;strong&gt;&lt;span style="font-size:130%;"&gt;September 30, 2009 Educational Radio Net, PSRG 71st Session&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;The digital computer is ubiquitous. These computers are everywhere. Kids have their own and, more than likely, so do the grandparents. Most users are very proficient with the keyboard and blaze through the games, documents, spreadsheets, and whatnot without even a thought of what is going on inside that mysterious box called a computer. I am willing to bet that not one in ten users can define a "bit" and I will further wager that not one in 100 users has a good grasp of computer arithmetic or how the rational coding of bits makes their computer tick.&lt;br /&gt;&lt;br /&gt;My task tonight is to lead you down that magic path and explore the idea of the "bit" and how it can be used to represent numbers or events. We will then extend the bit notion into nibbles, bytes, and words. Some of the net participants tonight are likely to be expert in this bit world so, if you quality, think of ways to help me clarify the notion when I break for questions or comments.&lt;br /&gt;&lt;br /&gt;Let’s start with our very familiar decimal number system and dissect it in a way that I bet few of you have done. We will concern ourselves only with integers so no fractions are allowed in our discussion. Integers are the numbers 1, 2, 3, etc. that have no fractional part. You may call them whole numbers if you please. Integers can be precisely defined but that would muddy the water a bit so we will dispense with such formalism in favor of simplicity. We will start with the integers 1 through 9 and include the notion of nothingness as in zero.&lt;br /&gt;&lt;br /&gt;When we think of the decimal integers we must consider the ordering. For example after nothingness as in zero we think of 1, then 2, then 3, etc. in order through 9. Our standard notion of 9 is that it is ‘bigger’ than 8 and 8 is ‘bigger’ than 7 or 6 or 5, etc. In the following discussion throw ordering out the door. We will not be interested in ordering. In fact we will not even use numbers rather we will choose a collection of identical marbles and call then symbols. So, zero (or nothingness) plus 1 through 9 equals 10 symbols which we represent with 10 marbles.&lt;br /&gt;&lt;br /&gt;Unfortunately this forum of ours does not include a chalkboard so we must create a virtual chalkboard in your mind. If it helps then close your eyes and imagine the following: in your mind arrange 6 boxes in a 2 row x 3 column array. Each of the boxes in the top row has 10 identically sized marbles and the row of lower boxes have ‘nothing’ or zero marbles. Just so we do not get marbles in the wrong boxes lets choose black marbles for the rightmost box, brown marbles for the center box, and red marbles for the leftmost box.&lt;br /&gt;&lt;br /&gt;Ok, lets do something useful with this scheme. Assume that you are sitting on the back porch looking toward the Cascades and you want to tally lightning strikes. When the first strike occurs you move a black marble from the top right box into the box below. At the next strike you repeat the previous operation and move another black marble from the top right box into the box below. As you notice more and more lightning strikes you move black marbles until you have no more black marbles in the top right box. At this point you have used all of your marbles, so to speak, and you indicate this fact by moving a brown marble into the middle box below then move all of the ‘used’ black marbles back into the top right storage box.&lt;br /&gt;&lt;br /&gt;The lightning strikes continue and you move black marbles, one by one, into the lower box until you again run out of marbles. At this point you move a brown marble from the top box into the box below and reload the top box with the black marbles. Eventually you will run out of brown marbles in the top center box so you will move a red marble from the top left box to the box below and reload the top boxes with appropriate black and brown marbles.&lt;br /&gt;&lt;br /&gt;The point of this mental exercise is to illustrate that you can tally objects with symbols and that every time you exhaust, or cycle through, your symbol set you just indicate this fact by incrementing the symbol set to the left. You can choose as many symbols as you please. In this example, based on the decimal system with 10 symbols, each box to the left is weighted or "heavier" by 10 with respect to its neighbor to the right. As a result, this 10 symbol scheme goes units, tens, hundreds, thousands, etc. so is very convenient for us mortals. Once you know the weighting you can easily figure out how many lightning strikes you tallied by counting the symbols in each weighted box.&lt;br /&gt;&lt;br /&gt;In the interest of time let me assert that you can use a set of 12, or 9 or 8 or 7, etc. symbols and the scheme holds true. Now lets examine the case where we have reduced the set to two symbols. Thinking for a moment you realize that "bi" means two as in binary star or binocular. Could the binary number system be as simple as accounting for just two symbols? The answer is, of course, yes. The beauty of using two symbols in numerical computing is that transistors are very good switches and can be used to represent the two binary states perfectly. A SPST switch normally has two states such that it is either on or off. Open or closed. It is a trivial exercise to arrange a circuit with a mechanical switch such that one switch position results in +5 volts and the other position results in zero volts. The symbols associated with a two state switch are zero and one as in 0 or 1.&lt;br /&gt;&lt;br /&gt;Now, in a fashion similar to the decimal box exercise above let’s arrange 8 binary boxes side by side in a row. We know that the state of each of these "binary" boxes can be represented by either a 0 or a 1. Assume that the rightmost box is the, so called, least significant box and that all boxes are in the 0 state. Visually the boxes look like 0000 0000. Now, bump the rightmost box to the 1 state and the visual presentation goes to 0000 0001. Well, the rightmost box has now used all of its symbols so to tally the next event it must return to 0 and the box to the left is bumped from 0 to 1 as in 0000 0010. If you carry this process forward you will eventually achieve 1111 1111 and the next event will change all positions back to 0000 0000. The weighting goes by 2 rather than 10 as in the decimal case so each position to the right is ½ of its left neighbor or each position is twice its neighbor to the right. The sequence is 256, 128, 64, 32, 16, 8, 4, 2, 1. These 8 boxes represent a byte and each of the positions is a binary digit or bit. Two sets of 8 boxes as in 2 bytes or 16 bits represents a binary "word". Half a byte as in 4 bits is a nibble (or nybble to some).&lt;br /&gt;&lt;br /&gt;The total number of distinct combinations of 8 bits from 0000 0000 to 1111 1111 is 256 and goes as 2^8. A binary word composed of 16 bits can assume 2^16 or 65,536 distinct combinations. Recall that we are limiting ourselves to positive integers so we are only able to handle numbers up to 65,536. There are schemes to handle signed integers such as 2’s complement arithmetic and to be completely flexible there are floating point schemes which look a lot like scientific notation.&lt;br /&gt;&lt;br /&gt;Four binary bits can assume 16 distinct combinations and is the basis of the hexadecimal number system which has symbols 0 through 9 plus A, B, C, D, E, and F. Four binary bits are also used for BCD or binary coded decimal notation by throwing away the six unused states.&lt;br /&gt;&lt;br /&gt;How would one go about doing math operations on a computer? Well, microprocessors are very good and quick at adding or subtracting but clumsy when multiplying or dividing. Early microprocessors required many operations or, so called, clock cycles to produce numerical products and it was common to have a math coprocessor standing by to do the heavy lifting. For example, if you want to multiply a number by 10 in the decimal system you just move the decimal point one position to the right. In the binary system you would shift left (x2), shift left again (x4), shift left again (x8), and then add twice to achieve the 10x product. Clearly, there is a lot of time consuming overhead doing math in this fashion. Contemporary microprocessors are constructed with onboard and dedicated numerical processors with slick routines and which unburden the main unit.&lt;br /&gt;&lt;br /&gt;If you look at the schematic of any computer one thing will pop out immediately. There are lots of parallel paths connecting the various semiconductor packages. These parallel wire structures are called busses and might be as wide as 16 bits… possibly more… for memory addressing as an example. There is likely a data buss as well. One line generally represents the buss with breakouts at the ends. Each wire handles one bit of data on the data buss.&lt;br /&gt;&lt;br /&gt;In summary, the intent of this presentation is to show that symbols can be used to tally events and that recycling symbols will work in any number system. Starting with the familiar decimal number system and showing that symbol manipulation leads handily to the very simple two state, or binary, number system. A bit is a two state binary digit, a nibble is four associated bits, a byte is 2 associated nibbles or 8 bits, and a word is 2 bytes of 16 associated bits. Modern computers are said to have 32 bit words and, in some cases, 64 bit words.&lt;br /&gt;&lt;br /&gt;This concludes the set up discussion for bits, nibbles, bytes, and words. Are there any questions or comments with regard to tonight's discussion topic?&lt;br /&gt;&lt;br /&gt;This is N7KC for the Wednesday night Educational Radio Net&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-4943859657750898498?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/4943859657750898498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=4943859657750898498' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/4943859657750898498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/4943859657750898498'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/09/bits-nibbles-bytes-and-words-lee-bond.html' title='Bits, Nibbles, Bytes, and Words, Lee Bond N7KC'/><author><name>LBond</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-6387878854371676389</id><published>2009-09-23T18:02:00.000-07:00</published><updated>2009-09-23T19:50:09.078-07:00</updated><title type='text'>Phase Shift Keying, Bob, No. 70</title><content type='html'>Tonight I am continuing with my series on Spread Spectrum Radio.  I am going to discuss Phase Shift Keying (PSK), which is the form of modulation used by Direct Sequence Spread Spectrum (DSSS) Radio.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Spread Spectrum Radio Review&lt;/span&gt;&lt;br /&gt;Let's have a short review of spread spectrum.  The two main kinds in use in ham radio are Frequency Hopping and Direct Sequence.  Frequency hopping is relatively easy to understand.  Your carrier, rather than being on a fixed frequency, jumps from one frequency to another.  As long as the equipment receiving makes the same jumps you will be able to transmit the signal and prevent interference on any one frequency from causing a problem.  This can be used for analog or digital transmission but is most commonly used for digital.  Note that you must have a pattern of frequency changes that is known to both parties in order to allow the receiver to follow the transmission.&lt;br /&gt;&lt;br /&gt;In the other method, Direct Sequence, you only transmit digital information.  In fact the name "Direct Sequence" comes from the 11 digit sequence of ones and zeros that is used to modulate the carrier.  If your data bit is a zero then you send the sequence normally.  If your data bit is a one then you send a one where the sequence has a zero and send a zero where the sequence has a one.  For example 101 would turn into 010.  I mentioned that the carrier is modulated by this sequence but I didn't say how.  It is modulated using Phase Shift Keying.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Phase Shift Keying (PSK)&lt;/span&gt;&lt;br /&gt;So, what exactly is phase shift keying?  It is a way of changing the phase of a carrier to transmit a digital signal.  In essence what you are doing with PSK is phase hopping.  In the simplest example called Binary Phase Shift Keying (BPSK) you hop 180 degrees out of phase to transmit a certain piece of digital data.  So the signal is either in it's "normal" phase or in it's 180 degree out phase which is to say, inverted.  Note that the frequency of the carrier isn't changed but when you change the phase and modulate the carrier you create side-band emissions.  The faster you modulate the signal, the wider the side-bands.  In addition to BPSK there is Quadrature PSK (QPSK) where the phase can be one of four values, 0, 90, 180 or -90.  There is also 8PSK using 8 phase angles and so on.  The general term is Multiple Phase Shift Keying (MPSK).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Differential Phase Shift Keying (DPSK)&lt;/span&gt;&lt;br /&gt;Basic BPSK has the signal at normal 0 phase to represent a digital zero and at 180 degrees out to represent a digital 1.  A commonly used variation on this is called Differential Binary Phase Shift Keying (DBPSK) and instead of a 1 being 180 degrees out of phase, a 1 always changes the phase while a 0 always keeps the phase the same.  This way you don't need a reference signal to know which is 0 degrees and which is 180 degrees.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;PSK-31&lt;/span&gt;&lt;br /&gt;If you want a very narrow signal you are limited to a slow digital transfer rate.  This is the case with PSK-31.  The 31 comes from the 31.25 bits per second data rate which generates 31.25Hz sidebands.  This is pretty much the opposite of spread spectrum.  The whole point of PSK-31 was to use such a small slice of the band that you could actually fit many PSK-31 channels in the space of a typical SSB voice bandwidth.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;PSK for Spread Spectrum&lt;/span&gt;&lt;br /&gt;With spread spectrum you want a very wide bandwidth; by definition, one that is much wider than necessary to convey the information.  By encoding each bit of data with the 11 bit sequence used in DSSS you now modulate the signal 11 times for each bit transferred.  So for a 1 Mbit/sec transmission, you modulate at 11 MHz.  This achieves the spread spectrum you are looking for.  This modulation is encoded using DBPSK and a suppressed carrier.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-6387878854371676389?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/6387878854371676389/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=6387878854371676389' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/6387878854371676389'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/6387878854371676389'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/09/phase-shift-keying-bob-no-70.html' title='Phase Shift Keying, Bob, No. 70'/><author><name>Bob Helling</name><uri>http://www.blogger.com/profile/02352636352618704676</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-329707799468761995</id><published>2009-09-16T19:39:00.000-07:00</published><updated>2009-09-16T19:48:13.068-07:00</updated><title type='text'>THE VACUUM DIODE EXPOSED, Lee Bond N7KC</title><content type='html'>&lt;strong&gt;September 16, 2009 Educational Radio Net, PSRG 69th Session&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;What a digital summer we experienced at the hands of Curt Black, WR5J! Curt pulled all the stops on a summers survey of free software downloads for your computer which, more or less, turned your radio into an analytical tool. As impressive as this tour was, one must ultimately realize that the most complex task that your computer performs is based on tiny packets of electrons or "charge" being directed here and there by the software commands. Elemental electrons in motion, or moving electric "charge", is the bottom line idea in electrical theory and all electrical devices including radio equipment.&lt;br /&gt;&lt;br /&gt;Let's review what we know about "charge". We know that it enjoys the symbol Q in the literature. We also know that it is an assembly of electrons and can be as few a one electron. We know that a collection of electrons numbering 6.14 x 10^18 is known as a Coulomb of charge. We know that charge will move under the influence of an electric field. We know that the original notion, or conventional notion, of charge was based on the erroneous idea that charge carried a positive sign hence moved in the direction of an applied electric field. Modern theory has reversed the original positive charge idea since electrons are negative entities and, in fact, move counter to the direction of any applied electric field. We know that charge can be motionless as in static charge. We know that an electrical current is charge in motion. It would seem that we know a lot about charge.&lt;br /&gt;&lt;br /&gt;The study of charge is best represented by the science of Physics with Physical Chemistry running a close second. The study of charge as it applies to the vacuum tube would come under the heading of Classical Newtonian Physics in contrast to the study of charge in semiconductor materials which would come under the heading of Modern Quantum Physics. In my view the vacuum tube represents the most elegant device for demonstrating the behavior of electrical charge influenced by an electric field. Lucky me to be raised in the heyday of the vacuum tube. As late as 1963 the US Navy destroyer to which I was assigned had a single piece of transmitting equipment that had modern solid state diodes in the circuitry. The selenium rectifier preceded germanium devices and modern silicon devices and required no heater but it is a stretch to include it as more than a rudimentary solid state device. The solid state transistor with all its ramifications is a relative newcomer to the field of electronics. Modern radio equipment's are solid state for the most part and only the old timers can relate stories of warming their hands in the glow of those magnificent glass bottles.&lt;br /&gt;&lt;br /&gt;No one has actually seen an electron. These entities are very, very tiny and to image them requires wavelengths small in comparison to the size of an electron. The one common instance of, more or less, stationary electrons occurs in the lattice structure of many crystals and x-ray crystallography has demonstrated diffraction images suggesting that these things are real. The fact that we can manipulate these tiny guys to the degree that we can is testimony to the very clever work of early scientists.&lt;br /&gt;&lt;br /&gt;We know that conductors have an abundance of so called "free" electrons. This is in contrast to tightly "bound" electrons which are not available to contribute to electric current flow. For example the neutral copper atom has 29 electrons associated with the nucleus in 4, so called, shells with the innermost shell containing 2 electrons followed by the next shell containing 8 electrons followed by the next shell containing 18 electrons followed by the outermost shell with a single, so called, valence electron. The three inner shells are tightly bound to the atomic nucleus but the outer single electron is easily forced out of place and can contribute to the electric current bumping along a copper wire. Most metals are conductors to varying degrees with silver, copper, and gold at the top. A copper atom missing its valence electron is known as a copper ion.&lt;br /&gt;&lt;br /&gt;I think we now have enough information to appreciate how a two terminal vacuum diode works so let's move on to some apparatus to demonstrate the effect. Forget the little glass bottle for the moment. We are going to use a laboratory bell jar and good quality vacuum pump as a part of our apparatus. Everyone has seen the "bell" jar on a stand with a mechanical vacuum pump attached. For our purposes the bell jar stand needs some electrical penetrations so that we can supply potentials to the bell jar innards. The first of the two inside devices is the filament or heater which also serves as a cathode. There are several schemes for heaters so let me select the one known as the directly heated filament cathode. This will be a tungsten wire section which will glow a bright red to orange when filament voltage is applied. Adjacent to the filament-cathode wire we will position a "plate" of flat metal such that it does not touch the filament. This metallic plate is, in fact, called the "plate" electrode in vacuum tube terminology and serves as the anode. Note that the plate may be cylindrical and surround the filament in real world devices.&lt;br /&gt;&lt;br /&gt;Our demonstration diode is complete. We have a filament (cathode) and plate (anode) plus a means of producing a good vacuum so on goes the bell jar but someone forgot to start the vacuum pump. Not realizing that a good vacuum is missing we switch on the filament voltage and sure enough the filament starts to light. Then there is a bright flash as the oxygen in the bell jar contributes to the destruction of the filament. Oops. Off with the jar and we install another filament wire. Ok, this time we turn on the pump and let it run until it chortles. Now when we flip the switch for the filament the wire glows a cheery orange. The chortling pump indicates that the internal vacuum (or pressure) is in the 1 to 10 micron range and suitable for our demonstration. The low internal pressure means that atoms of oxygen and nitrogen are scarce and will not interfere with the electronic process that we are interested in observing.&lt;br /&gt;&lt;br /&gt;Let's think about the filament voltage for a moment. I did not mention it but the source of the filament voltage is a battery. Traditionally the battery used for filament power is known as the "A" battery.&lt;br /&gt;&lt;br /&gt;So, here is our situation... we have a nicely glowing filament with an unconnected plate nearby and both are within a reasonably good vacuum. The glowing filament is probably heated to 800 degrees F or thereabouts and the thermal energy of the filament has caused lightly bound electrons to break free and form a cloud in the immediate vicinity of the filament-cathode. The thermal energy for breakaway is known as the work function and metals vary in this regard. Some substances such as barium offer very low work functions and are used in cooler, indirectly heated, cathode structures.&lt;br /&gt;&lt;br /&gt;Our cloud of electrons is negatively charged. If we cause the nearby plate element to become positively charged with respect to the filament-cathode then the electrons will move toward the plate anode and, since moving electrons constitute electrical current, we can measure a plate current if we insert some current measuring device in series with the plate. With regard to the plate, the battery traditionally used to supply plate voltage is known as the "B" battery hence follows the term B+ for the plate positive voltage supply.&lt;br /&gt;&lt;br /&gt;There is a third battery associated with vacuum tubes which is known as the "C" battery however it is not relevant here since we are using a two terminal device or diode and the C battery is only relevant in triode structures and beyond for grid biasing.&lt;br /&gt;&lt;br /&gt;At this point we have demonstrated that electrons will traverse a vacuum if the plate is positive with respect to the source of electrons. If the plate is negative relative to the source then the electrons are repelled and no plate current will flow. Herein lies the secret of the rectifying diode. If the plate is alternately positive then negative with respect to the cathode as would happen if connected to alternating mains then plate current only flows on positive excursions of plate voltage. Bi-directional current from AC mains becomes unidirectional current in the plate circuit. A single diode offers half wave rectification and a dual diode (or two individual diodes) offers full wave rectification.&lt;br /&gt;&lt;br /&gt;The high vacuum in the bell jar or little glass bottle performs two functions. First the pumping process removes virtually all oxygen so the filament suffers no oxidation. Secondly, the high vacuum is synonymous with low pressure both which equate to few residual gas particles present to hinder electron flow from cathode to plate anode. In reality small glass bottles with high internal temperatures will out gas damaging particles which will poison the vacuum so special devices known as "getters" are used internally to trap these vacuum destroyers.&lt;br /&gt;Special attention must be given to the metal leads going through the little glass tube envelopes. If the glass and wire conductors do not expand and contract in the same manner with extreme changes in temperature then the seal will be broken and the tube will be rendered useless in short order. Special wire alloys which match the glass thermal characteristics are used to avoid this problem.&lt;br /&gt;&lt;br /&gt;In summary, the physics and mathematics associated with the classic vacuum tube is elegant and a fun pursuit for the very curious. The concept of electronic charge flow within a triode vacuum tube is easily grasped and directly applicable to field effect transistors.  The natural extension from diode to triode by introducing a control grid between cathode and plate made possible amplification and the rest is history. &lt;br /&gt;&lt;br /&gt;This concludes the set up discussion for the Vacuum Diode. Are there any questions or comments with regard to tonight's discussion topic?&lt;br /&gt;&lt;br /&gt;This is N7KC for the Wednesday night Educational Radio Net&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-329707799468761995?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/329707799468761995/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=329707799468761995' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/329707799468761995'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/329707799468761995'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/09/vacuum-diode-exposed.html' title='THE VACUUM DIODE EXPOSED, Lee Bond N7KC'/><author><name>LBond</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-4326056184708757522</id><published>2009-09-09T00:35:00.000-07:00</published><updated>2009-09-09T00:38:27.350-07:00</updated><title type='text'>Winlink 2000, Boone Barker KC7RK, no. 68</title><content type='html'>&lt;span style="font-weight: bold;font-size:130%;" &gt;The Winlink 2000 System: E-Mail by Radio for Radio Amateurs&lt;br /&gt;&lt;/span&gt;Boone Barker, KC7RK&lt;br /&gt;&lt;br /&gt;Introduction&lt;br /&gt;This paper provides a brief introduction to the Winlink 2000 system—what it is and how it works, and how to become a user.&lt;br /&gt;&lt;br /&gt;To start, here are a couple of defining quotes from the Winlink web site at www.winlink.org .&lt;br /&gt;&lt;br /&gt;“Winlink 2000 (WL2K) is a worldwide system of volunteer resources supporting e-mail by radio, with non-commercial links to internet e-mail.”&lt;br /&gt;&lt;br /&gt; “To use the Winlink 2000 system, you must hold an Amateur Radio license or be a member of a supported organization or agency. Use of the system and all software is free of charge for those who qualify.”&lt;br /&gt;&lt;br /&gt;So Winlink is global, with access around the world. It is developed and supported entirely by volunteers. It is free. The system provides e-mail services to licensed Radio Amateurs without access to the internet such as mariners at sea or expeditions in remote areas.&lt;br /&gt;&lt;br /&gt;In addition, a growing number of government agencies and organizations have included WL2K in their emergency communication plans. Winlink 2000 can provide user -to-user e-mail services in a familiar format from inside a disaster area, using only a radio to connect to the outside world. &lt;br /&gt;&lt;br /&gt;Elements of Winlink 2000&lt;br /&gt;At the heart of the WL2K system are five mirror image, redundant Common Message Server (CMS) hubs. They are located in San Diego (USA), Wein (Austria), Perth (Australia), Halifax (Canada), and Washington DC (USA). With this redundancy, the system will remain operational even if large segments of the internet are down.&lt;br /&gt;&lt;br /&gt;Connected to the five CMS sites are a multitude of Radio Message Server (RMS) nodes, like spokes on a wheel. Traffic flows between the CMS hubs and the internet e-mail recipient, and between the end users and the RMS gateways.&lt;br /&gt;&lt;br /&gt;As an aside, the term “PMBO” (for a participating mailbox) is being phased out, but still shows up in Winlink writings.&lt;br /&gt;&lt;br /&gt;The radio network has both RMS HF stations and RMS VHF/UHF Packet stations.&lt;br /&gt;&lt;br /&gt;RMS HF stations form a controlled and frequency-coordinated global network of Winlink stations. The HF stations all use Pactor, a digital ARQ mode that transfers text files and graphics quickly and error-free. Pactor 2 and 3, the faster modes, are only available on TNC’s produced by SCS in Germany. The WL2K Development Team is working on WINMOR, a new HF transmission protocol that will be freely distributed. It will complement, not replace Pactor; RMS HF stations will be able to handle both modes.&lt;br /&gt;&lt;br /&gt;RMS VHF/UHF Packet stations are also part of the network, providing automated messaging capability using AX.25 packet radio in combination with the WL2K Common Message Servers. Although limited in range, RMS Packet stations are widely available in the United States and a few other countries. RMS Packet can provide regular local access to Winlink, or a temporary emergency portal for radio e-mail users, or for fixed installation at unattended remote locations where it can provide radio e-mail communications to the “last mile.”&lt;br /&gt;&lt;br /&gt;The locations of public and emcomm RMS stations are shown in maps on the Winlink web site. Related status tables list station call sign, with frequency and mode and grid locator. Note that information about frequencies used by RMS HF emcomm stations is limited to authorized sysops and users.&lt;br /&gt;&lt;br /&gt;WL2K Client Software&lt;br /&gt;Paclink is a Winlink 2000 radio e-mail client that links to common e-mail programs such as Outlook Express and Mozilla Thunderbird. Paclink adds telnet, VHF packet radio, HF Pactor radio and WINMOR HF radio channels for WL2K connectivity to compatible user e-mail client programs. Installation and configuration are relatively easy.&lt;br /&gt;&lt;br /&gt;Airmail is the oldest and most widely used e-mail program for sending and receiving messages on the Winlink system. Airmail supports HF Pactor, VHF/UHF Packet, and telnet connections over any TCP/IP medium including the internet and high-speed radio media like D-Star. Airmail also has position reporting capability, and a very nice HF propagation prediction program. It can be linked to common e-mail programs such as Outlook Express. Installation and configuration are somewhat difficult, but a nice guide is available; just Google “INSTALLATION AND SETUP FOR WINLINK AIRMAIL”.&lt;br /&gt;&lt;br /&gt;Airmail is a stand-alone e-mail program. The primary drawback of Airmail is that it only works with a short list of hardware modems. But it is well suited for WL2K HF connections using a Pactor modem. And the latest version of Airmail 3.3.081 can be used with AGW Packet Engine and a soundcard to make VHF/UHF packet connections, by installing AMPE software. See http://www.qsl.net/mararc/ampe.htm web site.&lt;br /&gt;&lt;br /&gt;On the other hand, Paclink has to be linked with an e-mail program. But it works with a wide variety of hardware TNC’s and modems and with AGW Packet Engine. TNC initialization scripts can be modified by the user. Also, scripts can be used to connect through a digipeater or packet node. CMS Telnet is simple and easy on Paclink, to send and receive WL2K messages on an internet connection.&lt;br /&gt;&lt;br /&gt;Both programs are free to download from the Winlink web site.&lt;br /&gt;&lt;br /&gt;Other software&lt;br /&gt;AGW Packet Engine (AGWPE) handles traffic between your TNC or soundcard and packet programs that are configured to use AGWPE.  It is free to download from the SV2AGW.com web site. A lengthy tutorial for installation and configuration is located at http://www.kc2rlm.info/soundcardpacket .&lt;br /&gt;&lt;br /&gt;Winlink 2000 RMS Packet gateways can also be accessed with regular packet software, to compose and send a message from the keyboard. Just connect to the RMS Packet node and read the greeting. Type H for help and then follow the instructions to compose a message. This is perhaps the easiest way to try out Winlink if you already have a packet setup.&lt;br /&gt;&lt;br /&gt;Hardware&lt;br /&gt;For telnet connection to a CMS, the only hardware needed is a computer with internet access. WL2K e-mail through RMS Packet stations requires a VHF radio, a compatible TNC or modem or soundcard, and necessary interface cables.&lt;br /&gt;&lt;br /&gt;To connect with an RMS HF gateway on Pactor 1 requires that you have any one of the hardware TNC’s on setup lists in Airmail or Paclink. Pactor 2 or 3 requires that you have a Pactor TNC made by SCS . These cost $1,000 or more.&lt;br /&gt;&lt;br /&gt;How do you get started?&lt;br /&gt;First and obviously, you need an amateur radio license. With that, here is a suggested initial sequence.&lt;br /&gt;&lt;br /&gt;Go to www.winlink.org, register on the web site, and download Paclink or Airmail—your choice. Install and configure the software for telnet to a CMS site. Compose a test message to your internet e-mail address. Send the message using the telnet connection. When that is successful, reply to your Winlink e-mail address.&lt;br /&gt;&lt;br /&gt;Another option: if you already have an operational packet setup, use it to connect to a local RMS Packet node. The Winlink web site has a map that shows all of the active RMS Packet stations. Just zoom in on your local area and pick them out. Then go to the Reports tab on the Winlink Web site, scroll down to RMS Packet Status, and look up frequencies of those stations in the table. Sometimes these local nodes are not functioning. So if you don’t get a connection, try another station.&lt;br /&gt;&lt;br /&gt;With your first radio or telnet e-mail you will be registered in the WL2K system. Your e-mail address will be [your call]@winlink.org.&lt;br /&gt;&lt;br /&gt;You can use WL2K client software with packet and your TNC if it is listed in the setup for Paclink Packet TNC Channels or in Airmail VHF Packet Client Setup. Check out the TNC using a simple terminal program. Then try connecting to one of the local RMS Packet stations.&lt;br /&gt;&lt;br /&gt;If you want to use a soundcard for packet, first download and install AGW Packet Engine. Create a new radioport for your soundcard. Then configure Paclink or Airmail to use AGWPE. Remember that Airmail requires that AMPE be running. There is a link to AGWPE is the Airmail TNC list but it is not functional.&lt;br /&gt;&lt;br /&gt;You might also want to download AGWTerninal, and AGWMonitor from the SV2AGW web site. They are free. AGW Monitor lets you see all the traffic to and from your TNC/modem/soundcard, and AGWTerminal is a nice simple terminal program. AGWTracker is a simple APRS program, also nice. All require that AGWPE or Packet Engine Pro be running.&lt;br /&gt;&lt;br /&gt;If an online course is to your liking, there is a “Winlink for Dummies” course that takes you through all the steps. It can be accessed through www/winlink.org/GetStarted. &lt;br /&gt;&lt;br /&gt;Some recommendations&lt;br /&gt;You should always format WL2K e-mail messages in plain text. HTML format adds unnecessary bytes to the message. Attachments should be made as small as possible.&lt;br /&gt;&lt;br /&gt;Learn about the Winlink Whitelist and how to work with it. This is an anti-spam filter. E-mails to your Winlink e-mail address need to have //WL2K in the subject line or they will be rejected—unless they come from an e-mail account on your Whitelist. E-mail addresses on outgoing messages are automatically added to your Whitelist.&lt;br /&gt;&lt;br /&gt;When you configure a radioport in AGWPE for SignaLink USB, select an unused printer port (LPT3) as your PTT port. It’s easy to hang up at this point in the setup.&lt;br /&gt;&lt;br /&gt;Summary&lt;br /&gt;Winlink 2000 has been used since 1999 by Radio Amateurs at sea and in the jungles to send e-mail messages by radio. As a result of experience in Katrina recovery operations and other disasters, Winlink has been included in operational plans of a growing number of emcomm organizations such as RACES and ARES units, Red Cross, MARS, Baptist Relief, and the Salvation Army.&lt;br /&gt;&lt;br /&gt;Another defining quote from the Winlink web site:&lt;br /&gt;&lt;br /&gt;“The WL2K mission is to provide, through a volunteer network, effective last resort communications in civil emergencies and personal communications in non-emergency conditions.”&lt;br /&gt;&lt;br /&gt;As a Radio Amateur, you may already have experience with packet radio—that’s all you need to access Winlink by radio. Another simple start involves connecting by telnet over the internet. And if you are already a Winlink user, you might consider becoming the sysop for your own RMS Packet station. Software and guidelines are on the web site.&lt;br /&gt;&lt;br /&gt;So have fun setting up Winlink and trying it out. It might well be very useful in an emergency, to you and to your community.&lt;br /&gt;&lt;br /&gt;September 9, 2009&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-4326056184708757522?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/4326056184708757522/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=4326056184708757522' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/4326056184708757522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/4326056184708757522'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/09/winlink-2000-boone-barker-kc7rk-no-68.html' title='Winlink 2000, Boone Barker KC7RK, no. 68'/><author><name>Bob Helling</name><uri>http://www.blogger.com/profile/02352636352618704676</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-4007916614891496727</id><published>2009-09-01T22:58:00.000-07:00</published><updated>2009-09-02T19:51:54.601-07:00</updated><title type='text'>Spread Spectrum Communications, Bob, no. 67</title><content type='html'>Tonight's topic, spread spectrum communications, may seem to be the stuff of spy fiction and ultra-expensive military hardware, but you have almost certainly used spread spectrum whether you know it or not and you probably have the sophisticated spread spectrum radio gear right in your own house.  I'm talking about wireless networking gear, also known as WiFi.  More on that later.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;WHAT IS SPREAD SPECTRUM?&lt;/span&gt;&lt;br /&gt;According to the ARRL Handbook, spread spectrum is defined as using an RF bandwidth much larger than needed to carry the signal, and where the bandwidth of the signal is independent of the modulation by the signal.  It is a form of radio transmission that makes use of a wide bandwidth to avoid interference by noise or other signals.  You can imagine that if you are transmitting a simple AM signal over 100 frequencies at the same time then someone transmititng on any one of those frequencies will only contribute one percent toward the final recombined signal.  This would be fine until you had someone else also transmitting an AM signal on the same 100 frequencies.  Then you would be back to a big interference problem.  Partly in order to allow hams to use the same frequency range, there are more sophisticated ways to use those multiple frequencies.  We will discuss those in a moment.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;SPREAD SPECTRUM TRADE-OFFS&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;In general, spread spectrum transmissions offer three big advantages:&lt;br /&gt;&lt;/span&gt;&lt;ul&gt;&lt;li&gt;Relative Immunity to Interference&lt;br /&gt;As described above, unless someone else is using the very same spread spectrum technique and is synchronized with you, you likely won't notice the interference&lt;/li&gt;&lt;li&gt;Security&lt;br /&gt;As we will see, there are sophisticated ways to encrypt a signal.  This is why it is still valuable to the military.&lt;/li&gt;&lt;li&gt;Lower Power Density&lt;br /&gt;By spreading the signal over a range of frequencies, the power at any given frequency is so low it can be below the noise floor and unnoticed.&lt;/li&gt;&lt;/ul&gt;There is only one real trade-off and that is the technical complexity necessary to accomplish spread spectrum.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;HISTORY OF SPREAD SPECTRUM&lt;/span&gt;&lt;br /&gt;In a sense you could say that spread spectrum began with the earliest radio transmitters.  Spark gap transmitters created CW signals that covered a very broad spectrum.  You could charitably say that this signal could get through interfering signals but really, it was more of an interfering signal.&lt;br /&gt;&lt;br /&gt;Early experiments with intentional spread spectrum began in the late 20's but it was World War II and the military that really pushed the technology forward.  Unfortunately, because spread spectrum is still used by the military, much of the history is still kept secret.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SPREAD SPECTRUM IN HAM RADIO&lt;/span&gt;&lt;br /&gt;In 1981, a group called the Amateur Radio Research and Development Corporation (AMRAD) began experimentation with spread spectrum.  In 1989 an idea was put forth to use the Wireless LAN (WLAN) devices in ham radio, and in 1999 the FCC relaxed their rules about hams using spread spectrum.  This relaxation opened the door for hams to use equipment already being made for WLAN.&lt;br /&gt;&lt;br /&gt;Analog signals can be carried over spread spectrum transmissions, but nearly all spread spectrum use today is with digital signals and that is what we will discuss.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;COMMON TYPES&lt;/span&gt;&lt;br /&gt;Frequency Hopping Spread Spectrum (FHSS)&lt;br /&gt;As the name implies, the transmitting frequency hops around in a pre-arranged pattern.  In the 802.11 spec, there are 3 sets of 26 such patterns using 75 frequencies.  By some clever hopping algorithms you can have 802.11 devices using different sequences, or channels, on the same 75 frequencies without interfering with each other.  Because there are only 78 sequences, a receiving device could discover the channel being used by the various transmitters and sync up with one.&lt;br /&gt;&lt;br /&gt;Direct-Sequence Spread Spectrum (DSSS)&lt;br /&gt;In this method, a pseudo-random code is used to modulate the signal and drive a phase modulator using phase shift keying.  I have to admit this it getting into the fringes of what I know so I am going to leave it at that.&lt;br /&gt;Note that by using a pseudo-random code that is not generally known it would be possible to securely encrypt a signal with DSSS.  Of course we are not allowed to do that in amateur radio and we avoid that pitfall by using published codes as can be found on the ARRL web site.&lt;br /&gt;&lt;br /&gt;Orthogonal Frequency Division Modulation (OFDM)&lt;br /&gt;This method is more like what you may think when you think of spread spectrum.  In this mode, the signal is transmitted on 52 carrier frequencies simultaneously.  Four of these are called pilot carriers and they help provide the synchronization.  The other 48 each transmit independent bit streams so at any given time, 48 bits are being transmitted at once.  The reason it is called orthogonal is that the frequencies and modulation patterns are chosen so that each frequency falls in the null of the neighboring frequencies.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;THE FUTURE&lt;/span&gt;&lt;br /&gt;Since this mode is so new and underutilized in ham radio, I'm going to do something I don't normally do and that is predict the future of spread spectrum.  It is here to stay until something better comes along and, though it may not happen, I wouldn't be surprised to see it adopted in the low bands eventually.  I know some of the new digital modes use it to some degree and I can see the FCC, being the pragmatists they are, expanding the use of it as the technology allows.&lt;br /&gt;&lt;br /&gt;I want to acknowledge two primary sources for tonights lesson.  The ARRL Handbook, a wealth of all things Ham; and &lt;a href="http://sss-mag.com/"&gt;Spread Spectrum Scene&lt;/a&gt; which I barely scratched the surface of.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-4007916614891496727?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/4007916614891496727/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=4007916614891496727' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/4007916614891496727'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/4007916614891496727'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/09/spread-spectrum-communications.html' title='Spread Spectrum Communications, Bob, no. 67'/><author><name>Bob Helling</name><uri>http://www.blogger.com/profile/02352636352618704676</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-3530052513279631981</id><published>2009-08-25T22:29:00.000-07:00</published><updated>2009-08-25T22:37:41.573-07:00</updated><title type='text'>Reminder - Educational Radio Net Wednesday night 8:00pm and Last Summer of Digital Fun Post</title><content type='html'>Reminder - Educational Radio Net Wednesday night 8:00pm PSRG 146.96&lt;br /&gt;&lt;br /&gt;For the new folks on this WA-DIGITAL list, the Summer of Digital Fun Series&lt;br /&gt;finishes up this Wednesday on the PSRG machine, 146.96 (-600 kHz offset, 103.5&lt;br /&gt;tone)in Seattle.&lt;br /&gt;&lt;br /&gt;All are welcome.&lt;br /&gt;&lt;br /&gt;Make no mistake, the Educational Radio Nets will continue and the Digital Series&lt;br /&gt;will also continue, but for things digital, probably once or so per month as we&lt;br /&gt;keep exercising with these amazing modes.&lt;br /&gt;&lt;br /&gt;I was tempted to talk about the Automatic Position Reporting System, APRS - a&lt;br /&gt;tasty flavor of packet radio. Just eavesdrop on 144.39 for a sense of how&lt;br /&gt;popular this mode is. However, it seems the last couple of weeks have seriously&lt;br /&gt;challenged the group which has been winnowed down to just a few players. I hope&lt;br /&gt;folks will pursue APRS on their own or contact me off list for any help they&lt;br /&gt;might need with that system - it is really a blast. For lots of help including&lt;br /&gt;a well developed Elmering program, check out http://www.nwaprs.info/ or just&lt;br /&gt;look at the cool maps at http://aprs.fi/&lt;br /&gt;&lt;br /&gt;So, for this last Summer Session we'll have more digital fun with a recap of&lt;br /&gt;what we've done through the summer. Please begin the net with FLDIGI up and&lt;br /&gt;running with acoustic coupling between your radio and the computer.&lt;br /&gt;&lt;br /&gt;The best way to enjoy the Educational Radio Net is to have your software set up&lt;br /&gt;and running as the net starts at 8:00.&lt;br /&gt;&lt;br /&gt;If you have an interface, hook it up to your two-meter rig, otherwise use&lt;br /&gt;acoustic coupling with a microphone feeding shack audio into your computer and&lt;br /&gt;the rig audio softly coming out of a speaker in the room with you fairly close&lt;br /&gt;to the mic.&lt;br /&gt;&lt;br /&gt;If this is your first session, no problem. Pull the software off the WA-DIGITAL&lt;br /&gt;files section and install it. Tune in and we'll go over set up of the software&lt;br /&gt;during the session. The software is on the WA-DIGITAL yahoo group. If you are&lt;br /&gt;using VISTA, please load the version FLDIGI 3.11.4-WinV. When the update went&lt;br /&gt;to 3.12.4 for all windows systems, something bad happened, and VISTA stopped&lt;br /&gt;working. There are Linux and Mac versions of the software as well - just Google&lt;br /&gt;NBEMS or go to http://www.w1hkj.com/ .&lt;br /&gt;&lt;br /&gt;Posts 2 and 3 go into setting up for FLDIGI. The first part of Post #4&lt;br /&gt;describes the set up for acoustic coupling. IF you are set up for acoustic&lt;br /&gt;coupling, you should see a difference in the waterfall as you open and close the&lt;br /&gt;squelch on the rig you are using to monitor the PSRG machine. If you don't, go&lt;br /&gt;to the CONFIGURATION menu and the AUDIO tab, then devices to point the software&lt;br /&gt;to the audio source.&lt;br /&gt;&lt;br /&gt;We will start out tonight with a blast of MT-63 preceded with an RS-ID to&lt;br /&gt;automatically switch your software to the correct mode and frequency, so get&lt;br /&gt;ready to receive on the output of the PSRG machine, 146.96. Remember to setup&lt;br /&gt;FLDIGI with menu item CONFIGURATION, then under the ID tab to check the box next&lt;br /&gt;to "TRANSMIT MODE RSID" and "RSID SEARCHES ENTIRE PASSBAND" Finally on the main&lt;br /&gt;receive screen, be sure and check the little box up in the upper right corner of&lt;br /&gt;the screen labeled "RS-ID" so that a green light is visible indicating you are&lt;br /&gt;ready to switch modes and frequency when the signal is received. This feature&lt;br /&gt;has to be turned on each time you want to use it - mostly to keep from being&lt;br /&gt;wrenched out of an ongoing QSO by receiving another RS-ID.&lt;br /&gt;&lt;br /&gt;If you have trouble with copy during the net, you might check the input of the&lt;br /&gt;repeater to see if that is better for you. Several folks sent messages last week&lt;br /&gt;suggesting that.&lt;br /&gt;&lt;br /&gt;See you on the Net.&lt;br /&gt;&lt;br /&gt;Hopefully this will be just the beginning of some great digital adventures.&lt;br /&gt;&lt;br /&gt;I would like to suggest we continue using the WA-DIGITAL mail reflector to&lt;br /&gt;schedule digital QSOs with other folks, also don't forget&lt;br /&gt;http://www.obriensweb.com/sked/ to set up SKEDS or WSPRNET.ORG to monitor your&lt;br /&gt;received whisperings.&lt;br /&gt;&lt;br /&gt;Also, please consider joining the Pennsylvania NBEMS group via Echolink on a&lt;br /&gt;local repeater or in the privacy of your home computer. The Pittsburgh hams have&lt;br /&gt;been having a net using about 50% voice and 50% MT-63. We may join them by&lt;br /&gt;Echolink by connecting to W3YJ-R (node 177325) at 5:00pm Sunday evenings (8:00pm&lt;br /&gt;Eastern Time).&lt;br /&gt;&lt;br /&gt;After the 5:00pm net I would like to suggest we retire to the SEA machine on&lt;br /&gt;145.010 simplex. (just "Connect SEA" and then type "TALK" to join the group and&lt;br /&gt;//ex to leave (the instructions come up when you join.)&lt;br /&gt;&lt;br /&gt;As the fall comes on, I would like to suggest we dive into some of the major&lt;br /&gt;pieces of software available and checkout all that they are capable of - I'm&lt;br /&gt;thinking of MULTIPSK which does way more than just PSK, and HAM RADIO DELUXE -&lt;br /&gt;HRD with D780 for digital modes - a beautiful piece of software.&lt;br /&gt;&lt;br /&gt;Our continuing thanks to the PSRG for the use of the repeater for this net and&lt;br /&gt;so many others that enhance our radio community.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;vy 73 de WR5J&lt;br /&gt;&lt;br /&gt;Curt Black&lt;br /&gt;black@nwfirst.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;As a reminder, here is what we covered this summer:&lt;br /&gt;&lt;br /&gt;Blog Post - #1 Intro to Digital Communication, Software and Modes Wednesday,&lt;br /&gt;June 3, 2009&lt;br /&gt;&lt;br /&gt;Blog Post - #2 Intro to FLDIGI – Install, Setup and Mode Selection, Wednesday,&lt;br /&gt;June 10, 2009&lt;br /&gt;&lt;br /&gt;Blog Post - #3 Using FLDIGI – Starting with PSK-31 and Transmitting a Good&lt;br /&gt;Signal Wednesday, June 24&lt;br /&gt;&lt;br /&gt;Blog Post - #4 More FLDIGI – RTTY, the WRAP Utility and RS-ID, Wednesday July 1,&lt;br /&gt;2009&lt;br /&gt;&lt;br /&gt;Blog Post - #5 WSPR – Weak Signal Propagation Reporter, Wednesday July 8, 2009&lt;br /&gt;&lt;br /&gt;Blog Post - #6 MMSSTV/EasyPAL, Slow Scan Image Transmission, Wednesday July 15,&lt;br /&gt;2009&lt;br /&gt;&lt;br /&gt;Blog Post - #7 Digital SSTV (week 2) EasyPAL, Wednesday July 22, 2009&lt;br /&gt;&lt;br /&gt;Blog Post - #8 WSJT-JT65A – Terrestrial HF, Wednesday July 29, 2009&lt;br /&gt;&lt;br /&gt;Blog Post - #9 WSJT-HS-Meteor Scatter, Wednesday August 5, 2009&lt;br /&gt;&lt;br /&gt;Blog Post - #10 Packet Radio Using Flex32, Wednesday August 12, 2009&lt;br /&gt;&lt;br /&gt;Blog Post - #11 Packet Radio Using AGW Packet Engine, Wednesday August 19,&lt;br /&gt;2009&lt;br /&gt;&lt;br /&gt;Blog Post - #12 WINDRM – Digital Voice and HRD/DM780, Wednesday August 26, 2009&lt;br /&gt;&lt;br /&gt;OK - we didn't really do WINDRM - take a look at the blog post and you will see&lt;br /&gt;why - we still might give it a try, but it is the same modulation approach used&lt;br /&gt;by EasyPAL and that didn't fly very far through the PSRG machine - However, we&lt;br /&gt;did very well with an after-net on the 444.550 WW7SEA machine - as in perfect&lt;br /&gt;copy and 22dB S/N ratios. We've got to find out what that is about...&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-3530052513279631981?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/3530052513279631981/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=3530052513279631981' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/3530052513279631981'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/3530052513279631981'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/08/reminder-educational-radio-net.html' title='Reminder - Educational Radio Net Wednesday night 8:00pm and Last Summer of Digital Fun Post'/><author><name>WR5J</name><uri>http://www.blogger.com/profile/16316513702643319581</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='http://2.bp.blogspot.com/_b8EIQS-I3n0/SidILTLnkvI/AAAAAAAAAAM/N5LA4dkoaD8/S220/2009-Feb-19-Granger-Public-Meeting-CB-Sand-Tank-Model.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-7963460785708695179</id><published>2009-08-25T13:09:00.000-07:00</published><updated>2009-08-25T13:15:04.720-07:00</updated><title type='text'>Blog-Post-12 – WinDRM—Digital Data and Voice Using Digital Radio Mondiale</title><content type='html'>&lt;meta equiv="Content-Type" content="text/html; 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	font-family:"Times New Roman"; 	mso-fareast-font-family:"Times New Roman";} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.25in 1.0in 1.25in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Times New Roman"; 	mso-ansi-language:#0400; 	mso-fareast-language:#0400; 	mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;h3 style="margin-right: -0.25in;"&gt;&lt;a name="6302631280933418248"&gt;&lt;/a&gt;&lt;u&gt;&lt;span style="color: rgb(51, 102, 255);"&gt;&lt;a href="http://educationalradionet.blogspot.com/2009/07/blog-post-5-fldigi-wrap-up-review-and.html"&gt;&lt;span style="color: rgb(51, 102, 255);"&gt;Blog Post 12 – WinDRM—&lt;/span&gt;&lt;/a&gt;Digital Data and Voice Using Digital Radio Mondiale on the Han Bands &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h3&gt;  &lt;p class="MsoNormal" style="margin: 0in -0.25in 0.0001pt -27pt;"&gt;&lt;i style=""&gt;&lt;span style="font-size: 9pt; color: rgb(51, 102, 255);"&gt;&lt;span style=""&gt;                                         &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;i style=""&gt;&lt;span style="font-size: 9pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin: 0in -0.25in 0.0001pt -27pt; text-indent: 27pt;"&gt;&lt;span style="color: black;"&gt;Wednesday August 26, 2009&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right: -0.25in;"&gt;&lt;b&gt;&lt;span style="font-size: 16pt;"&gt;This is Curt Black, WR5J, with the Educational Radio Net –&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right: -0.25in;"&gt;&lt;b&gt;&lt;span style="font-size: 16pt;"&gt;Please standby for a WinDRM Digital QST &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right: -0.25in;"&gt;&lt;b&gt;&lt;span style="font-size: 16pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 16pt;"&gt;OK, we are out of time for the Summer of Digital Fun, but I had prepared some material for this mode, so here is what I have so far.&lt;span style=""&gt;  &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 16pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 16pt;"&gt;The problem with these digital voice modes is the loss of the use of a proprietary &lt;span style=""&gt; &lt;/span&gt;codec&lt;span style=""&gt;  &lt;/span&gt;- here is a recent message from Mel Whitten:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;&lt;mel@melwhitten.com&gt;&lt;/span&gt;&lt;span style="font-size: 14pt; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;Curt,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;The MELP codec is no longer available because it was brought to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;The attention of one of the IP holders that we were using it.&lt;span style=""&gt;  &lt;/span&gt;I &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;don't think the IP holder would really "care" because of the way&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;we were using MELP, but when confronted by this "person" in writing..&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;then the IP holder had to defend his property.&lt;span style=""&gt;  &lt;/span&gt;Thus, we are left&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;with LPC-10, which does not sound "too bad" and could be used to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-right: -0.25in;"&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;demonstrate capability.&lt;span style=""&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 14pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt;"&gt;…&lt;span style="color: black;"&gt; 14.236 is calling/net freq for digital voice.&lt;span style=""&gt;  &lt;/span&gt;Some stations may be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;heard around noon central time.&lt;span style=""&gt;  &lt;/span&gt;Nets are still run (summer time thy're&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;not as frequent) on Sat and Sun on the times given on the web site.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;keep in mind, that you may find FDMDV, AOR's DV and WinDRM on these frequencies.&lt;span style=""&gt;  &lt;/span&gt;FDMDV suffered the most from the loss of MELP and does not sound very good with the lower bit rate LPC-10 but it has "instant" sync and simple to use.&lt;span style=""&gt;  &lt;/span&gt;With MELP, FDMDV was a real winner. Work &lt;span style=""&gt; &lt;/span&gt;continues to find a replacement, but this is very difficult.&lt;span style=""&gt;  &lt;/span&gt;There are&lt;span style=""&gt;  &lt;/span&gt;no "legal" problems with any DV using MELP or SPEEX codecs.&lt;span style=""&gt;  &lt;/span&gt;They are both open source.&lt;span style=""&gt;  &lt;/span&gt;DV is about dead and probably will remain that way until a MELP equivalent codec is found or some new technology is found.&lt;span style=""&gt;  &lt;/span&gt;AOR's DV is not robust enough to cope with current poor band conditions do to low sun spot activity. It does work very good with at least S9 signals and no QRM.&lt;span style=""&gt;  &lt;/span&gt;Excellent voice quality but so -was- WinDRM with MELP.&lt;span style=""&gt;  &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;Channelization for DV would be optimum.&lt;span style=""&gt;  &lt;/span&gt;QRM is a real problem from SSB.&lt;span style=""&gt;  &lt;/span&gt;FCC rules say DV must operate in the Voice sub-bands. . .&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style=""&gt;&lt;&lt;&lt;end&gt;&gt;&gt;&lt;br /&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt;"&gt;The software is on the Yahoo WA-DIGITAL files section &lt;a href="http://groups.yahoo.com/group/wa-digital/files/"&gt;http://groups.yahoo.com/group/wa-digital/files/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt;"&gt;It sounds like the loss of the Codec may have delt a fatal blow – but here is the installation and use information for those who might want to experiment – 73 de WR5J&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size: 14pt;"&gt;&lt;o:p&gt; 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 &lt;v:stroke joinstyle="miter"&gt;  &lt;v:formulas&gt;   &lt;v:f eqn="if lineDrawn pixelLineWidth 0"&gt;   &lt;v:f eqn="sum @0 1 0"&gt;   &lt;v:f eqn="sum 0 0 @1"&gt;   &lt;v:f eqn="prod @2 1 2"&gt;   &lt;v:f eqn="prod @3 21600 pixelWidth"&gt;   &lt;v:f eqn="prod @3 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @0 0 1"&gt;   &lt;v:f eqn="prod @6 1 2"&gt;   &lt;v:f eqn="prod @7 21600 pixelWidth"&gt;   &lt;v:f eqn="sum @8 21600 0"&gt;   &lt;v:f eqn="prod @7 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @10 21600 0"&gt;  &lt;/v:formulas&gt;  &lt;v:path extrusionok="f" gradientshapeok="t" connecttype="rect"&gt;  &lt;o:lock ext="edit" aspectratio="t"&gt; &lt;/v:shapetype&gt;&lt;v:shape id="_x0000_i1025" type="#_x0000_t75" style="'width:477pt;"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\cblack\LOCALS~1\Temp\msohtml1\02\clip_image001.emz" title=""&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/cblack/LOCALS%7E1/Temp/msohtml1/02/clip_image002.gif" shapes="_x0000_i1025" width="636" height="428" /&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;a href="http://n1su.com/windrm/download.html"&gt;http://n1su.com/windrm/download.html&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;WinDRM Docs &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;– &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;Release 1.3 &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;was developed by Cesco, HB9TLK from a relatively new broadcast&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;standard called Digital Radio Mondiale (DRM) and it’s open source&lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;encoder/decoder named Dream (&lt;/span&gt;&lt;span style="color: blue;"&gt;http://drm.sourceforge.net/&lt;/span&gt;&lt;span style="color: black;"&gt;). DRM is based on a proven&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;data communications technology called Coded Orthogonal Frequency Division&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Multiplexing (COFDM) with Quadrature Amplitude Modulation (QAM). COFDM uses&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;many parallel narrow band sub-carriers instead of just one single wide band carrier for&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transporting the data. As a result, WinDRM provides an efficient and robust method to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;exchange information over HF including Digital Voice using open source CODECs.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;WinDRM utilizes Forward Error Correction (FEC) and an Automatic-Repeat-Request&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(ARQ) mode to ensure error free data transfers. WinDRM runs efficiently under&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Windows operating system 2000 and XP. No modifications are required for modern SSB&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;HF ham transceivers. Current releases of WinDRM software may be found at&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: blue;"&gt;www.n1su.com/windrm&lt;/span&gt;&lt;span style="color: black;"&gt;. Other digital HF data/picture transfer software such as &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;Digtrx,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;EasyPal &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;and &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;HamPAL &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;share the same core ham-DRM standard and therefore are&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;compatible with WinDRM. WinDRM is not compatible with all newer encoding methods&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;now being used by &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;HamPal. &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;WinDRM is not compatible with AOR’s ARD 9000/9800&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;fast radio modem.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 16pt; font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;The WinDRM GUI &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(graphic user interface&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Five “State” Radio Buttons - (enabled under program control during receive ) as follows:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Input/Output&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;IO &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;– Enabled: Sound card is linked and passing data to the processor. Disabled:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Indicates sound card is not compatible and/or PC’s processor is too slow. If not enabled,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 16pt; font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;WinDRM&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;2&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;WinDRM will not decode data. Note: IO should always be enabled during receive &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmit.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Frequency Acquisition&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Freq – &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;Enabled: The three FAC reference carriers/pilots (3 higher intensity vertical lines&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;in the waterfall displays) have been found. These correlate with the DC Offset frequency&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(normally 350Hz) which is graphically shown as a blue vertical line.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Time Synchronization Acquisition&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Time &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;– Enabled: Timing acquisition is done. This indicates the search for the beginning&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of the OFDM symbol has been completed. Disabled: No synchronization, (usually&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;caused by poor SNR) distortion of the transmitted signal and/or receive band pass is too&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;narrow. Note: False indications (flickering) can be caused by AWGN (atmospheric&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;noise) and generally, may be ignored.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Frame Synchronization&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Frame &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;- Enabled: Frame synchronization is completed and the start of a DRM frame&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(400ms) has been found. The Receiver is in synchronization with the transmitting station.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Disabled: Lost frequency synchronization due to poor SNR or change in frequency (avoid&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“tuning” once in sync). Note: False indications (flickering) can be caused by AWGN&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(atmospheric noise) and generally, may be ignored.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Fast Access Channel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;FAC &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;– Enabled: Receiver is in the tracking mode, has received a good Cyclic&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Redundancy Check (8-bit CRC) and is in synchronization with the WinDRM transmitting&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;station. FAC is a separate logical channel and modulated with 4-Amplitude Quadrature&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Modulation (4QAM). FAC provides bandwidth spectrum occupancy (2.3/2.5khz), call&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;sign and other DRM transmit parameters for the WinDRM receiver. Time, Frame and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;FAC always precede (must be enabled) MSC channel data. Disabled: Caused by lost&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;sync, failed CRC, QRM, change in frequency and/or distortion of the transmitted signal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;FAC provides the data for the receiving WinDRM station to set it up to automatically&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;receive data for file transfer or digital voice (no intervention required by the receive end&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;operator).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Main Service Channel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;MSC &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;- Enabled: Indicates actual audio and data bits are being decoded for voice, text&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;message and/or images. MSC may be modulated using 4QAM, 16QAM or 64QAM (see&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;&lt;span style="color: black;"&gt;DRM&lt;/span&gt;&lt;/st1:city&gt;&lt;span style="color: black;"&gt; &lt;st1:state st="on"&gt;TX&lt;/st1:state&gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;span style="color: black;"&gt; settings). 4QAM is unique to WinDRM (DRM uses 16 and 64QAM in the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;MSC). The larger the QAM rate the higher spectral efficiency but with lower&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;performance (less robust in presence of errors caused by poor propagation or&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;QRM/QRN). Robustness is improved through interleaving of the MSC symbols. This&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;provides time diversity so that a burst of errors is spread across up to several frames&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;minimizing the destructive effects on the received data. Like FAC, MSC enabled&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;indicates the Cyclic Redundancy Check (CRC) has been acknowledged and good data&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;has been received (Info’s data for MSC will increment after the CRC has been&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;computed). Disabled: Disruptions (dropouts), text message not received, or missed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;3&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;block/segment/packet image data. QRM/QSB/QRN and weak signals can cause MSC to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;fail or “flicker” during reception. A minimum SNR of 7dB generally ensures MSC will&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;remain enabled. Note: All these radio buttons must be enabled (from decoded&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitted data) before the file/picture or voice data will be received.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="font-size: 16pt; font-family: Arial; color: black;"&gt;Files: &lt;/span&gt;&lt;span style="color: black;"&gt;(download from: &lt;/span&gt;&lt;span style="color: blue;"&gt;www.n1su.com/windrm/ &lt;/span&gt;&lt;span style="color: black;"&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;The .wav files must be created using Digtrx or similar program. For docs on how to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;create these files, go to &lt;/span&gt;&lt;span style="color: blue;"&gt;http://www.kiva.net/~djones/index.htm &lt;/span&gt;&lt;span style="color: black;"&gt;. Note: These wave files&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;are not necessary to execute/use WinDRM. WinDRM stores files/pictures with errors in&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the Corrupt folder. Good, error free Files/pictures are stored in the Pictures folder.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Mixer.bin contains data for the sound card’s mixer settings. Settings.txt file stores user&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;settings such as com port, call sign, etc. User files/pictures to be sent may be stored in&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;any directory for transmission, but are normally kept in the WinDRM directory for quick&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;access. Note: Digtrx creates 16bit 8000Hz sample rate wave files. WinDRM requires&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;16 bit 48000Hz wave file format. Use a freeware program like Audacity&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(&lt;/span&gt;&lt;span style="color: blue;"&gt;http://audacity.sourceforge.net/&lt;/span&gt;&lt;span style="color: black;"&gt;) to convert the wave files from 8000Hz to 48000Hz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;mono.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Other files are created by WinDRM include:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bsr.bin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bsr0.bin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bsrreq.bin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bsrreq0.bin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;RX_Log.txt&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Known specs and definitions:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;TX Data rate&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;MSC transmit data rate in bits-per-second (bps) is shown in the SNR box when&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitting. For the DRM TX “Default” setting this is 2617bps. The Mode box will&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;display B/S/16/0/2.5 for this setting (see “Mode” for explanation of this data). The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;CODECs (Linear Predictive Coding, SPEEX and Mixed-Excitation Linear Predictive)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;require at least 2400bps. For data, WinDRM offers a “Speed” mode at a higher bit rate&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of 4362bps and a “Robust” slower bit rate mode of 997bps. By changing these DRM TX&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;settings, the MSC protection, Coding, Bandwidth, and Interleave may be carefully chosen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;to match the transceiver filters and current band conditions. For HF, a good starting point&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;is the default TX DRM setting. For poor band conditions, try the robust mode. Refer to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the specs found at: &lt;/span&gt;&lt;span style="color: blue;"&gt;http://www.qslnet.de/member/hb9tlk/drm_h.html&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Modulation and Forward Error Correction&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Carriers are modulated using 4QAM, 16 or 64 in the MSC. The QAM constellation size&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;is selected by the user under the DRM TX settings. QAM4 is set by WinDRM for FAC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;since it is the most robust. OFDM/QAM modulated carriers would appear to be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;overlapping within their spectrum. However, once they are synchronized at the receiver,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;they no longer over lap (now orthogonal/unique) and can then be demodulated. QAM&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;has both fixed amplitude and phase modulation. Forward Error Protection (FEC) is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;provided by Reed Solomon (RS) code. By definition, RS has the ability “…to produce at&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the sender ‘n’ blocks of encoded data from ‘k’ blocks of source data in such a way that&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;any subset of k encoded blocks suffices at the receiver to reconstruct the source data.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This gives DRM the ability to “repair itself on the fly” by accurately rebuilding the audio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;or file data as it was originally coded at the transmitter. If this can’t be done, then&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;WinDRM keeps track of the errors (bad data segments) in the file and with the BSR, the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;data can be replaced with error free data using either the manual request (user&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;intervention required) or automated using the ARQ feature in a point to point QSO.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;PC requirements&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Windows OS, 2000 or XP. 700mHz minimum processor speed with 1.2GHz or higher to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;ensure smooth operation. Avoid executing other programs while WinDRM is decoding or&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitting. For testing/experimenting, 2+ GHz PCs can run two instances (i.e. A to B)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of WinDRM in a back-to-back mode (connect sound card line out/speaker to line in/mic&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;and carefully set levels or use Virtual Audio Cables VAC. Instance A may then be used&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;to transmit pictures to instance B. If VAC is available (a separate program), DV may&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;5&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;also be demonstrated since VAC take care of exchanging data between each instance of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;WinDRM allowing microphone voice input to the sound card.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Status of received data in the Info box for images (RX Pics)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;The “Info” box during receive provides a status of the data being decoded as it is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;received. These counters are shown in three sets of one to three digits separated with a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;forward slash (/). The first set is the number of memory segments (size) in the file. The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;second set shows the number of good segments decoded. The last set shows the segment&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;number of the last segment decoded.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;The first set of numbers represents what WinDRM “knows about” at the start of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmission and will change because the program begins assembling the data before the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;total is known. If a segment is received in error (CRC failure), a following instance&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;provides the opportunity to receive it again. If received OK, the counter will increment.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;After all the data is received, the segment counts will all agree indicating the file has been&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;received error free. If a picture was received, it will open up in Irfanview or the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;viewer/program associated with the file’s extension. Note: The segment size increases&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;with the constellation size (4 thru 64) of the QAM since it is possible to transmit more&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bits per symbol in the higher order constellations.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Status of received data in the Info box for voice (RX)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;While receiving voice, the Info block displays 1 to 100% representing the quality of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;decoded data. The quality is determined by the number of good frames of data received&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;*versus bad since the last synchronization. Drop outs (speech loss) may be experienced&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;with 70 percent or less. With SNRs of 12 or higher, expect a quality number near 100&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;percent (no dropouts).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Status of transmitted data in the Info box for files ( TX Pics)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;After transmitting the lead in sync data, the Info box provides the status of the file as it is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;being sent. The counter consists of two sets of numbers separated by a forward slash (/).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;First set shows the instance being sent while the second set shows the percentage (1 to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;100 percent) of the total segments sent. The number of instances the file will be sent is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;shown in the “Select File” window. A choice of 1 to 3 may be selected but additional&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;instances can be sent by adding the file in the Select File window more than once.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Status of transmitted data in the Info box for voice (TX)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;No data is shown in the Info box during voice transmission except during the lead in sync&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;period.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Info box during “lead in” transmission&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;In both picture and voice transmissions, lead in sync data is sent to the receiving station&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;for setting up the timing and other OFDM carrier information. This lead in maybe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;lengthened to provide more set up (sync) time at the receive end by selecting long lead in&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;under the Select Files window. While the lead in is being sent (up to several seconds),&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the Info box will increment various numbers indicating this data is being transmitted and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the actual file data has not started. Some of this data includes determining the size of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;file and packetizing data prior to be sent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Text Message data&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Up to 128 ASCII characters (including spacing) may be transmitted. Greater than 128&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will be truncated at the receive window. Text messages may not be sent with data&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(file/picture transmissions). Text messages may be added or changed during TX. The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;data rate is only 80bps, but the message is continuously transmitted during the voice&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmission. In receive, the text message window remains open at the end of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmission. This message window may be closed at any time but will re-open while&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;7&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;data is being received. Text messages may only be sent and received with Digital Voice&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmissions.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Transmit and Receive parameters (and transceiver setup)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;For optimum performance, the OFDM carriers must fit within the band pass of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;receiver and transmitter. The default 350 Hz DC Offset was chosen to ensure the 2.5Khz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;wide OFDM signal is inside both the transmit and receive audio band pass. The 350Hz is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;an offset from DC (0 hertz) and where the carriers of the OFDM begin. The timing&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(OFDM searches for this) locks on and starts all it’s shifting up in frequency from the DC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;offset for all 57 carriers. This offset can be changed but it must chosen so the spectrum&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will fit within the TX and RX band passes. If the DC is moved too much from 350, all&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the OFDM carriers may not fit within these band passes. Although it is not important to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;be exactly on the transmitting stations frequency, modern transceivers should allow the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;receiving station to be within 100hz of this offset frequency. Too far off frequency may&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;result in lowering SNR if OFDM carriers fall outside the receiver’s band pass. If any&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;tuning of the frequency is made during receive, the signal is phase shifted and attenuated.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;The orthogonality of the OFDM symbols may also be destroyed and this causes ICI&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(inter-carrier-interference). This will immediately stop decoding data. Click on “Reset”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;to re-sync the data if any tuning must be done to bring all carriers within the band pass of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the receiver. When the WinDRM users talk on SSB, carefully tune to their SSB&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;frequency. This will ensure you are on the frequency being used for DRM data also. Be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;sure the receiver’s band pass is at least set to at least 2.5 kHz FLAT band pass with no&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;DSP and/or audio processing. For most receivers, setting AGC to Fast (or OFF) will&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;improve SNR. For transmit, minimize distortion by turning off compression, EQ (or DSP&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;filtering within the band pass) and avoid any ALC action. For 100 watt rigs, set power to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;approximately 15 watts average power. This mode works best with very linear&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitters and amplifiers. All commercial DRM transmitters are Class A. OFDM has a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;rather high crest factor caused by the mathematical FFT operation applied to the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitted signal. The peak power is much higher (7-9 dB) than the average power read&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;on a conventional wattmeter. Experience has found that operating out of the linear region&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of your transceiver and/or amplifier may result in a 3 to 4 dB &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;lower &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;SNR at the receiving&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;station. For a detailed explanation of how to set the power out of your transmitter, go to:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: blue;"&gt;http://www.tima.com/~djones/DRM_power.htm &lt;/span&gt;&lt;span style="color: black;"&gt;WinDRM’s Shifted Power Spectrum&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Density (Shifted PSD) in the absence of multi-path/QRM, will display a “Flat top” signal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;across the entire bandwidth of the received signal. Ask the receiving station to comment&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;on your transmitted signal using this display. If it is not “flat”, then either the transmitter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;or the receiving station’s is not set up properly which can degrade performance.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;CODEC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Select under DRM TX Settings, “CODEC” (voice) or “DATA” (files/pics) being&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitted will be displayed. Under program control (FAC data), the receiving station&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will automatically decode and display the mode of transmission being sent (LPC,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;SPEEX, or Data).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;SNR&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;8&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;S&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;ignal-to-&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;N&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;oise-&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;R&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;atio is an estimated value that indicates the quality and strength of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;received signal. Experience has found, near error free data may be decoded with a SNR&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;greater than 7.0 dB. The higher the number, the better the signal is being received. An&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;SNR of 10 or better usually ensures error free copy. QRN, QRM, transmit distortion and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;propagation problems caused by multi-path cancellation lower the SNR. Transmitters&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;and amplifiers operating out of their linear region (trying to run too much power!), failure&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;to turn off compression or DSP/EQ and too narrow band pass all degrade SNR. Under&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;ideal band conditions, SNR will rise to 25db or greater when both the transmitting and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;receiving stations are set up properly. Note: SNR is determined from the carriers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;between the low (725Hz) and high (1850Hz) reference pilot carriers only.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;DC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Refers to the frequency offset from 0 Hz to the start of OFDM carriers. Default is set at&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;350Hz. This is an arbitrary number chosen to ensure both the 2.3 and 2.5 kHz signal BW&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“fits” within the bandpass of the receiving station. This may be confirmed by observing&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the shifted PSD, transfer function displays or the moving waterfall displays. The accuracy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of the receiving station’s tuning for the COFDM signal is dependent upon this factor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;which will allow a 100-125Hz tuning error without affecting the decoding process. It is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;important to note however, that once sync is obtained, no further “tuning” of the signal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;should be attempted. A blue vertical line indicates the location of DC offset. Values of 50&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;to 5000 Hz are valid entries but 350 Hz is normally used.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Mode&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Displays the DRM TX settings. The default is:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;B &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(DRM Mode B) &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;S &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(Short Interleave) &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;16 &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(Main Service Channel 16 Quadrature&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Amplitude Modulation) &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;0 &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(Protection level) &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;2.5 &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(2.5 kHz Bandwidth). Most stations&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;use 2.5kHz since additional carriers are available with this wider BW giving better&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;receive performance. TX DRM modes are selected to correlate with the quality of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;signal (as affected by propagation, signal strength, QRN, etc) available at the receive end.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;These modes affect the transmission speed and robustness of the received signal. For&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;more info, see “DRM TX Settings” later in this doc.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;9&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldItalicMT; color: black;"&gt;Setup&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;PTT&lt;/span&gt;&lt;/b&gt;&lt;/st1:placename&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/span&gt;&lt;/b&gt;&lt;/st1:place&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Any com port 1 through 8 may be selected for control of the transmitter’s PTT using&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;conventional RS232C data terminal ready (DTR) line. For most applications, a standard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;RS232C cable is used to connect the PC’s com port to the sound card interface&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(RigBlaster or equivalent). In addition, the DTR or ready to send (RTS) line may be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;used to mute the receiver’s speaker while receiving data. Implementation of this feature&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;may be found at KB4YZ’s web site. (&lt;/span&gt;&lt;span style="color: blue;"&gt;http://www.kiva.net/~djones/index.htm &lt;/span&gt;&lt;span style="color: black;"&gt;) WinDRM&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;may be started and the PTT controlled in the “Remote” (PTT on CTS or PTT on DSR)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;mode using the com port’s CTS or DSR line. This Remote mode will allow the use of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;external switching from the PTT switch on a microphone or a PTT foot switch. To avoid&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;a possible ground loop, an optical isolator or a relay should be used to assert (apply a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;positive +5 to 12vdc) to either the DSR or CTS line. Note: Due to some ambiguity&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;between Windows OS and WinDRM, the CTS and DSR are reversed (CTS is pin 6 and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;DSR is pin 8 in the 9 pin Sub-D PC’s com port connector). Use of a pull-down resistor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;on these pins will help ensure no false PTTs. For com port protection, a current-limiting&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;resistor may be used in series with the positive voltage applied to the DSR or CTS pin.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This Remote feature is not saved in WinDRM’s user’s settings file therefore when used,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;it must be checked each time the program is executed. TX voice may also be activated&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;using the keyboard’s spacebar. With “TX Voice” in focus (as show in above display),&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;taping the spacebar will put WinDRM in transmit (activating PTT) and pushing it again&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will return WinDRM to receive (a toggle function). To un-focus TX voice and avoid&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;placing WinDRM in transmit while using the keyboard for other functions, push the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;keyboard’s “Tab” key. Spacebar PTT will not function while in the “Remote” mode.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;10&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldItalicMT; color: black;"&gt;Setup&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Call sign&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Up to 8 number/letters may be entered. “NOCALL” is the default.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;11&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: Arial-BoldItalicMT; color: black;"&gt;Setup&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: Arial-BoldMT; color: black;"&gt;Display&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: Arial-BoldMT; color: black;"&gt;Receive Spectrum&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;The Spectrum’s display is approximately 2.5 kHz wide in the horizontal while the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;vertical shows the amplitude in dB (no scales are shown for any of the displays). The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;shape of the signal is rectangular (flat top) and represents the 2.3 or 2.5 KHz band width&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of the received signal. This display may be used to set the audio input level of the sound&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;card. Too much input will over-drive the sound card (line input should always be used&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;when available) and may cause distortion and low SNR. Carefully adjust the line input&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;level and the receiver audio until the top of the COFDM spectrum averages&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;approximately half way up in the display window. Although there is normally good&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;dynamic range in most sound cards, the goal is obtain the highest SNR reading. After&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;sync has been obtained, a blue vertical line will appear in the spectrum. This blue line&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;shows where the timing for acquiring the COFDM signal has started (the DC offset&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;frequency) which is normally 350Hz. This line may pop up intermittently as it will&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“false” on random noise and should be ignored when no valid COFDM signal is being&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;received. The three reference pilot carriers are easily seen in the display with frequencies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of 725, 1475 and 1850Hz.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;12&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Receive Waterfalls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Three waterfalls are available, Moving, Static, and Flicker reduced. The COFDM&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;spectrum will be displayed with an &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;even &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;intensity level across its 2.3 or 2.5 KHz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bandwidth. Within the waterfall, three FAC reference (or pilot carriers) of higher&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;intensity can be seen. These stand out because they have higher gain (transmitted at&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;twice the power). These FAC pilots are modulated with known fixed phases and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;amplitude which optimize DRM’s performance for initial synchronization, duration and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;reliability. They are used to calculate the initial coarse frequency offset of the received&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;DRM signal. This is the first part of the COFDM sync process and must occur before the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;received DRM signal can be decoded. The high-lighted red markers at the top of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;waterfall display indicate where the FAC reference carriers are located when the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitter and receiver DC offsets match. The moving waterfall sweeps from top to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bottom with the red marker’s indicating the position of reference carriers remaining fixed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;at the top of the display. The moving waterfall adds a visual method to monitor the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;health of the decoded signal in the form of a vertical line on each side of the waterfall&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;spectrum. During the decoding process, the green vertical lines indicate data is being&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;received without errors and red lines indicate errors. These green/red indicators move&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;with the spectrum instantly showing when and where the data errors occurred. The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;horizontal line across the top of this display indicates the bandwidth of the COFDM&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;signal. The signal in the waterfall should fully extend the width of this line. The Flicker&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;reduced waterfall is a modified moving waterfall designed to reduce “flicker” from some&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;types of fast LCD or laptop displays. Note: The waterfall display shown above depicts&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the effects of multi-path cancellation as shown by the darkened (“notches”) areas. The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;carriers in this area are being attenuated due to these phenomena. The two bright lines (on&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the bottom left, just before the start of data) is unwanted noise (probably caused by a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;ground loop between the transceiver and the PC soundcard) on the Speaker Out audio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;line to the transceiver’s Mic input. Every effort should be made to eliminate this type of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;interference when connecting audio cables between the PC and the transceiver. To&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;minimize ground loop and/or RFI problems associated with sound cards and the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;13&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transceiver, refer to these informative papers found at:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: blue;"&gt;http://audiosystemsgroup.com/SAC0305Ferrites.pdf&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;and &lt;/span&gt;&lt;span style="color: blue;"&gt;http://audiosystemsgroup.com/Ferrites-Ham.pdf&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Important: &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;It can not be emphasized enough that common mode noise (i.e. ground&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;loops – ac currents) must be eliminated or risk the high probability that unwanted noise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will be heard in the speaker at the receiving station while decoding digital voice. When&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;this noise is present, it is directly proportional to the TX microphone (mixer) level input&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;and will reduce the favorable experience expected of this mode. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;Only &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;the decoded voice&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;should be heard from the PC speakers.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Input Level (receive)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This display graphically shows the received audio. Sound card (recording) Line Input&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;may be set to approximate the level as shown in the display above.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;14&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Shifted PSD (receive)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This display plots the “estimated Power Spectrum Density (PSD) of the input signal”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;The X axis measures the PSD of 0 to 50dB while the Y axis is frequency from 0 to 12&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;KHz. Here the incoming DC frequency (350 Hz) is mixed with 5650 Hz to give a 6 KHz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(the blue vertical line is correctly shown in DRM mode B only). The peak on the left is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the mirror image (5650 – 350 = 5300 Hz) and is partially suppressed by the WinDRM’s&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;internal IF filter. If a peak is displayed between the signal and the mirror signal, a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;50/60Hz noise could be in the transmitted audio from ground loop. The three peaks seen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;at the top of the waveform are the pilot carriers for sync and have twice the power. Any&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;roll off or dips in the waveform indicate the carriers in these areas have a loss of power&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;caused by QSB and/or attenuation in the band pass of the transmitter or receiver. If the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitter &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;or &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;receiver does not allow the 2.3/2.5khz wide (350 to 2850Hz) DRM signal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;to pass without attenuation, this waveform will roll off on either end. Up to 10dB or&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;more SNR can be lost because careful attention has not been taken to properly set up the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitter, receiver and soundcard for the “flat top” OFDM spectrum.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;15&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Transfer Function ( receive)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This plot shows the “squared magnitude of the channel estimation at each sub carrier”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;The green line is the transfer function (TF in dB) while the blue line shows the phase&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;distortion of the channel (Group Delay in ms). Optimum signals will yield a flat response&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;and display even/flat lines across the width of the display.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Impulse Response (receive)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This plot shows the “estimated Impulse Response (IR) of the channel based on the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;channel estimation”. This pulse is used in determining the HF channel’s frequency and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;phase characteristics so the signal may be restored as close as possible to what it looks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;like at the transmitter. The time delay of the shortest path is taken as the zero reference&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;for the estimated pulse response.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;16&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Fast Access Channel (FAC) Phase (receive)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This plot shows the 4 QAM rectangular constellation. For more info on QAM see above&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;info under FAC radio button and this URL:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: blue;"&gt;http://en.wikipedia.org/wiki/Quadrature_amplitude_modulation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Main Service Channel (MSC) (receive)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This plot shows the various constellations for a 4 through 64 QAM logical channel that&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;provides the voice and file data. High SNR keeps the points in a close (tight)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;constellation but some scattering is expected on HF where the Reed-Solomon error&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;17&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;correction coding is applied. QAM varies the amplitude and phase of each one of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;carriers (for 16 QAM and up). Then, through frequency multiplexing (adding these&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;carriers together across the 2.3/2.5 kHz BW) the OFDM is created. 16QAM is shown&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;here.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Setup&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;CODEC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Either Linear Predictive Coding (LPC) or SPEEX open source CODECs may be selected&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;for digital voice. LPC is the default. All three require 2.5 kHz/2400bps minimum data&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(default &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;DRM&lt;/st1:city&gt;  &lt;st1:state st="on"&gt;TX&lt;/st1:state&gt;&lt;/st1:place&gt; settings provide this for the MSC). For further understanding of these&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;CODECs, see: &lt;/span&gt;&lt;span style="color: blue;"&gt;http://www.otolith.com/otolith/olt/lpc.html &lt;/span&gt;&lt;span style="color: black;"&gt;and &lt;/span&gt;&lt;span style="color: blue;"&gt;http://www.speex.org/&lt;/span&gt;&lt;span style="color: black;"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Robust DV is not “easy” to do on HF and may never meet everyone’s needs. A couple of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;seconds delay is required for sync before voice can be decoded therefore fast break-ins&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;are not currently possible. And, DV is not as robust as SSB.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;18&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldItalicMT; color: black;"&gt;Setup&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Text Message&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Edit TX Text Message (voice mode only)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Selecting “Edit TX Text Message” will open up a window to enter text.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Up to 128 ASCII characters (including spacing) may be transmitted. Greater than 128&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will be truncated in the receive window. Text messages can not be sent with data&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(file/picture transmissions). Text messages may be sent, changed or deleted during a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;voice transmission. The data rate is only 80bps, but the message is continuously&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmitted during the voice transmission. This may be used to send your QTH and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;station info and will remain open after the DV transmission has been completed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Allow RX Text Message (default)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Default provides a window for receiving the transmitted messages. This text message&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;window remains open for further review after the transmission has ended. (For more info,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;see previous “Edit TX Text Message” description)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;19&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Setup&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Save Received Files&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Checked (default) indicates files received without errors will be saved in the sub-folder of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;WinDRM named “Pictures”. If a file is missing segments, it will be saved in the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“Corrupted” subfolder. Both of these folders are initially created by WinDRM.exe.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;20&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Show Received Files&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Checked (default) indicates error-free files will automatically be displayed (when&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;associated with a viewer such as Irfanview). Irfanview is the “viewer of choice” and may&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;be downloaded free at &lt;/span&gt;&lt;span style="color: blue;"&gt;www.irfanview.com &lt;/span&gt;&lt;span style="color: black;"&gt;Irfanview requires a plug-in and must be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;associated with the image file extensions (.jpg, jp2 etc) to display pictures. In Irfanview,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;go to Options&gt;Set File Associations&gt;Extensions then select “Images Only” or just check&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the extensions you wish Irfanview to display. Note: Received files and pictures will be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;saved in the Pictures or Corrupt folders even if no viewer has been configured. Note:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Plug file name is typically named irfanview_plugins_xxx.exe (xxx = version).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Show Only First Instance&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Checked (default) indicates only a single instance of an error-free file will be displayed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;when received multiple times.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;21&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Soundcard&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Opening the mixer will display the sound card’s “Recording” and “Playback” sliders for&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Audio in and out. These are associated as follows:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;RX Input = Mixer Recording Line-In (connect to receiver’s speaker)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;TX Output = Mixer Playback Master Volume (connect to transmitter’s microphone input)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Voice input = Mixer Recording Mic-In (connect PC microphone to soundcard)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Voice output = Mixer Playback Master Volume (connect to amplified PC speakers)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;22&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;For Digital Voice using a single sound card, inputs are switched under program control&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(receive line-in switched to mic-in for transmit). Adjust mixer sliders for proper input&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;and output levels. Start with the “sliders” approximately one-third up. Only the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;RECORDING microphone should be enabled. For transmit, PLAYBACK Master&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Volume and Wave Out must be selected. Use the Master Volume for the coarse&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;adjustment and Wave out as the fine adjustment. Note: Uncheck/deselect &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;all &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;other&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;inputs/outputs. For decoded Digital Voice, Mixer Playback Master Volume must be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;manually switched between the PC’s amplified speakers for receive and the transmitter’s&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;mic input for transmit. If two sound cards are available, set up one card for Receive and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the other for Transmit. Then, no manual switching will be required. Note: For ease of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;setup/use, two sound cards are &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;highly recommended &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;Digital Voice. It is very easy to add&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;a second sound card especially if it is a USB. A low cost “USB 2.0 to Audio Adapter&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;w/Microphone Jack” card for (under $10) may be found at &lt;/span&gt;&lt;span style="color: blue;"&gt;www.geeks.com&lt;/span&gt;&lt;span style="color: black;"&gt;. This is a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;thumbnail size card (p/n HE-280B) and requires no additional drivers for XP. Just plug&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;it in, XP finds and installs the drivers and WinDRM will display both cards under&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“Soundcard”. USB headsets may also be used (i.e. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;Logitech 250/350&lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;) For further help&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;with the Soundcard Mixer, see &lt;/span&gt;&lt;span style="color: blue;"&gt;http://www.sagebrush.com/mixtech.htm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;DRM TX Settings&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Mode A/B/E (A = Ground wave &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;B &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;= Single to multi hops E = NVIS Multi-hops)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;MSC Protection (&lt;/span&gt;&lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Normal&lt;/span&gt;&lt;/b&gt;&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;= 0 Slower Low = 1 Faster)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;BandWidth (2.3Khz – &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;2.5Khz&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Interleave (&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Short &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;400ms – fast QSB Long 2sec – Slow QSB)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;MSC Coding (4/&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;16&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;/64 Quadrature Amplitude Modulation)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;DC Offset (50-&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;350&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;-5000Hz)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Clicking the Default button will result in the following &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;DRM&lt;/st1:city&gt; &lt;st1:state st="on"&gt;TX&lt;/st1:state&gt;&lt;/st1:place&gt; settings:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;23&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Mode MSC Protection Bandwidth Interleave MSC Coding DC offset&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;B Normal 2.5 Short 16QAM 350&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;Robust &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;lowers the transmission BPS by changing 16QAM to 4QAM. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;Speed &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;raises the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmission BPS by changing Mode to A, MSC protection to Low and Interleave to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Long 2 seconds. Long interleave requires additional sync time. Voice requires 2.5kHz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bandwidth for the 2400 bps CODECs. 64QAM on a HF channel requires a higher SNR&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;and minimum multi-path to perform well. MSC Protection A, B and E provides different&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;levels of forward error protection (FEC) to protect the MSC from the detrimental effects&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of QSB/QRM/QRN. B is higher than A with E (known as D in DRM) for Near Vertical&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Incidence Skywave (NVIS) transmission where the signal is transmitted with a very high&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;angle of radiation short path propagation. In practice, however the extra protection for&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;this mode appears to have limited results. In DRM, Mode A is used for ground wave&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;propagation where Mode B for single hop/multiple hop propagation. The default mode&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“B” on HF has shown to have the best overall performance. Mode E has been shown to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;be the most robust in the presence of multipath and weaker signal levels.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Note: A BSR &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;request &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;may be made using different (larger to smaller QAM constellation)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;&lt;span style="color: black;"&gt;DRM&lt;/span&gt;&lt;/st1:city&gt;&lt;span style="color: black;"&gt; &lt;st1:state st="on"&gt;TX&lt;/st1:state&gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;span style="color: black;"&gt; settings. This is sometimes done under poor band conditions in attempt to get&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the request through lower SNRs. However, the originating station responding to this&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;request must send the response to this request (“Send bad segment report”) in the &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;same&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;&lt;span style="color: black;"&gt;DRM&lt;/span&gt;&lt;/st1:city&gt;&lt;span style="color: black;"&gt; &lt;st1:state st="on"&gt;TX&lt;/st1:state&gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;span style="color: black;"&gt; settings it was originally sent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;DRM RX Settings&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Default settings are:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;24&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Freq. Acq. Sens. Search Window Size Auto Reset&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;60 350 Enabled&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Higher settings increase sensitivity for weak signals but with higher probability of false&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;sync. Fast Auto Reset has shown to be effective in providing faster sync recover under&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;poor signal conditions. These settings work well in the default mode, however this is a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;good area for hams to experiment and find what settings are best under varying&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;signal/band conditions.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;BSR &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(Bad Segment Report – &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;automated&lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;BSR provides a procedure to repair (sometimes called a “fix”) a defective file or picture.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Normally, a defective file or picture is caused when the received station does not receive&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;all the memory segments error free (segment failed CRC check). Depending upon how&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;many segments were not received, the picture may not be displayed using the SPA (Show&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Picture Anyway) or will appear unclear/blurry. When this happens, clicking on the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“BSR” button will open a window and show the number of segments “missing”. The&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;received station may then send a BSR “Request” to the sending station and request these&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;missing segments be resent so the file (picture) may be repaired and displayed. This is the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;manual method and requires user intervention. The “automated” BSR completely&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;automates this procedure for P2P (point to point) transfer of files. Auto Open BSR&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;request, TX ARQ and RX ARQ must be checked to initiate this procedure. Note:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;WinDRM does not look for activity on the frequency. The procedure simply relies on&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;timing between the tx to rx and rx to tx change-overs and does not “listen” on the channel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;for other activity. Therefore, users should maintain control of the station while this&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;automated BSR is being executed, i.e. “attended” operation. Upon a successful Auto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;ARQ exchange, the sending station will send “Good Copy” to the receive station’s&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;waterfall. Note: Up to 30 additional segments are sent in with the receiver’s BSR. These&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“additional” segments are sent to ensure the receiving station is in sync. Up to four&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;multiple BSRs windows may be open at one time. There requests may be transmitted one&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;25&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;at a time or all can be transmitted by clicking on the “BSR send” button while any one of&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;these request are being made (during transmission).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Load last RX file&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;When selected, the last error free file received will be loaded in the “Select Files”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;window. This is normally used when the entire file is to be re-sent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Auto open BSR request&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Automatically opens up the BSR window when a defective file is received. This must be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;checked to initiate the automated BSR procedure.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;TX ARQ&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Automates the “send” request for the BSR&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;RX ARQ&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Automates the “receive” request for BSR Note: For auto BSR, both transmit and receive&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;stations must have Auto open BSR Request, TX ARQ and RX ARQ checked.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;BSR &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Bad Segment Report&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;When a picture is received with segments missing, a left click on this button will display&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the number of segments. Press “OK” to request these segments be re-sent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;26&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;SPA &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Show Picture Anyway&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Left click on this button will attempt to associate and display the last received picture&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;even if it the file is incomplete. If there is enough data for the picture to partially&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;assemble the picture, it will be displayed. Dependent up on the amount of missing data&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;(memory segments) and preference of the received station, the user may then click on the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;BSR button to show the number of segments missing. Now, the BSR the request can be&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;made to resend the missing data. The picture above is an example of a picture displayed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;using the SPA with missing segments.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Picture shown “repaired” after receiving the missing 35 segments using the BSR request&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;procedure. Note: This entire procedure may be automated when the “Auto Open BSR,”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“TX ARQ” and “RX ARQ” checked.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;27&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Example of the transmitting station’s responding to a BSR request. Note: This is not the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;data used in the previous repaired picture.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;G &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button – works with Windows XP only)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;Good &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(good picture received)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Left click on &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;G &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;will transmit a pre-recorded wave file displaying “GOOD” in&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the received station’s waterfall. Filename: g.wav&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;B &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button – works with Windows XP only)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;BAD &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(bad picture received)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Left click on &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;B &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;will transmit a pre-recorded wave file displaying “BAD” in&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the received station’s waterfall. Filename: b.wav&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;28&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;ID &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button – works with Windows XP only) Left click on &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;ID &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;will transmit a pre-recorded&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;wave file displaying the transmitting station’s call sign in the received station’s waterfall.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Filename: id.wav&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;For help in creating these wave files, go to KB4YZ’s web site:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: blue;"&gt;http://www.kiva.net/~djones/index.htm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;TUNE &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Left click on TUNE will transmit a pre-recorded wave file for setting the proper output&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;level of the transmitter. Three reference pilot (sync) carriers will be displayed in the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;received station’s waterfall. From left to right, A=1850Hz, B=1475Hz and C=725Hz.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;With a properly adjust transmitter (good linearity – not overdriven!), the receiving station&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;only &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;see these 3 carriers. Any others displayed (at the receiving station) are products&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;of inter-modulation distortion which will degrade performance. See KB4YZ’s WinDRM&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;tuning file at &lt;/span&gt;&lt;span style="color: blue;"&gt;http://www.tima.com/~djones/drmtune.htm&lt;/span&gt;&lt;span style="color: black;"&gt;. Non-linearity can cause&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;spectral re-growth of unwanted carriers. Driving the typical transceiver and/or power&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;amplifier too hard will cause this spectral regrowth (unwanted carriers). Yes it is just as&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;bad as it sounds and it should be avoided. Drive 100w transceivers to only 20w max&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;average and a typical 1kw amps to 200w average power. For the adverse effects caused&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;by non linear transmissions, see &lt;/span&gt;&lt;span style="color: blue;"&gt;http://www.tima.com/~djones/DRM_power.htm&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;29&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-family: TimesNewRomanPS-BoldMT; color: black;"&gt;TX Pic &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Left click opens a window to add or remove files for transmission. Radio buttons enable&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;from 1 to 3 instances of the file be transmitted. Additional instances of the same file may&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;be sent by adding the file multiple times in the Select Files window. Long Leadin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;increases the time for sync data at the beginning of the transmission. This is used in the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;presence of weaker signal conditions or QRM to help ensure the sync is made at the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;receiving station prior to sending the file data. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;Return &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;button closes and returns to the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;opening WinDRM display. &lt;/span&gt;&lt;i&gt;&lt;span style="font-family: TimesNewRomanPS-ItalicMT; color: black;"&gt;TX &lt;/span&gt;&lt;/i&gt;&lt;span style="color: black;"&gt;button starts transmission of sync data followed by the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;file data.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;30&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;TX Voice &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Left click starts a voice transmission (or if in focus, tap the spacebar). The microphone&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;must be connected to the soundcard’s “MIC” input. The display graphically shows the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;transmit microphone level (sound card’s microphone input). Adjust the mixer’s Record&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;slider while speaking across the PC microphone. Best results will be found when the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;microphone input level is kept rather low while speaking in a loud tone of voice. Keep&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;the average level so peaks fill approximately 50-75% of the display. Speaking too loud&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will cause the display to turn red. Some PC electret microphones have poor non-linear&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;response and may sound “basey” yet tend to accentuate the highs which cause high peaks&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;and distortion in this application. Experiment in this area to find the best microphone and&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;level for the highest speech quality The audio filter may help the intelligence of the&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;speech in some conditions. SPEEX sounds like it adds more fidelity to the speech (when&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;compared to LPC) but at the same time, it is a bit muffled and tends to “flat top” the input&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;easier. This is an area where a well chosen microphone (such as a one from Heil Sound)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;will improve the voice quality. The input impedance of most sound cards microphone is&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;approximately 2500 ohms. This impedance may vary but should be a consideration when&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;choosing a microphone. The TX button name changes to “RX” while transmitting.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;“Echo” of the decoded voice may be caused by some combinations of PC and soundcard.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;This may be a soundcard latency problem related to the timing and transfer of data or a&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;ground loop. Changing sound cards may correct this problem. Known “good” low cost&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;sound cards include M-Audio, and Sound Blaster Audigy series. When retuning to&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Receive, the button label will momentarily display “Wait” (for approximately 2 seconds)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;while the transmit buffer empties. If the “Remote” feature is activated (PTT on DSR or&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;PTT CTS checked under Setup&gt;&lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;PTT&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt;), the TX Voice button is disabled and will&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;display Remote.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Note: A very small low cost (less than $10 USD) USB sound card by C-Media (HE-&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;280B has shown to perform very well with WinDRM. It may be found at&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: blue;"&gt;www.geeks.com &lt;/span&gt;&lt;span style="color: black;"&gt;Or use a USB headset such as the Logitec model 250 or 350.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;31&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;RESET &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;(button)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;Reset re-starts the sync process in receive. Normally, this button is rarely needed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldItalicMT; color: black;"&gt;About&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Info&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;32&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldItalicMT; color: black;"&gt;About&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Help&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;33&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Typical connections between PC, interface and radio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;See “&lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Setup&lt;/st1:placename&gt;  &lt;st1:placename st="on"&gt;PTT&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt;” info in this doc for more information on these connections. Any&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;available com port 1 thru 8 may be used for all functions (PTT, Spacebar PTT, Remote&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: black;"&gt;PTT and Transceiver Speaker Mute).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;Further DRM technical info and software &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;may be found at:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;span style="color: blue;"&gt;http://www.drmrx.org/&lt;/span&gt;&lt;span style="color: black;"&gt;, (DREAM 1.10.6cvs or later) and &lt;/span&gt;&lt;span style="color: blue;"&gt;www.drmradio.co.uk&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 13pt; font-family: Arial-BoldMT; color: black;"&gt;------------------------------------------ -------------- ------------------------------------------&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Arial-ItalicMT; color: black;"&gt;updated 23-Jul-2008&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Arial-ItalicMT; color: black;"&gt;© copyright 2005-2008 by Mel Whitten, KØPFX &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Arial-ItalicMT; color: black;"&gt;– &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Arial-ItalicMT; color: blue;"&gt;&lt;a href="mailto:mel@melwhitten.com"&gt;mel@melwhitten.com&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;i&gt;&lt;span style="font-size: 10pt; font-family: Arial-ItalicMT; color: blue;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;  &lt;h3&gt;Suggested Frequencies:&lt;span style=""&gt;   &lt;/span&gt;(Warning – most of these are from web pages dated two or more years ago…things look bad)&lt;/h3&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;80 Meters:&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;3.606 net, 7pm CST, usually daily except Saturdays&lt;/p&gt;  &lt;p&gt;&lt;b&gt;40 Meters:&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;7.130 2230Z net&lt;br /&gt;7.096 EU&lt;br /&gt;7.169.33, 7.170, 7.173, 7.177, 7.286, 7.291 (USB)&lt;br /&gt;&lt;b&gt;20 Meters:&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;14.255 EU&lt;/p&gt;  &lt;p&gt;&lt;b&gt;Monday-Friday daily net&lt;/b&gt; at 11AM Eastern time - 14.236&lt;br /&gt;&lt;b&gt;Saturday/Sunday net&lt;/b&gt; at 1900 UTC - 14.236&lt;/p&gt;  &lt;p&gt;14.236 is most popular AOR frequency&lt;/p&gt;  &lt;p&gt;&lt;b&gt;17 Meters:&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;18.1625&lt;br /&gt;&lt;b&gt;15 Meters:&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;21.370&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Sorry, many dead links on the AOR and FDMDV pages – especially the on-line finder for skeds&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;a href="http://n1su.com/aor-ard-9800.html"&gt;http://n1su.com/aor-ard-9800.html&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;a href="http://n1su.com/fdmdv/download.html"&gt;http://n1su.com/fdmdv/download.html&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4632435085083780021-7963460785708695179?l=educationalradionet.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://educationalradionet.blogspot.com/feeds/7963460785708695179/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4632435085083780021&amp;postID=7963460785708695179' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/7963460785708695179'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4632435085083780021/posts/default/7963460785708695179'/><link rel='alternate' type='text/html' href='http://educationalradionet.blogspot.com/2009/08/blog-post-12-windrmdigital-data-and.html' title='Blog-Post-12 – WinDRM—Digital Data and Voice Using Digital Radio Mondiale'/><author><name>WR5J</name><uri>http://www.blogger.com/profile/16316513702643319581</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='21' src='http://2.bp.blogspot.com/_b8EIQS-I3n0/SidILTLnkvI/AAAAAAAAAAM/N5LA4dkoaD8/S220/2009-Feb-19-Granger-Public-Meeting-CB-Sand-Tank-Model.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4632435085083780021.post-3102345791948983449</id><published>2009-08-16T22:39:00.000-07:00</published><updated>2009-08-16T22:41:42.083-07:00</updated><title type='text'>Blog-Post -11-Packet Radio by AGW Packet Engine</title><content type='html'>&lt;meta equiv="Content-Type" content="text/html; 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	mso-list-template-ids:-1544264220;} @list l66:level1 	{mso-level-number-format:bullet; 	mso-level-text:; 	mso-level-tab-stop:.5in; 	mso-level-number-position:left; 	text-indent:-.25in; 	mso-ansi-font-size:10.0pt; 	font-family:Symbol;} @list l66:level2 	{mso-level-number-format:bullet; 	mso-level-text:o; 	mso-level-tab-stop:1.0in; 	mso-level-number-position:left; 	text-indent:-.25in; 	mso-ansi-font-size:10.0pt; 	font-family:"Courier New"; 	mso-bidi-font-family:"Times New Roman";} @list l67 	{mso-list-id:2119369062; 	mso-list-template-ids:-1049741452;} @list l67:level1 	{mso-level-number-format:bullet; 	mso-level-text:; 	mso-level-tab-stop:.5in; 	mso-level-number-position:left; 	text-indent:-.25in; 	mso-ansi-font-size:10.0pt; 	font-family:Symbol;} ol 	{margin-bottom:0in;} ul 	{margin-bottom:0in;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Times New Roman"; 	mso-ansi-language:#0400; 	mso-fareast-language:#0400; 	mso-bidi-language:#0400;} &lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapedefaults ext="edit" spidmax="1028"&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:shapelayout ext="edit"&gt;   &lt;o:idmap ext="edit" data="1"&gt;  &lt;/o:shapelayout&gt;&lt;/xml&gt;&lt;![endif]--&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size: 16pt; color: black;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:180%;"&gt;&lt;b style=""&gt;&lt;span style="font-size: 16pt; color: black;"&gt;Blog-Post -11-&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;span style="font-size: 16pt; color: rgb(21, 34, 43);"&gt;&lt;span style="font-size:180%;"&gt;Packet Radio by AGW Packet Engine&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;Finding and installing SV2AGW’s &lt;span style=""&gt; &lt;/span&gt;Packet Engine Software, AGWTerminal, a very simple terminal program.&lt;span style=""&gt;  &lt;/span&gt;All the software listed here is for Windows – there are other versions of the software for most other operating systems.&lt;span style=""&gt;  &lt;/span&gt;Just go to the original links provided in the tutorial below.&lt;span style=""&gt;  &lt;/span&gt;For the windows versions, just go to the WA-DIGITAL yahoo group and check in the files section:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;&lt;a href="http://groups.yahoo.com/group/wa-digital/files/"&gt;http://groups.yahoo.com/group/wa-digital/files/&lt;/a&gt; &lt;span style=""&gt;   &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;and look in the Packet Radio Folder Using AGW&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;Or go to the original site by SV2AGW&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;&lt;a href="http://www.sv2agw.com/downloads/default.htm"&gt;http://www.sv2agw.com/downloads/default.htm&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;Instructions below were originally from:&lt;span style=""&gt;  &lt;/span&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/"&gt;http://www.kc2rlm.info/soundcardpacket/&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: rgb(21, 34, 43);"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: black;"&gt;A huge THANKS! To Ralph Milnes, KC2RLM for the following information:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color: black;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;h2&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;Download and Install AGWPE&lt;/span&gt;&lt;/h2&gt;  &lt;h4&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;1&lt;a name="download"&gt;. Download the AGWPE Program&lt;/a&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/h4&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The AGWPE web site is &lt;a href="http://www.sv2agw.com/ham/agwpe.htm"&gt;http://www.sv2agw.com/ham/agwpe.htm&lt;/a&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;You can &lt;span style="color: rgb(0, 153, 153);"&gt;download the AGWPE program&lt;/span&gt;      from the &lt;a href="http://www.kc2rlm.info/soundcardpacket/AGWPrograms.htm"&gt;AGW      Programs&lt;/a&gt; page on this site. It has download links to get the file from      SV2AGW's website or directly from this website.&lt;br /&gt;    &lt;br /&gt;     The AGWPE setup file comes  in "zip" format. If  you      need an unzip program, &lt;a href="http://www.winzip.com/ddchomea.htm"&gt;visit      the WinZip site&lt;/a&gt; for the latest copy of WinZip.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;h4&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;2&lt;a name="Install_AGWPE"&gt;. Install AGWPE&lt;/a&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/h4&gt;  &lt;div align="center"&gt;  &lt;table class="MsoNormalTable" style="border: 2.25pt outset ; background: rgb(255, 255, 204) none repeat scroll 0% 0%; width: 90%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" border="1" cellpadding="0" cellspacing="1" width="90%"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 3pt;"&gt;   &lt;h4&gt;&lt;span style="font-size: 10pt; color: black;"&gt;Note: &lt;/span&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;To remove a prior version of AGWPE&lt;/span&gt;&lt;span style="font-size: 10pt; color: black;"&gt; from your system, simply delete the   files in the AGWPE folder or, even simper, delete the folder. You can not use   the Windows' "&lt;/span&gt;&lt;span style="font-size: 10pt; color: rgb(0, 153, 153);"&gt;Add or   Remove Programs&lt;/span&gt;&lt;span style="font-size: 10pt; color: black;"&gt;"   routine in the Control Panel, since AGWPE is not "installed" in   Windows like most other programs.&lt;br /&gt; &lt;br /&gt;  Another option is to rename the older version's folder rather than remove it.&lt;/span&gt;&lt;/h4&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;/div&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; 1. AGWPE does not us the typical Windows "Add or Remove      Programs" install routine from the Control Panel (&lt;span style="color: rgb(0, 153, 153);"&gt;Start&gt; Settings&gt; Control Panel&gt; Add or      Remove Programs &lt;/span&gt;&lt;span style="color: blue;"&gt;). &lt;/span&gt;&lt;br /&gt;    &lt;br /&gt;     Instead, simply extract the zipped files into a new folder. I always      create a new folder for each version of AGWPE that I download, since each      version of the program uses the same file names and I don't want to mix      files from different versions.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;div align="center"&gt;  &lt;table class="MsoNormalTable" style="border: 2.25pt outset ; background: rgb(255, 255, 204) none repeat scroll 0% 0%; width: 80%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" border="1" cellpadding="0" width="80%"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 3.75pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Language files: You do   not need to unzip the alternate language files into the AGWPE folder if you   plan to use the default language of English. (For more information on   alternate language files see the &lt;a href="http://www.kc2rlm.info/soundcardpacket/6tips.htm"&gt;Tips and Tricks page&lt;/a&gt;.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;/div&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;2. Note that the main AGWPE program is called &lt;span style="color: blue;"&gt;AGW Packet Engine.exe&lt;br /&gt;     &lt;/span&gt;You may want to create a Windows shortcut to this file on your      desktop.  You can also add a link to &lt;span style="color: blue;"&gt;AGW      Packet Engine.exe&lt;/span&gt; on your Windows &lt;span style="color: rgb(0, 153, 153);"&gt;Start      Menu&lt;/span&gt; by dragging and dropping a copy of the AGWPE shortcut icon      onto the Windows &lt;span style="color: blue;"&gt;Start&lt;/span&gt;  button on the      Task Bar at the bottom of your screen.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;table class="MsoNormalTable" style="border: 2.25pt outset ; background: rgb(255, 255, 204) none repeat scroll 0% 0%; width: 80%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" border="1" cellpadding="0" width="80%"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 3.75pt;"&gt;   &lt;h5&gt;Do I need to install special drivers for using the parallel port to   control PTTl?&lt;/h5&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Not any more. Earlier versions of AGWPE &lt;span style="color: red;"&gt;did require &lt;/span&gt;special parallel drivers, but they are &lt;span style="color: red;"&gt;no longer necessary&lt;/span&gt;. For the most recent versions of   AGWPE, e.g. since version 2001.38, it is &lt;span style="color: red;"&gt;not   necessary&lt;/span&gt; to download or use the drivers.zip file from the AGWPE site &lt;span style="color: red;"&gt;despite&lt;/span&gt; what the AGWPE program &lt;span style="color: rgb(0, 153, 153);"&gt;Help&lt;/span&gt; file or the &lt;span style="color: rgb(0, 153, 153);"&gt;AGWPE   web site&lt;/span&gt; may say.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;h2&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;Basic AGWPE Program Setup&lt;/span&gt;&lt;/h2&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="color: blue;"&gt;One Radio to One Sound Card&lt;/span&gt;&lt;/b&gt;&lt;span style="color: blue;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwbasic.htm#Navigating"&gt;Navigating in AGWPE&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwbasic.htm#portsettings"&gt;Configuring the Radio Port Properties&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwbasic.htm#soundcardproperties"&gt;Configuring the Sound Card&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;AGWPE uses the concept of &lt;span style="color: rgb(204, 51, 0);"&gt;Radio Ports&lt;/span&gt; to define how it will interface with a radio. An AGWPE radio port is created for each TNC, radio modem or sound card channel that AGWPE will manage. This page will show you how to setup an AGWPE &lt;span style="color: rgb(204, 51, 0);"&gt;sound card &lt;/span&gt;radio port in just a few minutes. Note that to complete your configuration, you will need to decide which RS-232 port (COM or LPT) you plan to use for PTT control, in other words, where your PTT cable will connect to the computer. Usually this is an unused COM port. See &lt;a href="http://www.kc2rlm.info/soundcardpacket/1cableptt.htm"&gt;PTT Cable&lt;/a&gt; for more information.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Before starting AGWPE, always close:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;any programs that might be using  the &lt;i&gt;serial or parallel      port&lt;/i&gt; you plan to use for PTT control&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;any programs that might be accessing the &lt;i&gt;sound card&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;h4&gt;a. &lt;a name="Navigating"&gt;Navigating&lt;/a&gt; in AGWPE&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;When you start the &lt;span style="color: blue;"&gt;AGW Packet Engine.exe&lt;/span&gt; program for the first time, you will be greeted with a &lt;span style="color: rgb(255, 153, 0);"&gt;Packet Engine&lt;/span&gt; banner all in gold and a Software License Agreement which you must accept. The banner will disappear in a few seconds or you can click on it once to speed things up.  At this point, you will discover that AGWPE does not put an open Window on your desktop, nor will there be a button on the bottom Task Bar of your screen.  Instead, all you will find is the AGWPE tower icon &lt;!--[if gte vml 1]&gt;&lt;v:shapetype id="_x0000_t75" coordsize="21600,21600" spt="75" preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"&gt;  &lt;v:stroke joinstyle="miter"&gt;  &lt;v:formulas&gt;   &lt;v:f eqn="if lineDrawn pixelLineWidth 0"&gt;   &lt;v:f eqn="sum @0 1 0"&gt;   &lt;v:f eqn="sum 0 0 @1"&gt;   &lt;v:f eqn="prod @2 1 2"&gt;   &lt;v:f eqn="prod @3 21600 pixelWidth"&gt;   &lt;v:f eqn="prod @3 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @0 0 1"&gt;   &lt;v:f eqn="prod @6 1 2"&gt;   &lt;v:f eqn="prod @7 21600 pixelWidth"&gt;   &lt;v:f eqn="sum @8 21600 0"&gt;   &lt;v:f eqn="prod @7 21600 pixelHeight"&gt;   &lt;v:f eqn="sum @10 21600 0"&gt;  &lt;/v:formulas&gt;  &lt;v:path extrusionok="f" gradientshapeok="t" connecttype="rect"&gt;  &lt;o:lock ext="edit" aspectratio="t"&gt; &lt;/v:shapetype&gt;&lt;v:shape id="_x0000_i1027" type="#_x0000_t75" alt="AGWPE Tower Icon" style="'width:24pt;height:24pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image004.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/AGWPE%20ICON%20Large.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image004.gif" alt="AGWPE Tower Icon" shapes="_x0000_i1027" border="0" height="32" width="32" /&gt;&lt;!--[endif]--&gt;on your Windows System Tray at the bottom right of your screen.  This icon is your only access to AGWPE when it is running!  To help you find it, a yellow pop-up 'balloon' message points to the icon when AGWPE starts.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;To change any of AGWPE's configurations, left or right click on the &lt;span style="color: rgb(0, 153, 153);"&gt;AGWPE&lt;/span&gt; icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1028" type="#_x0000_t75" alt="AGWPE Tower Icon" style="'width:24pt;"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image004.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/AGWPE%20ICON%20Large.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image004.gif" alt="AGWPE Tower Icon" shapes="_x0000_i1028" border="0" height="32" width="32" /&gt;&lt;!--[endif]--&gt;to bring up AGWPE's  pop-up menu:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_s1026" type="#_x0000_t75" alt="" style="'position:absolute;margin-left:0;margin-top:0;width:122.25pt;height:162.75pt;" allowoverlap="f"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image005.gif" title="AGWPE%20Menu"&gt;  &lt;w:wrap type="square"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image005.gif" shapes="_x0000_s1026" align="left" height="217" width="163" /&gt;&lt;!--[endif]--&gt; &lt;/p&gt;  &lt;p&gt; &lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Note: The Sound Card Tuning Aid option on the menu&lt;br /&gt;will be grayed out until you create and configure a "radio port"&lt;br /&gt;as described below.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h5&gt; &lt;/h5&gt;  &lt;h5&gt; &lt;/h5&gt;  &lt;h4&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt; &lt;/span&gt;&lt;/h4&gt;  &lt;h4&gt;&lt;span style="color: rgb(0, 51, 204);"&gt;b.  &lt;a name="createport"&gt;Create and Configure an &lt;/a&gt;&lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;&lt;span style=""&gt;AGWPE&lt;/span&gt;&lt;/st1:placename&gt;&lt;span style=""&gt; &lt;st1:placename st="on"&gt;Radio&lt;/st1:placename&gt;  &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;a name="portsettings"&gt; &lt;/a&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The first step in working with AGWPE is to create and configure a radio port for a sound card channel and its associated radio.&lt;span style="color: black;"&gt; From the AGWPE menu, select&lt;/span&gt; &lt;span style="color: blue;"&gt;Properties&lt;/span&gt;.&lt;span style="color: black;"&gt;  A blank &lt;/span&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;RadioPort Selection&lt;/span&gt; &lt;span style="color: black;"&gt;window will open. Press the &lt;/span&gt;&lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;&lt;span style="color: blue;"&gt;New&lt;/span&gt;&lt;/st1:placename&gt;&lt;span style="color: blue;"&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/span&gt;&lt;/st1:place&gt; &lt;span style="color: black;"&gt;button on the right.  A message window will appear: &lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;A New TncPort File Has Been Created&lt;/span&gt;&lt;span style="color: black;"&gt;.  Click &lt;/span&gt;&lt;span style="color: blue;"&gt;OK&lt;/span&gt; to close the message and move on.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: black;"&gt;The &lt;/span&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;Properties for Port`1&lt;/span&gt;&lt;span style="color: black;"&gt; window  should now appear. Remember that AGWPE also can manage TNCs and radio modems, so some of the fields on this screen will not pertain to sound cards. The field outlined in red will be the key fields for a sound card radio port. Follow the step below in filling out the fields:&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;           &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1029" type="#_x0000_t75" alt="" style="'width:357pt;height:333.75pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image006.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/2PortProperty.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image006.gif" shapes="_x0000_i1029" border="0" height="445" width="476" /&gt;&lt;!--[endif]--&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;1. Make the following selections first on this screen (i.e. &lt;span style="color: rgb(0, 153, 153);"&gt;TNC Setup&lt;/span&gt; tab):&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;table class="MsoNormalTable" style="border: 2.25pt outset ; width: 295.5pt;" border="1" cellpadding="0" cellspacing="0" width="394"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 3.75pt; width: 107.25pt;" width="143"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 153, 153);"&gt; &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Select&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="padding: 3.75pt; width: 185.25pt;" width="247"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;enter the port where you   will attach your &lt;a href="http://www.kc2rlm.info/soundcardpacket/1cablestart.htm"&gt;PTT cable&lt;/a&gt;, &lt;span style="color: rgb(204, 51, 0);"&gt;e.g. COM1 or LPT1;&lt;/span&gt; see notes below *&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr style=""&gt;   &lt;td style="padding: 3.75pt; width: 107.25pt;" width="143"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 153, 153);"&gt;TNC   Radioport:&lt;br /&gt;   Port Description &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="padding: 3.75pt; width: 185.25pt;" width="247"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;you can overwrite the   current description for Port 1 and enter a description of your own choice,   e.g. &lt;span style="color: blue;"&gt;Icom&lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt; &lt;/span&gt;&lt;span style="color: blue;"&gt;1200 Packet&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p&gt;* &lt;b&gt;&lt;span style="font-size: 10pt; color: blue;"&gt;Notes about Port selections (COM &amp;amp; LPT)&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;To select &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;a parallel port&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt; scroll to the bottom of the      port list &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;If you are setting up a      receive-only installation&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt; or using a SignaLink interface or other      audio-controlled PTT interface and don't want to tie up a real port for a      PTT line you won't be using, the AGW software &lt;span style="color: rgb(204, 51, 0);"&gt;will      accept non-existent parallel port&lt;/span&gt; assignments, but not non-existent      serial ports.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;2. You can leave all other selections at their defaults, including &lt;span style="color: rgb(0, 153, 153);"&gt;Serial Port/ Modem Baud Rate&lt;/span&gt;, which is not used for sound cards.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;3. Now go to the &lt;span style="color: rgb(0, 153, 153);"&gt;TNC Type&lt;/span&gt; field in the top middle of the screen and use the pull down list to select &lt;span style="color: rgb(0, 51, 204);"&gt;"Sound Card&lt;/span&gt;".&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;a name="soundcardproperties"&gt;&lt;b&gt;&lt;span style="color: rgb(0, 51, 204);"&gt;c. Settings on the Sound Card Setup screen:&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="color: rgb(0, 51, 204);"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;&lt;br /&gt;When you select "&lt;span style="color: blue;"&gt;Sound Card&lt;/span&gt;" for your &lt;span style="color: rgb(0, 153, 153);"&gt;TNC Type&lt;/span&gt; (or if press the &lt;span style="color: blue;"&gt;Options&lt;/span&gt; button in the middle of the &lt;span style="color: rgb(0, 153, 153);"&gt;TNC setup&lt;/span&gt; window, underneath &lt;span style="color: blue;"&gt;TNC subtype&lt;/span&gt;), the program will bring up the &lt;span style="color: rgb(0, 153, 153);"&gt;SoundCard Modem/TNC Setup&lt;/span&gt; window which looks like this:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;         &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1030" type="#_x0000_t75" alt="" style="'width:337.5pt;height:351pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image007.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/2scsetup.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image007.gif" shapes="_x0000_i1030" border="0" height="468" width="450" /&gt;&lt;!--[endif]--&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;1. &lt;span style="color: rgb(0, 153, 153);"&gt;Baud Rates: &lt;/span&gt;Note that your sound card is capable of supporting two radio ports using its left and right audio channels. If you are only using one radio, it will be Port 1 on the left channel.  Set the left channel baud rate for the rate you plan to use, i.e. &lt;span style="color: blue;"&gt;300&lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt; &lt;/span&gt;baud for HF SSB  work; or &lt;span style="color: blue;"&gt;1200, 2400, 4800, &lt;/span&gt;or&lt;span style="color: blue;"&gt; 9600&lt;/span&gt; for VHF/UHF work.&lt;br /&gt;&lt;br /&gt;Assuming that you will &lt;span style="color: rgb(204, 51, 0);"&gt;not&lt;/span&gt; be using the right channel for a second radio connection, set the right channel rate for a baud rate &lt;span style="color: rgb(204, 51, 0);"&gt;different from&lt;/span&gt; the one you have chose for the left channel. This may prevent the possibility of future problems. (If you will be connecting to 2 radios, see &lt;a href="http://www.kc2rlm.info/soundcardpacket/2agw2radios.htm"&gt;Configuring AGWPE for 2 Radios&lt;/a&gt;. )&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;2.&lt;span style="color: rgb(0, 153, 153);"&gt; Sound Card Selection:&lt;/span&gt; Use the pull down menu to select the sound card device you will be using with AGWPE. You may see other choices, such as a telephone modem (don't use) or another another card if you have two.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;3.&lt;span style="color: rgb(0, 153, 153);"&gt; &lt;/span&gt;For now leave the other fields at their defaults:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 153, 153);"&gt;Full Duplex Driver:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; The &lt;span style="color: blue;"&gt;Full Duplex Driver &lt;/span&gt;box      should be checked. Most recent sound cards are full-duplex capable. If you      later encounter transmitting problems, you may need to un-check the &lt;span style="color: blue;"&gt;Full Duplex Driver &lt;/span&gt;box. This is likely to apply      only to older sound cards; see &lt;a href="http://www.kc2rlm.info/soundcardpacket/5probconnect.htm#SlowExchanges"&gt;Problems      with Connections &lt;/a&gt; for more about this.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 153, 153);"&gt;Sound Card Clock:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; This setting is used if you have problems      receiving distant stations; see the &lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXbaddriver"&gt;Problems      with Receiving&lt;/a&gt; page for more information, but for now leave the      setting at 4, the default.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Now press the &lt;span style="color: blue;"&gt;OK&lt;/span&gt; button to return to the &lt;span style="color: rgb(0, 153, 153);"&gt;Properties for Port1&lt;/span&gt; window &lt;span style="color: rgb(204, 51, 0);"&gt;but do not close it yet&lt;/span&gt;. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;4. Note that, by default, AGWPE has created two sound card radio ports. To avoid future operating problems, &lt;span style="color: rgb(204, 51, 0);"&gt;change&lt;/span&gt; the setting from &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;&lt;span style="color: blue;"&gt;Dual&lt;/span&gt;&lt;/st1:placename&gt;&lt;span style="color: blue;"&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/span&gt;&lt;/st1:place&gt; to &lt;span style="color: blue;"&gt;SinglePort &lt;/span&gt; in the &lt;span style="color: blue;"&gt;TNC Control Commands &lt;/span&gt;section of the &lt;span style="color: rgb(0, 153, 153);"&gt;Properties for Port1&lt;/span&gt; window. (Doesn't apply if you really will be &lt;a href="http://www.kc2rlm.info/soundcardpacket/2agw2radios.htm"&gt;connecting to 2 Radio)&lt;/a&gt;.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;For a simple, first time installation, all other selections can remain "as is" (use the default selections), including those in the &lt;span style="color: rgb(0, 153, 153);"&gt;Tnc Commands&lt;/span&gt; tab window in the &lt;span style="color: rgb(0, 153, 153);"&gt;Properties for Port1&lt;/span&gt; window and any other selections on the AGWPE menu.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;5. Now press the &lt;span style="color: blue;"&gt;OK&lt;/span&gt; button at the bottom of the &lt;span style="color: rgb(0, 153, 153);"&gt;Properties for Port1&lt;/span&gt; window. You should get a popup message telling you to restart the program, so click on the &lt;span style="color: rgb(0, 153, 153);"&gt;Packet Engine&lt;/span&gt; icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1031" type="#_x0000_t75" alt="AGWPE Tower Icon" style="'width:20.25pt;"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image004.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/AGWPE%20ICON%20Large.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image008.jpg" alt="AGWPE Tower Icon" shapes="_x0000_i1031" border="0" height="24" width="27" /&gt;&lt;!--[endif]--&gt;once again and select '&lt;span style="color: blue;"&gt;Exit&lt;/span&gt;'.  Now restart AGWPE. The &lt;span style="color: rgb(0, 153, 153);"&gt;Packet Engine&lt;/span&gt; icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1032" type="#_x0000_t75" alt="AGWPE Tower Icon" style="'width:20.25pt;"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image004.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/AGWPE%20ICON%20Large.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image008.jpg" alt="AGWPE Tower Icon" shapes="_x0000_i1032" border="0" height="24" width="27" /&gt;&lt;!--[endif]--&gt;should once again appear, but in addition you should now see a &lt;span style="color: rgb(0, 153, 153);"&gt;TNC icon&lt;/span&gt; &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1033" type="#_x0000_t75" alt="AGWPE Modem Icon" style="'width:24pt;height:11.25pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image009.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TNCnone.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image009.gif" alt="AGWPE Modem Icon" shapes="_x0000_i1033" border="0" height="15" width="32" /&gt;&lt;!--[endif]--&gt;next to it. This new icon represents your new sound card &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Radio&lt;/st1:placename&gt;  &lt;st1:placetype st="on"&gt;Port.&lt;/st1:placetype&gt;&lt;/st1:place&gt;&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h4&gt;d. Editing a Port's Properties&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If you want to change a setting in the &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Radio&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt;'s configuration, click on the AGWPE icon to call up the menu, select &lt;span style="color: rgb(0, 153, 153);"&gt;Properties&lt;/span&gt;, and then click on the radio port you want to change. Then click &lt;span style="color: blue;"&gt;OK &lt;/span&gt;&lt;span style="color: black;"&gt;and edit the fields in the &lt;/span&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;Properties for Portx&lt;/span&gt;&lt;span style="color: black;"&gt; window&lt;/span&gt;. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h4&gt;&lt;span style="color: rgb(0, 51, 204);"&gt;&lt;br /&gt;&lt;/span&gt;e. Problems?&lt;/h4&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Any time you have trouble starting or configuring AGWPE, it is      often best to close AGWPE and delete all &lt;span style="color: blue;"&gt;port*.ini&lt;/span&gt;      files and the&lt;span style="color: blue;"&gt; agwpe.ini&lt;/span&gt; file in your AGWPE      directory/folder. Then restart and re-configure AGWPE from the very      beginning.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If you don't see this &lt;span style="color: rgb(0, 153, 153);"&gt;TNC icon &lt;/span&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1034" type="#_x0000_t75" alt="AGWPE Modem Icon" style="'width:24pt;"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image009.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TNCnone.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image009.gif" alt="AGWPE Modem Icon" shapes="_x0000_i1034" border="0" height="15" width="32" /&gt;&lt;!--[endif]--&gt;, you probably      have a conflict with another program or device:&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Make sure that the COM or LPT port you have       select in AGWPE is not already dedicated to another device, for example,       an internal modem or printer) or has been "captured" by another       program (for example, your Palm Pilot's "Hot Sync Manager".       You'll have to resolve any conflicts by either closing the other program,       disabling the device, or selecting another port for AGWPE's PTT control.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Make sure that no other program is running and       using the the sound card. &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;For further help in resolving &lt;a href="http://www.kc2rlm.info/soundcardpacket/5probprog.htm#portconflict"&gt;port conflicts&lt;/a&gt;, go to the &lt;a href="http://www.kc2rlm.info/soundcardpacket/5probprog.htm#portconflict"&gt;Problems with Program Behavior&lt;/a&gt; page on this site.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 16pt;"&gt;BEGIN SPECIAL SIGNALINK SETUP SECTION +++++++++++++++++++++++++++++++++&lt;/span&gt;&lt;/b&gt;&lt;b style=""&gt;&lt;span style="font-size: 16pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h2&gt;&lt;span style="font-size: 13.5pt; color: rgb(204, 51, 0); font-weight: normal;"&gt;AGWPE and the SignaLink USB&lt;/span&gt;&lt;span style="font-family: Arial; color: rgb(51, 0, 153);"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h2&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;The Tigertronics SignaLink USB interface (&lt;a href="http://www.tigertronics.com/slusbmain.htm"&gt;http://www.tigertronics.com/slusbmain.htm&lt;/a&gt;) has many interesting features of value to AGWPE users:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol; color: black;"&gt;&lt;span style=""&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image001.gif" alt="*" height="13" width="13" /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; Includes a built-in "sound card" chip so AGWPE doesn't need to use your computer's sound card&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol; color: black;"&gt;&lt;span style=""&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image001.gif" alt="*" height="13" width="13" /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; Uses the TX audio (VOX) to trigger your radio's PTT circuit -- doesn't need a serial or parallel port on your computer for PTT control&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol; color: black;"&gt;&lt;span style=""&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image001.gif" alt="*" height="13" width="13" /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; Only a single USB cable to the computer -- no audio cables to sound card jacks&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol; color: black;"&gt;&lt;span style=""&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image001.gif" alt="*" height="13" width="13" /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; Powered by the USB connection&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-family: Arial; color: rgb(51, 0, 153);"&gt;1. Configuring the SignaLink USB for AGWPE&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Be sure to read the SignaLink USB (SLU) documentation, especially the part about configuring the jumper wires inside the SLU to match your radio's pin-outs .&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;To create an AGWPE radio port for the SLU, first plug in the SLU's USB cable to your computer. Your computer should recognize a new USB device. (In my XP computer,  Windows "connection" tones can be heard when this happens.)&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Then follow the &lt;a href="http://kc2rlm.info/soundcardpacket/2agwbasic.htm#createport"&gt;basic AGWPE setup&lt;/a&gt; to create an AGWPE radio port &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;but with these exceptions&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;1. In the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;Properties for Port1&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; window, for the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(0, 153, 153);"&gt;Select Port&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; field, select a non-existent LPT (parallel) port. Since the SLU does not require either a COM or LPT port for PTT control, there is no need for AGWPE to tie up a COM or LPT port on your computer.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;2. At the bottom of the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;SoundCard Modem/TNC Setup&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; window (found by pressing the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(0, 153, 153);"&gt;Options&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; button in the middle of the  &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;Properties for Port1 &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;window), you will find the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(0, 153, 153);"&gt;SoundCard Selection&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; field. If necessary, use the scroll arrow to reveal and select the SLU's sound card, which is called &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;USB Audio CODEC &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;(on some computers it may be called&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt; USB Audio Device&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;a href="http://kc2rlm.info/soundcardpacket/images/signalinkUSB.png"&gt;&lt;/a&gt;&lt;/span&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_s1027" type="#_x0000_t75" alt="" href="http://kc2rlm.info/soundcardpacket/images/signalinkUSB.png" style="'position:absolute;" allowoverlap="f" button="t"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image010.png" title="signalinkUSB_small"&gt;  &lt;w:wrap type="square"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;a href="http://kc2rlm.info/soundcardpacket/images/signalinkUSB.png"&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image011.gif" shapes="_x0000_s1027" align="left" border="0" height="107" width="100" /&gt;&lt;/a&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;a href="http://kc2rlm.info/soundcardpacket/images/signalinkUSB.png"&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;-- &lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;click on this image for a larger image of the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;SoundCard Modem/TNC Setup&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; window.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Then press &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;OK &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;to close all the AGWPE windows and restart AGWPE. The SignaLink USB should now be set to work with AGWPE.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-family: Arial; color: rgb(51, 0, 153);"&gt;2. Troubleshooting AGWPE - SignaLink USB (SLU) Problems&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;The SignaLink USB Installation and Operation Guide contains detailed information about recommended SLU settings and troubleshooting.  There is also a website which has troubleshooting information &lt;a href="http://www.tigertronics.com/slusbts.htm"&gt;http://www.tigertronics.com/slusbts.htm&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Here are just a few key things to check if you have difficulties:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;a. &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;Received Audio&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; - The &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;RX&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; audio dial on the front of the SLU is the only way to increase or decrease the RX audio levels (unless you are getting the RX audio from the speaker of your radio, in which case your radio volume control dial will also have an effect on the RX audio level). I've had good success with the SLU's &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;RX&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; audio dial set to the 9 o'clock position.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;[You may have experience with other sound cards which use the Windows Volume Control &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;Recording&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; sliders to adjust &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;RX&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; volume levels. There is &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;no&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; such control with the SLU; likewise &lt;a href="http://kc2rlm.info/soundcardpacket/3volset.htm#AGWRxSet"&gt;the RX control sliders on AGWPE's Sound Card Tuning Aid screen&lt;/a&gt; have&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt; no &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;effect on the SLU's RX Audio levels.]&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Also, set the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;DLY&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; (Delay) dial on the front of the SLU to the 7 o'clock position (fully counterclockwise). This minimizes the time the SLU keeps your radio in transmit mode. If you increase the delay, the packet station which you are communicating with may begin to transmit before the SLU and your radio return to "receive" mode and you will not receive the first packet from the distant station.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;b. &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;TX Audio &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;- &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol; color: black;"&gt;&lt;span style=""&gt;&lt;img src="PicExportError" alt="*" height="13" width="13" /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; Use the Windows Volume Control program to control the SLU's TX audio levels. Follow the instructions on the &lt;a href="http://kc2rlm.info/soundcardpacket/3volset.htm#WinTxSet"&gt;Sound Card settings&lt;/a&gt; page of this web site, but set the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(0, 153, 153);"&gt;Speaker&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; slider for the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;USB Audio CODEC &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;to maximum (up) and set the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(0, 153, 153);"&gt;Wave&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; slider to 50%.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol; color: black;"&gt;&lt;span style=""&gt;&lt;img src="PicExportError" alt="*" height="13" width="13" /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; Set the TX audio dial on the face of the SLU to the 9 o'clock position.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;c. &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: blue;"&gt;PTT Transmit fails&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol; color: black;"&gt;&lt;span style=""&gt;&lt;img src="PicExportError" alt="*" height="13" width="13" /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;If the SignaLink USB's PTT LED does NOT turn ON: &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Verify that the SignaLink USB’s PWR LED is ON. If it is not, then make sure that the SignaLink USB's PWR switch is pressed in and the USB cable is securely connected to the computer and the SignaLink. &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Make sure AGWPE is configured to use the SignaLink USB’s built-in sound card. The program should have “USB Audio CODEC” selected. &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;Try increasing the &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(0, 153, 153);"&gt;Wave&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; slider in the Windows Volume Control program for the USB Audio Codec. (There is also a special jumper setting inside the SLU to further increase TX audio levels; see the SLU Installation and Operation Guide.)&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt;If the SignaLink is plugged into a USB hub, verify that the hub is a powered hub. Non-powered hubs may not supply enough power for the SignaLink to operate properly (Receive will work, but Transmit may not).&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol; color: black;"&gt;&lt;span style=""&gt;&lt;img src="PicExportError" alt="*" height="13" width="13" /&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;       &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: rgb(204, 51, 0);"&gt;If the SignaLink USB's PTT LED turns ON&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Arial; color: black;"&gt; but the radio doesn't switch to transmit, then you have most likely incorrectly installed the PTT jumper wires inside the SLU. Double check the wiring there and also make sure that the cable to your radio is going to the correct PTT pin (in some radios, the PTT pin for FM packet is different from the one used for SSB modes such as PSK-31, RTTY and SSTV; if this is the case, you will need a different cable for packet).&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Arial; color: black;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="font-size: 16pt;"&gt;END SPECIAL SIGNAL LINK INFO +++++++++++++++++++++++++++++++++++&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;h2&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;Basic Sound Card Settings for AGWPE&lt;/span&gt;&lt;/h2&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;For AGWPE to work, you need to set four basic sound card settings correctly:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;  The &lt;span style="color: blue;"&gt;receive&lt;/span&gt;  audio &lt;span style="color: teal;"&gt;source&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;  The &lt;span style="color: blue;"&gt;receive&lt;/span&gt; audio &lt;span style="color: red;"&gt;volume&lt;/span&gt; &lt;span style="color: red;"&gt;level&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;  The &lt;span style="color: maroon;"&gt;transmit &lt;/span&gt;audio &lt;span style="color: teal;"&gt;source&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;  The &lt;span style="color: maroon;"&gt;transmit &lt;/span&gt;audio &lt;span style="color: red;"&gt;volume&lt;/span&gt; &lt;span style="color: red;"&gt;level&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;You can adjust these sound card settings in two ways:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#AGWPEVolSet"&gt;1.      AGWPE's Sound Card Volume Settings screen&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#AGWRxSet"&gt;a. Receive       Audio Settings&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#AGWTxSet"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;b. T&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#AGWTxSet"&gt;ransmit       Audio Settings&lt;/a&gt;&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#windowsVolSet"&gt;2.      Windows' &lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#windowsVolSet"&gt;&lt;span style="font-size: 10pt;"&gt;Volume Control Program&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinTxSet"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;a. T&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinTxSet"&gt;ransmit       Audio Settings&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinRxSet"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;b. R&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinRxSet"&gt;eceive       Audio Settings&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Other information on this page includes:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;3. &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#2cards"&gt;Configuring      Two Sound Cards&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;4. &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#quickmix"&gt;Preserving      Your Volume Settings (QuickMix)&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;There are some advanced sound card settings that &lt;span style="color: rgb(204, 51, 0);"&gt;may&lt;/span&gt; also affect you. These include  "Speaker Type", "Hardware Acceleration", and "Sample Rate". These are discussed on  the &lt;a href="http://www.kc2rlm.info/soundcardpacket/3voladd.htm"&gt;Additional Settings&lt;/a&gt; page of this web site.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt; &lt;/p&gt;  &lt;h4&gt;1. &lt;a name="AGWPEVolSet"&gt;Using AGWPE&lt;/a&gt; to Adjust Basic Sound Card Settings&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;To set the volume controls from within AGWPE, right click the AGWPE tower icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1035" type="#_x0000_t75" alt="" style="'width:18.75pt;height:18.75pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image004.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TowerIcon.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image012.jpg" shapes="_x0000_i1035" border="0" height="25" width="25" /&gt;&lt;!--[endif]--&gt;to bring up the AGWPE menu and then click on &lt;span style="color: rgb(0, 153, 153);"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voltuneaid.htm"&gt;Sound Card Tuning Aid&lt;/a&gt;.&lt;/span&gt; The Tuning Aid is a great way to adjust your RX (receive) volume. Note that the Tuning Aid screen window will remain on top of all other windows. You can drag it with the blue Title Bar if it gets in the way, but it's handy to keep it displayed throughout the volume adjusting process:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1036" type="#_x0000_t75" alt="" style="'width:438pt;height:270.75pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image013.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3sinescreen.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image013.gif" shapes="_x0000_i1036" border="0" height="361" width="584" /&gt;&lt;!--[endif]--&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Then in the AGWPE &lt;span style="color: rgb(0, 153, 153);"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voltuneaid.htm"&gt;Sound Card Tuning Aid&lt;/a&gt;&lt;/span&gt; window, click on the&lt;span style="color: rgb(0, 153, 153);"&gt; Set Volume &lt;/span&gt;button to get to this window:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-size: 10pt; font-family: Wingdings; color: rgb(0, 153, 153);"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1037" type="#_x0000_t75" alt="" style="'width:409.5pt;height:152.25pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image014.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3setvol.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image014.gif" shapes="_x0000_i1037" border="0" height="203" width="546" /&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;See the sections a. and b. below for more information about these controls:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;table class="MsoNormalTable" style="border: medium none ; border-collapse: collapse;" border="1" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr style="height: 81pt;"&gt;   &lt;td style="padding: 3.75pt; height: 81pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: red;"&gt;Bug Report:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; There are still some problems with this AGWPE   feature as of 2003.308:&lt;br /&gt;   &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;By default, this window assumes the LINE IN is        the &lt;span style="color: blue;"&gt;RX Input Line&lt;/span&gt;. If you are using LINE        IN, then you will have no problems and can use the volume sliders to        adjust your RX audio level.&lt;br /&gt;      &lt;br /&gt;       The bug is that the window will &lt;span style="color: red;"&gt;not&lt;/span&gt; let        you change the &lt;span style="color: blue;"&gt;RX Input Line&lt;/span&gt; (audio        source) as the pull down menu suggests. For example, if the sound card        is now set to use the "LINE IN" jack as the audio source, then        selecting "MIC" as the &lt;span style="color: blue;"&gt;RX Input Line&lt;/span&gt;        in this window will have no affect. The sound card (and AGWPE) will        continue to use "LINE IN". You will be able to control the        volume sliders for the source you select, e.g. MIC, but your input        source will not change to MIC.&lt;br /&gt;        &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If you have two sound cards in your system,        AGWPE only controls the volume settings on the first sound card. If you        are using a second sound card for AGWPE, then this window will have no        affect on the settings for that second card.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If either of these problems affect you,   then you need to use the &lt;span style="color: rgb(0, 153, 153);"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#windowsVolSet"&gt;Windows'   Volume Control Program (see #2 below)&lt;/a&gt;&lt;/span&gt; to adjust the input source   and/or the sound card being used. &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#windowsVolSet"&gt;See   #2&lt;/a&gt; below.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p&gt; &lt;/p&gt;  &lt;h4&gt;a. &lt;a name="AGWRxSet"&gt;Receive Audio Settings (via AGWPE)&lt;/a&gt;&lt;/h4&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;Receive Audio Volume:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; The left &lt;span style="color: blue;"&gt;Rx &lt;/span&gt;slider      controls the receive volume (recording volume) of the left channel or port      1 of the sound card. The right column sliders control the right channel or      port 2. (If you are using only one radio port in AGWPE, it will be the      left slider).&lt;br /&gt;    &lt;br /&gt;     I've had good success with the sliders set 1/3 up from the bottom. Be sure      not to set them too low since it may stop all input (they don't have to be      to the very bottom for audio input to be stopped). Use the sound card      tuning aid's Sine Wave scope to see the results of your settings. The sine      waves should fill about half the scope as in the Tuning Aid screen shot      above. Use the volume slider to adjust the wave size. If you get the      output from the radio's speaker jack, you can also adjust the radio      volume. AGWPE is pretty tolerant of RX volume levels, but conceivably it      is possible for the volume to be too loud or too soft.&lt;br /&gt;    &lt;br /&gt;      If you don't see any waves, then your audio source setting is      probably incorrect (see next paragraph) or, if you are using the radio's      mike or speakers for RX audio, your radio's squelch in on; turn it off so      you can hear the channel noise.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;table class="MsoNormalTable" style="border: medium none ; margin-left: 0.5in; border-collapse: collapse;" border="1" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 6pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Visit the &lt;a href="http://www.kc2rlm.info/soundcardpacket/3voltuneaid.htm"&gt;Sound Card   Tuning Aid page&lt;/a&gt; for more information, including screen shots of signal   problems.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;  &lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;Receive Audio Source:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;   See &lt;span style="color: red;"&gt;Bug      Report&lt;/span&gt; above. The Rx Input Line (audio source) does not work as      advertised in version 2003.3008. You need to use the  &lt;span style="color: rgb(0, 153, 153);"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#windowsVolSet"&gt;Windows'      Volume Control Program (see #2 below)&lt;/a&gt;&lt;/span&gt; to adjust your settings.&lt;br /&gt;    &lt;br /&gt;     [When the bug is corrected, you will be able to select the source of your      receive audio, either &lt;span style="color: blue;"&gt;Line &lt;/span&gt;(meaning LINE      IN) or &lt;span style="color: blue;"&gt;Microphone&lt;/span&gt;, depending where your RX      audio cable is plugged. As the screen says, other sources will be muted      and that's good.]&lt;br /&gt;    &lt;br /&gt;     (If you opt to use the Microphone instead of the Line In for RX in, be      sure that you &lt;span style="color: red;"&gt;do not use the Microphone Boost      option&lt;/span&gt; of your sound card. See &lt;span style="color: rgb(0, 153, 153);"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#windowsVolSet"&gt;Windows'      Volume Control Program&lt;/a&gt;&lt;/span&gt;below for &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#boost"&gt;instructions      on how to configure boost&lt;/a&gt;.)&lt;br /&gt;    &lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;Set/Restore Options:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; If you use your sound card for programs other      than AGWPE, the &lt;span style="color: blue;"&gt;Set These Levels on Start &lt;/span&gt;and      &lt;span style="color: blue;"&gt;Restore Levels on Exit &lt;/span&gt;will be helpful.      They allow you to set the volume especially for AGWPE and then return them      to their previous settings when you exit AGWPE.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;h4&gt;&lt;a name="AGWTxSet"&gt;b. Transmit Audio Settings (via AGWPE)&lt;/a&gt;&lt;/h4&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;Transmit Audio Volume:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; The &lt;span style="color: blue;"&gt;Tx Master&lt;/span&gt;      sliders and two &lt;span style="color: blue;"&gt;Tx Wave &lt;/span&gt;volume      sliders work together: &lt;span style="color: maroon;"&gt;Wave&lt;/span&gt; means &lt;span style="color: maroon;"&gt;Program, &lt;/span&gt;in this case AGWPE and the packet      tones it generates. The &lt;span style="color: blue;"&gt;Tx Master &lt;/span&gt;sliders      are a master control that will further adjust the &lt;span style="color: blue;"&gt;Wave&lt;/span&gt;      volume.&lt;br /&gt;    &lt;br /&gt;     As with the RX sliders, the left column sliders (for both Master and Wave)      control the left channel or port 1 of the sound card. The right column      sliders control the right channel or port 2.&lt;br /&gt;    &lt;br /&gt;     I've had good success with the sliders set 1/3 up from the bottom. Your      setting will depend largely on how well the attenuation circuit in your TX      audio cable matches the optimal microphone input level for your radio. See      &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#txhowmuch"&gt;How      Much TX Volume?&lt;/a&gt; below for some further advice.&lt;br /&gt;    &lt;br /&gt;     It is essential that none of these two sliders be at the absolute bottom      or near the bottom, as that may stop all output.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;div align="center"&gt;  &lt;table class="MsoNormalTable" style="border: medium none ; border-collapse: collapse;" border="1" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 5.25pt;"&gt;   &lt;h4&gt;&lt;a name="txhowmuch"&gt;How Much TX Volume&lt;/a&gt;?&lt;/h4&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;You can get a rough idea of your TX   volume by temporarily plugging your computer speakers into the LINE IN jack.   But that will not tell you how what your TX audio sounds like on the air. It   would be better to listen to your transmitted audio with a second radio.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;But the best way to check your transmit   volume is with a deviation meter. The correct deviation is 3.75 kHz of   deviation (+/- .25). But since most of us don't have a deviation meter,    Jim K6CCC offered this alternate suggestion:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;My standard advice for people who do not   have access to a deviation meter is to set your path to digipeat through a   single local digipeater (e.g.  TEST VIA WIDE ), then go into converse   mode (UI mode) and transmit a single carriage return. Watch to see if your   single packet gets digipeated by that one local digipeater. If it doesn't get   digipeated on your first attempt, try several more times because it may not   have gotten through because of a collision. &lt;span style="color: red;"&gt;If it   does not&lt;/span&gt; get through after a few attempts, turn up the volume    just to that point where it gets through reliably.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Conversely, if the packet &lt;span style="color: red;"&gt;does&lt;/span&gt; get digipeated, turn down the transmit audio   level a little and try again. Keep doing this (turning down the volume) until   your packet &lt;span style="color: red;"&gt;does not &lt;/span&gt;get digipeated reliably.   Then turn it back up &lt;span style="color: red;"&gt;just a little bit&lt;/span&gt; and   verify you can get the packet reliably digipeated.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;It's FAR better to have your volume too   low than too high!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;/div&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;When you are done, press OK to save your settings and then close the Tuning Aid window.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt; &lt;/p&gt;  &lt;h4&gt;&lt;a name="windowsVolSet"&gt;2. Using Windows' Volume Control Program&lt;/a&gt; to Adjust Sound Card Settings &lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;It's also possible to set the volume control settings with the &lt;span style="color: rgb(0, 153, 153);"&gt;Windows' Volume Control&lt;/span&gt; program, but the AGWPE method above in #1 is much easier. However, there may be some settings, such as Microphone Boost, that can only be controlled by  &lt;span style="color: rgb(0, 153, 153);"&gt;Windows' Volume Control&lt;/span&gt; program and not AGPWE. The The sections below discuss how to configure &lt;span style="color: rgb(0, 153, 153);"&gt;Windows' Volume Control &lt;/span&gt;for :&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinTxSet"&gt;Tx      source and audio&lt;/a&gt;  (outgoing packet tones)&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinRxSet"&gt;Rx      source and audio&lt;/a&gt; (incoming packet tones)&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#2cards"&gt;two      or more sound cards&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#quickmix"&gt;preserving      your volume control settings&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;To start, you should see the volume control icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1038" type="#_x0000_t75" alt="Windows Speaker Icon" style="'width:14.25pt;height:15pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image015.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/WinSpeaker.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image015.gif" alt="Windows Speaker Icon" shapes="_x0000_i1038" border="0" height="20" width="19" /&gt;&lt;!--[endif]--&gt;in the system tray on the lower right of your screen. If you don't, follow the directions on the &lt;a href="http://www.kc2rlm.info/soundcardpacket/3voladd.htm#volicon"&gt;sound settings page&lt;/a&gt; to display it.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h4&gt;a. &lt;a name="WinTxSet"&gt;Transmit Audio Settings (via Windows)&lt;/a&gt;&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;To set the source and volume level of your &lt;span style="color: rgb(204, 51, 0);"&gt;outgoing&lt;/span&gt; packet tones:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Left click twice very quickly on the &lt;span style="color: rgb(0, 153, 153);"&gt;Volume      Control icon &lt;/span&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1039" type="#_x0000_t75" alt="Windows Speaker Icon" style="'width:14.25pt;height:15pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image015.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/WinSpeaker.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image015.gif" alt="Windows Speaker Icon" shapes="_x0000_i1039" border="0" height="20" width="19" /&gt;&lt;!--[endif]--&gt;(or go to the      &lt;span style="color: rgb(0, 153, 153);"&gt;Control Panel&lt;/span&gt; and &lt;span style="color: rgb(0, 153, 153);"&gt;Sounds: Audio&lt;/span&gt;). The &lt;span style="color: rgb(0, 153, 153);"&gt;Volume      Control&lt;/span&gt; window should open . It initially displays settings for      just the &lt;span style="color: rgb(204, 51, 0);"&gt;Playback&lt;/span&gt; or &lt;span style="color: rgb(204, 51, 0);"&gt;TX&lt;/span&gt; audio ( sound card-to-radio). Here is what      that window looks like in my system; it may be somewhat different in your      system because of the sound card type:&lt;br /&gt;    &lt;br /&gt;     &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1040" type="#_x0000_t75" alt="" style="'width:418.5pt;height:235.5pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image016.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3VolCtrl.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image016.gif" shapes="_x0000_i1040" border="0" height="314" width="558" /&gt;&lt;!--[endif]--&gt;&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The settings of importance on this window are:&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The left most &lt;span style="color: blue;"&gt;Volume       Control&lt;/span&gt; volume slider and the &lt;span style="color: blue;"&gt;Wave &lt;/span&gt;volume       slider work together. Consider&lt;span style="color: blue;"&gt; Wave&lt;/span&gt; to       mean &lt;span style="color: blue;"&gt;Program&lt;/span&gt;&lt;span style="color: maroon;"&gt;,&lt;/span&gt;       in this case AGWPE, which is creating the outgoing packet tones.        The &lt;span style="color: blue;"&gt;Volume Control &lt;/span&gt;slider is a master       control that will further adjust the &lt;span style="color: blue;"&gt;Wave&lt;/span&gt;       volume.&lt;br /&gt;     &lt;br /&gt;      I've had good success with both sliders set 1/3 up from the bottom. Your       setting will depend largely on how well the attenuation circuit in your       TX audio cable matches the optimal microphone input of your radio. See &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#txhowmuch"&gt;How       Much TX Volume?&lt;/a&gt; below for some further advice.&lt;br /&gt;     &lt;br /&gt;      It's essential that neither of these two sliders be at the absolute       bottom or near the bottom, and it's essential that the &lt;span style="color: blue;"&gt;Mute&lt;/span&gt; boxes are &lt;span style="color: red;"&gt;not       checked&lt;/span&gt;.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Leave all &lt;span style="color: blue;"&gt;Balance&lt;/span&gt;       sliders in the middle. They are for stereo channel control and setting       the slider to the wrong side could mute outgoing sounds to one of the two       possible sound card channels/radioports.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;I mute all other audio output sources ( Mic,       Line In and CD) so that only AGWPE (wave) outputs sound to the radio and       not other sources.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;  &lt;h4&gt;b. &lt;a name="WinRxSet"&gt;Receive Audio Settings (via Windows)&lt;/a&gt; &lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;To set the source and volume level of your &lt;span style="color: rgb(204, 51, 0);"&gt;receive or RX&lt;/span&gt; audio is a bit more difficult to find. These settings are found in a &lt;span style="color: red;"&gt;different&lt;/span&gt;&lt;i&gt; &lt;/i&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;Volume Control&lt;/span&gt; &lt;span style="color: red;"&gt;sub-window&lt;/span&gt;&lt;i&gt;,&lt;/i&gt; the &lt;span style="color: rgb(0, 153, 153);"&gt;Recording Control &lt;/span&gt;window, whereas the outgoing sounds (see A. above) are set in the &lt;span style="color: rgb(0, 153, 153);"&gt;Playback&lt;/span&gt; window. &lt;span style="color: red;"&gt;This is very important. &lt;/span&gt;Many people do not realize this &lt;span style="color: rgb(0, 153, 153);"&gt;Recording&lt;/span&gt; window exists. Failure to get the recording settings correct results in problems receiving packets. To get to the Recording Window:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;From the &lt;span style="color: rgb(0, 153, 153);"&gt;Playback Volume Control&lt;/span&gt;      window shown above, select the &lt;span style="color: blue;"&gt;Options&lt;/span&gt;      menu choice, then &lt;span style="color: blue;"&gt;Properties.&lt;br /&gt;      &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Click on the &lt;span style="color: blue;"&gt;Recording&lt;/span&gt; radio      button to bring up the list of volume controls. Make sure that there's a      check mark  &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1041" type="#_x0000_t75" alt="" style="'width:12pt;height:9.75pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image017.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/checkmark.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image017.gif" shapes="_x0000_i1041" border="0" height="13" width="16" /&gt;&lt;!--[endif]--&gt;  next to the jack where you      plugged in your &lt;span style="color: rgb(0, 153, 153);"&gt;radio RX audio&lt;/span&gt; cable --      either &lt;span style="color: blue;"&gt;Line In&lt;/span&gt; (preferably) or &lt;span style="color: blue;"&gt;Microphone&lt;/span&gt;. Here's what this window looks like      on my system. &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1042" type="#_x0000_t75" alt="" style="'width:255.75pt;height:249pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image018.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3VolCtrPropWin.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image018.gif" shapes="_x0000_i1042" border="0" height="332" width="341" /&gt;&lt;!--[endif]--&gt;&lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;When you're done, click on the &lt;span style="color: blue;"&gt;OK &lt;/span&gt;button.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;You should now see the &lt;span style="color: rgb(0, 153, 153);"&gt;Recording Control&lt;/span&gt; window (or the &lt;span style="color: rgb(0, 153, 153);"&gt;Wave In&lt;/span&gt; window as it is called in my system). Since I use the &lt;span style="color: blue;"&gt;Line In&lt;/span&gt; jack for Radio RX audio, here's what my settings look like. Notice the &lt;span style="color: blue;"&gt;Select&lt;/span&gt; check mark &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1043" type="#_x0000_t75" alt="" style="'width:12pt;height:9.75pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image017.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/checkmark.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image017.gif" shapes="_x0000_i1043" border="0" height="13" width="16" /&gt;&lt;!--[endif]--&gt;under &lt;span style="color: blue;"&gt;Line In&lt;/span&gt;:&lt;br /&gt;&lt;br /&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1044" type="#_x0000_t75" alt="" style="'width:319.5pt;height:213pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image019.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3recordset.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image019.gif" shapes="_x0000_i1044" border="0" height="284" width="426" /&gt;&lt;!--[endif]--&gt;&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Click the &lt;span style="color: blue;"&gt;Select&lt;/span&gt; box for the jack where you will plug in your &lt;span style="color: rgb(0, 153, 153);"&gt;radio RX audio&lt;/span&gt; cable, either the &lt;span style="color: blue;"&gt;Line In&lt;/span&gt; (preferably) or &lt;span style="color: blue;"&gt;Microphone&lt;/span&gt;.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Set the volume slider about &lt;span style="color: red;"&gt;1/3&lt;/span&gt; up (soft). This should work for you, but note that AGWPE can probably handle any setting other than "off/quiet".  See &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#rxhowmuch"&gt;How Much RX Volume?&lt;/a&gt; below for some further advice.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Leave the balance slider in the middle.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;After you've made your choices, click the 'X' in the top right corner of the window to close the window and the Volume Control program. Your settings will be saved automatically.&lt;br /&gt;&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p&gt;&lt;a name="boost"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;Microphone Boost:&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;span style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; I&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;f you opt to use the Microphone instead of the Line In for RX in, &lt;span style="color: red;"&gt;do not use the Microphone Boost option&lt;/span&gt; if it is offered by your system. I found this option by clicking on the &lt;span style="color: rgb(0, 153, 153);"&gt;Advanced&lt;/span&gt; button found under the &lt;span style="color: rgb(0, 153, 153);"&gt;Microphone&lt;/span&gt; slider in the &lt;span style="color: rgb(0, 153, 153);"&gt;Recording Control&lt;/span&gt; window. The "boost" feature typically adds a 20 dB increase in audio volume and is designed to amplify the weak signal from a computer electret microphone. The audio from your radio is normally already too high for input into the MIC jack (that is why you are advised to add an attenuation circuit to the RX cable). So using the boost feature can make the problem worse.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1045" type="#_x0000_t75" alt="" style="'width:291pt;height:274.5pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image020.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/2boostxp.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image020.gif" shapes="_x0000_i1045" border="0" height="366" width="388" /&gt;&lt;!--[endif]--&gt;&lt;br /&gt;&lt;br /&gt; &lt;/span&gt;&lt;/p&gt;  &lt;h4&gt;&lt;a name="2cards"&gt;3. Configuring the&lt;/a&gt; Volume Control program for a Second (or more) Sound Card&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If you have two or more sound cards installed, you will need to set the playback and record settings for the additional cards (those used by AGWPE). Here's how to do it:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Left click twice very quickly on the &lt;span style="color: rgb(0, 153, 153);"&gt;Volume      Control icon &lt;/span&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1046" type="#_x0000_t75" alt="Windows Speaker Icon" style="'width:14.25pt;height:15pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image015.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/WinSpeaker.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image015.gif" alt="Windows Speaker Icon" shapes="_x0000_i1046" border="0" height="20" width="19" /&gt;&lt;!--[endif]--&gt;in the System      Tray. The &lt;span style="color: rgb(0, 153, 153);"&gt;Volume Control&lt;/span&gt; window should      open.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Select the &lt;span style="color: blue;"&gt;Options&lt;/span&gt; menu choice,      then &lt;span style="color: blue;"&gt;Properties &lt;/span&gt;to bring up the &lt;span style="color: rgb(0, 153, 153);"&gt;Properties&lt;/span&gt; Window&lt;span style="color: blue;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;At the top of the &lt;span style="color: rgb(0, 153, 153);"&gt;Properties&lt;/span&gt;      window, you'll see a &lt;span style="color: blue;"&gt;Mixer Device&lt;/span&gt; field.      Click on the down arrow ▼to the right of the field to call up a list of      mixer devices.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1047" type="#_x0000_t75" alt="" style="'width:258pt;height:349.5pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image021.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3volctrlplay.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image021.gif" shapes="_x0000_i1047" border="0" height="466" width="344" /&gt;&lt;!--[endif]--&gt;  &lt;span style="font-size: 10pt; font-family: Wingdings; color: rgb(0, 153, 153);"&gt;ç &lt;/span&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;Click to enlarge&lt;/span&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Click on the second sound card to select it. Then after making      sure the &lt;span style="color: red;"&gt;Playback &lt;/span&gt;button below it is      selected, press the &lt;span style="color: blue;"&gt;OK&lt;/span&gt; button. This will      return you to the Volume Control &lt;span style="color: red;"&gt;playback&lt;/span&gt;      sliders for the &lt;span style="color: red;"&gt;second&lt;/span&gt; card (the sound      card's name will be in the lower left of the window). Make your settings      as you did &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinTxSet"&gt;above      in Transmit Audio Settings&lt;/a&gt;.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;When your done with the playback settings for the second card,      select the &lt;span style="color: blue;"&gt;Options&lt;/span&gt; menu choice again and      then &lt;span style="color: blue;"&gt;Properties &lt;/span&gt;to bring up the &lt;span style="color: rgb(0, 153, 153);"&gt;Properties&lt;/span&gt; Window&lt;span style="color: blue;"&gt; &lt;/span&gt;again.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Once again click on the down arrow ▼to the right of the &lt;span style="color: blue;"&gt;Mixer Device&lt;/span&gt; field to call up a list of mixer      devices.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Click on the second sound card again to select it. This time make      sure the &lt;span style="color: red;"&gt;Recording&lt;/span&gt; button is selected and      press the &lt;span style="color: blue;"&gt;OK&lt;/span&gt; button. This will bring you      to the Volume Control &lt;span style="color: red;"&gt;recording&lt;/span&gt; sliders for      the second sound card . Make your settings as you did &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinRxSet"&gt;above      in Receive Audio Settings&lt;/a&gt;.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;h4&gt;4&lt;a name="quickmix"&gt;. Preserving your volume control settings&lt;/a&gt;&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;When most systems reboot, the volume control settings will remain as they were when you shut down. This is more likely if you use the &lt;span style="color: rgb(0, 153, 153);"&gt;Set and Restore Options &lt;/span&gt;in AGWPE's&lt;span style="color: rgb(0, 153, 153);"&gt; SoundCard Volume Settings screen,&lt;/span&gt; &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#WinRxSet"&gt;see Receive Audio Settings above&lt;/a&gt;.&lt;span style="color: rgb(0, 153, 153);"&gt; &lt;/span&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;However in some sound cards/systems, when Windows reboots, your Volume Control settings may automatically be reset to a default that is something other than you want. This happened to me with one sound card. Even though I would chose &lt;span style="color: blue;"&gt;Line In&lt;/span&gt; as my desired 'audio in' recording source, as soon as I rebooted, &lt;span style="color: blue;"&gt;Microphone&lt;/span&gt; became the recording audio source! I'm not sure why this was happening -- perhaps it was the sound card mixer program.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Or your ideal AGWPE settings may be changed by another program that subsequently uses the sound card.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;You have two main options if this is happening to you:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;1. Each time you run AGWPE after a Windows boot/reboot, re-configure the Volume Control &lt;span style="color: rgb(0, 153, 153);"&gt;Recording Control&lt;/span&gt; properties as above&lt;span style="color: blue;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;2. Use a utility program that, on startup, automatically sets the Volume Control settings the way you want them. I used a small (260 kb) freeware utility called &lt;span style="color: rgb(0, 153, 153);"&gt;QuickMix&lt;/span&gt; to do this. You can &lt;a href="http://www.msaxon.com/quickmix/index.htm"&gt;download the program from the &lt;span style="color: rgb(0, 153, 153);"&gt;Quick Mix&lt;/span&gt; web site&lt;/a&gt;. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;div align="center"&gt;  &lt;table class="MsoNormalTable" style="border: medium none ; width: 75%; border-collapse: collapse;" border="1" cellpadding="0" cellspacing="0" width="75%"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 0in;"&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 153, 153);"&gt;Using QuickMix&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;1. Install QuickMix by running the   QuickMixIn.exe program that you downloaded.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;2. Set the Windows Volume Controls the   way you want.&lt;br /&gt; &lt;br /&gt;  3. Run the QuickMix program and 'save' the Volume Control settings to a   AGWPE.QMX file in the directory of your choice.&lt;br /&gt; &lt;br /&gt;  4. Then you can run QuickMix (or just click on the .QMX file) to restore your   AGWPE settings.&lt;br /&gt; &lt;br /&gt;  If you want to have this .QMX file automatically load at boot-up, put a   shortcut to this .QMX file in your Windows startup folder. For me, that would   be:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;   &lt;span style="color: rgb(0, 153, 153);"&gt;C:\WINDOWS\Start   Menu\Programs\StartUp&lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;  In Windows Explorer, go to this directory and, from the Menu bar, select &lt;span style="color: rgb(0, 153, 153);"&gt;File, &lt;/span&gt;then &lt;span style="color: rgb(0, 153, 153);"&gt;New&lt;/span&gt;,   then &lt;span style="color: rgb(0, 153, 153);"&gt;Shortcut&lt;/span&gt;, and then &lt;span style="color: rgb(0, 153, 153);"&gt;Browse&lt;/span&gt; to the AGWPE.QMX file you want. (Make   sure you set the Browse directory window to show &lt;span style="color: blue;"&gt;All   Files,&lt;/span&gt; not Programs.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;5. Now whenever you start Windows, it   will automatically read the AGWPE.QMX file, load and run QuickMix, reset the   Volume Controls, and then close QuickMix.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;/div&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;h2&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;Additional Sound Card Settings for AGWPE&lt;/span&gt;&lt;/h2&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voladd.htm#multirmediaprop"&gt;Related Multimedia Properties&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voladd.htm#volicon"&gt;Displaying the Volume Control Icon&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voladd.htm#nosounds"&gt;Turning Off Window's Sounds&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;This page has additional sound card/multi-media properties that may be help in operating AGWPE successfully. (See the&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm"&gt; Sound Card Settings page&lt;/a&gt; on this site for basic sound card settings.)&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h4&gt;1&lt;a name="multirmediaprop"&gt;. Related Multimedia Properties&lt;/a&gt;&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Three additional Windows multi-media properties can affect AGWPE performance:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: blue;"&gt;Speaker Type&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;      - affects TX audio; generally, &lt;span style="color: blue;"&gt;Desktop Stereo      Speakers &lt;/span&gt;should be selected&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: blue;"&gt;Hardware Acceleration&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; - can affect both TX and RX audio; generally,      the highest rate the computer can handle should be selected but if AGWPE      is having packet decoding or connection problems, set it to a lower speed.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: blue;"&gt;Sample Rate Conversion Quality&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;  -- affects both TX and RX audio;      generally, the highest rate the computer can handle should be selected&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;These settings are usually made from the same general area in version of windows.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: maroon;"&gt;Windows 95: &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;There is little to set in the &lt;span style="color: rgb(0, 153, 153);"&gt;Multimedia Properties&lt;/span&gt; window. I'm not sure if the Recording &lt;span style="color: blue;"&gt;Preferred quality &lt;/span&gt;or&lt;span style="color: blue;"&gt; CD Quality &lt;/span&gt;setting makes a difference. Click on the &lt;span style="color: blue;"&gt;Apply&lt;/span&gt; button (if not gray-ed out) and then the &lt;span style="color: blue;"&gt;OK&lt;/span&gt; button to close the window.&lt;br /&gt;&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: maroon;"&gt;Windows 98/ME:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; Go to &lt;span style="color: rgb(0, 153, 153);"&gt;Start: Settings: Control Panel&lt;/span&gt; and select &lt;span style="color: rgb(0, 153, 153);"&gt;Multimedia &lt;/span&gt;(98)  or &lt;span style="color: rgb(0, 153, 153);"&gt;Sounds and Multimedia &lt;/span&gt;(ME). With the default &lt;span style="color: rgb(0, 153, 153);"&gt;Audio&lt;/span&gt; tab showing:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Click first on the &lt;span style="color: rgb(0, 153, 153);"&gt; Advanced Properties&lt;/span&gt; button&lt;span style="color: rgb(204, 51, 0);"&gt; &lt;/span&gt;under the &lt;span style="color: rgb(204, 51, 0);"&gt;Playback: Preferred Device&lt;/span&gt;&lt;span style="color: rgb(0, 153, 153);"&gt; &lt;/span&gt;. On the resulting &lt;span style="color: rgb(0, 153, 153);"&gt;Speaker &lt;/span&gt;tab, select &lt;span style="color: blue;"&gt;Desktop Stereo Speakers&lt;/span&gt; (or lap top mono, maybe). According to George SV2AGW, anything else will distort the TX sound.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Then click on the &lt;span style="color: rgb(0, 153, 153);"&gt;Performance&lt;/span&gt; tab next to the Speakers tab. &lt;span style="color: rgb(0, 153, 153);"&gt; Hardware Acceleration&lt;/span&gt; should be set to &lt;span style="color: blue;"&gt;Full,&lt;/span&gt; at least at first to see if your computer can handle it. If AGWPE is having packet decoding or connection problems, you can try setting it to a lower speed.&lt;br /&gt;&lt;br /&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1048" type="#_x0000_t75" alt="" style="'width:284.25pt;height:282.75pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image022.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3multprop98.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image022.gif" shapes="_x0000_i1048" border="0" height="377" width="379" /&gt;&lt;!--[endif]--&gt;&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Below the Hardware acceleration settings is the  &lt;span style="color: rgb(0, 153, 153);"&gt;Sample Rate Conversion Quality&lt;/span&gt; setting. Set this to &lt;span style="color: blue;"&gt;Best&lt;/span&gt;. Then click &lt;span style="color: blue;"&gt;OK&lt;/span&gt; to close the Playback Advanced Properties.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin: 5pt 0in 12pt 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Back on the &lt;span style="color: rgb(0, 153, 153);"&gt;Audio&lt;/span&gt; tab, click on the&lt;span style="color: rgb(0, 153, 153);"&gt; Advanced Properties&lt;/span&gt; button under &lt;span style="color: rgb(204, 51, 0);"&gt;Recording: Preferred Device&lt;/span&gt;. On the &lt;span style="color: rgb(0, 153, 153);"&gt;Performance&lt;/span&gt; tab, once again set the &lt;span style="color: rgb(0, 153, 153);"&gt;Hardware Acceleration&lt;/span&gt; one stop before &lt;span style="color: blue;"&gt;Full, &lt;/span&gt;at least at first to see if your computer can handle it. If AGWPE is having packet decoding or connection problems, set it to a lower speed.&lt;span style="color: rgb(0, 153, 153);"&gt; &lt;/span&gt;And set &lt;span style="color: rgb(0, 153, 153);"&gt;Sample Rate Conversion Quality&lt;/span&gt; to &lt;span style="color: blue;"&gt;Best&lt;/span&gt;. Then click OK to close the Sound Recording Advanced Properties. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Back on the &lt;span style="color: rgb(0, 153, 153);"&gt;Multimedia Properties&lt;/span&gt; window, click on the &lt;span style="color: blue;"&gt;Apply&lt;/span&gt; button (if not gray-ed out) and then the &lt;span style="color: blue;"&gt;OK&lt;/span&gt; button.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;On the &lt;span style="color: rgb(0, 153, 153);"&gt;Audio&lt;/span&gt; tab, click on the &lt;span style="color: rgb(0, 153, 153);"&gt;Advanced&lt;/span&gt; button for&lt;span style="color: rgb(0, 153, 153);"&gt; (Sound) Playback&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Click &lt;span style="color: blue;"&gt;OK&lt;/span&gt; to save the settings and leave the &lt;span style="color: rgb(0, 153, 153);"&gt;Sounds&lt;/span&gt; settings.&lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 0.5in;"&gt;  &lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: maroon;"&gt;Windows XP&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;: Most of the default settings should be as described below but you should check them. Go to &lt;span style="color: rgb(0, 153, 153);"&gt;Start: Settings: Control Panel&lt;/span&gt; and select &lt;span style="color: rgb(0, 153, 153);"&gt;Sound and Audio Devices.&lt;/span&gt; On the&lt;span style="color: rgb(0, 153, 153);"&gt; Audio&lt;/span&gt; tab, press the&lt;span style="color: rgb(0, 153, 153);"&gt; Advanced &lt;/span&gt;button under &lt;span style="color: rgb(0, 153, 153);"&gt;Sound Playback&lt;/span&gt;&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;On the resulting &lt;span style="color: rgb(0, 153, 153);"&gt;Speaker &lt;/span&gt;tab, select &lt;span style="color: blue;"&gt;Desktop Stereo Speakers&lt;/span&gt;, even if this is a lap top.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Then click on the &lt;span style="color: rgb(0, 153, 153);"&gt;Performance&lt;/span&gt; tab next to the Speakers tab.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 153, 153);"&gt; Hardware Acceleration&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; should be set to &lt;span style="color: blue;"&gt;Full,&lt;/span&gt; at least at first to see if your computer can handle it. If AGWPE is having packet decoding or connection problems, you can try setting it to a lower speed.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 153, 153);"&gt;Sample Rate Conversion Quality&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; must be set to &lt;span style="color: blue;"&gt;Best&lt;/span&gt;.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 1in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: &amp;quot;Courier New&amp;quot;;"&gt;&lt;span style=""&gt;o&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Then click &lt;span style="color: blue;"&gt;OK&lt;/span&gt; to close the &lt;span style="color: rgb(0, 153, 153);"&gt;Playback Advanced Properties&lt;/span&gt; and return to the &lt;span style="color: rgb(0, 153, 153);"&gt;Sound and Audio Devices: Audio&lt;/span&gt; tab.click on the &lt;span style="color: blue;"&gt;Apply&lt;/span&gt; button (if not gray-ed out) and then the &lt;span style="color: blue;"&gt;OK&lt;/span&gt; button.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;p style="margin-left: 0.5in; text-indent: -0.25in;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-size: 10pt; font-family: Symbol;"&gt;&lt;span style=""&gt;·&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;         &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: maroon;"&gt;Windows 2000:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; the default hardware acceleration and sample rate conversion sliders are in the middle position. Follow the general instruction for XP above and move these to the right for best performance.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h4&gt;2&lt;a name="volicon"&gt;. Displaying the Volume Control Icon&lt;/a&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; color: blue;"&gt;   &lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1049" type="#_x0000_t75" alt="Windows Speaker Icon" style="'width:14.25pt;height:15pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image015.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/WinSpeaker.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image015.gif" alt="Windows Speaker Icon" shapes="_x0000_i1049" border="0" height="20" width="19" /&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If this icon is not currently in your Windows System Tray (bottom far right of your screen), you may want to add it. It lets you quickly access the Windows volume and audio source settings of the sound card, including some that can not be controlled by  AGWPE's SoundCard Volume Settings screen. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;In Windows 98 it's , &lt;span style="color: rgb(0, 153, 153);"&gt;Start: Settings:      Control Panel: Multimedia: Audio &lt;/span&gt;tab and  check  &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1050" type="#_x0000_t75" alt="" style="'width:12pt;height:9.75pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image017.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/checkmark.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image017.gif" shapes="_x0000_i1050" border="0" height="13" width="16" /&gt;&lt;!--[endif]--&gt;&lt;span style="color: blue;"&gt;Show volume      control on the taskbar.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;In Windows ME it's: &lt;span style="color: rgb(0, 153, 153);"&gt;Start: Settings:      Control Panel: Sounds and Multimedia: Sounds&lt;/span&gt; tab;  &lt;span style="color: rgb(0, 153, 153);"&gt;Sound Volume&lt;/span&gt; box and check  &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1051" type="#_x0000_t75" alt="" style="'width:12pt;height:9.75pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image017.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/checkmark.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image017.gif" shapes="_x0000_i1051" border="0" height="13" width="16" /&gt;&lt;!--[endif]--&gt;&lt;span style="color: blue;"&gt;Show volume      control on the taskbar.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;In XP, it's &lt;span style="color: rgb(0, 153, 153);"&gt;Start: Control Panel:      Sounds and Audio Devices: Volume &lt;/span&gt;tab and check  &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1052" type="#_x0000_t75" alt="" style="'width:12pt;height:9.75pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image017.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/checkmark.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image017.gif" shapes="_x0000_i1052" border="0" height="13" width="16" /&gt;&lt;!--[endif]--&gt;&lt;span style="color: blue;"&gt;Place volume      icon in the taskbar.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;I'm not sure how it's done in Windows 95, but it's probably very      similar to Win 98.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;h4&gt;3&lt;a name="nosounds"&gt;. Turning Off Window's Sounds&lt;/a&gt;&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;On some computers you may have conflicts between a program and Windows itself over the use of the sound card. (A typical crash message is "an application &lt;span style="color: red;"&gt;caused an invalid page fault in module WINMM.DLL&lt;/span&gt;"). To avoid this, try turning off Windows' sounds.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;In Windows 98 it's:&lt;span style="color: rgb(0, 153, 153);"&gt; Start: Settings:      Control Panel: Sounds: Schemes &lt;/span&gt;field = &lt;span style="color: blue;"&gt;No      Sounds&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;In Windows ME it's: &lt;span style="color: rgb(0, 153, 153);"&gt;Start: Settings:      Control Panel: Sounds: Sound Events: Scheme &lt;/span&gt;= &lt;span style="color: blue;"&gt;No Sounds.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;In XP, it's &lt;span style="color: rgb(0, 153, 153);"&gt;Start: Control Panel:      Sounds and Audio Devices: Sounds &lt;/span&gt;tab&lt;span style="color: rgb(0, 153, 153);"&gt;:      Sound Scheme &lt;/span&gt;field  = &lt;span style="color: blue;"&gt;No Sounds.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;I'm not sure how it's done in Windows 95, but it's probably very      similar to Win 98.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;h2&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;Sound Card Tuning  Aid&lt;/span&gt;&lt;/h2&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The &lt;span style="color: rgb(0, 153, 153);"&gt;Sound Card Tuning Aid&lt;/span&gt; screen is accessible from the AGWPE menu and can be used to "see" the quality of received signals and, for HF packet particularly, help in tuning the radio to the correct frequency. At least one oscilloscope will appear on the left side of the screen. A second scope below the first only appears if you have selected &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;Dual&lt;/span&gt;&lt;/st1:placename&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;  &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/span&gt;&lt;/st1:place&gt;&lt;span style="color: rgb(0, 153, 153);"&gt; &lt;/span&gt;use of the sound card on the &lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwbasic.htm#portsettings"&gt;Properties screen&lt;/a&gt;.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;This page gives describes the Tuning Aid and gives some examples of good and bad signals as seen on the tuning aid's oscilloscope.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The first screen shot below shows the Tuning Aid page with the sine wave view selected. Only one oscilloscope is visible since the sound card is running in &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Single&lt;/st1:placename&gt;  &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt; mode. In &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Dual&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt; mode, another scope would appear beneath the first. Note the sine wave in the scope. This is what a quiet 1200 baud packet channel looks like. The only undulation in the wave is due to noise. It verifies the audio connection to the sound card and radio is working.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea9.gif"&gt;&lt;span style="text-decoration: none;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1053" type="#_x0000_t75" alt="" style="'width:75pt;height:45.75pt'" button="t"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image023.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea9_small.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image023.gif" shapes="_x0000_i1053" border="0" height="61" width="100" /&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;&lt;-- Click for larger image&lt;/span&gt;&lt;/p&gt;  &lt;p&gt; &lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;In contrast, if the sine wave was perfectly flat (or nearly so), as below, then you know you have no audio input from the sound card, either because of a problem with the audio feed from the radio or incorrect sound card volume settings (source or volume): &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea6.gif"&gt;&lt;span style="text-decoration: none;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1054" type="#_x0000_t75" alt="" style="'width:75pt;height:46.5pt'" button="t"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image024.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea6_small.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image024.gif" shapes="_x0000_i1054" border="0" height="62" width="100" /&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;&lt;-- Click for larger image&lt;/span&gt;&lt;/p&gt;  &lt;p&gt; &lt;/p&gt;  &lt;h4&gt;&lt;span style="color: navy;"&gt;Oscilloscope Styles&lt;/span&gt; &lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;There are four (4) display styles available for the Oscilloscope. The first two are generally the most useful.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;1. Sine Wave&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; - shows strength of the signal (audio volume) and the quality of the signal. A signal with good strength will have waves that fill about 1/2 of the screen (relative distance between the peaks and valleys of the wave). You can use the &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm"&gt;Volume Control settings&lt;/a&gt; for RX audio to adjust them.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Signal samples for 1200 baud:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;table class="MsoNormalTable" style="" border="0" cellpadding="0"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 3.75pt; width: 266.25pt;" width="355"&gt;   &lt;p class="MsoNormal"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1055" type="#_x0000_t75" alt="" style="'width:253.5pt;height:101.25pt'"&gt;    &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image025.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea10.gif"&gt;   &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image025.gif" shapes="_x0000_i1055" border="0" height="135" width="338" /&gt;&lt;!--[endif]--&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="padding: 3.75pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Sample of a good signal;&lt;br /&gt;  packet decoded.&lt;br /&gt;   &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr style=""&gt;   &lt;td style="padding: 3.75pt; width: 266.25pt;" width="355"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1056" type="#_x0000_t75" alt="" style="'width:251.25pt;height:100.5pt'"&gt;    &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image026.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea11.gif"&gt;   &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image026.gif" shapes="_x0000_i1056" border="0" height="134" width="335" /&gt;&lt;!--[endif]--&gt;&lt;br /&gt;   &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="padding: 3.75pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Too weak or distant;&lt;br /&gt;  packet was not decoded&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr style=""&gt;   &lt;td style="padding: 3.75pt; width: 266.25pt;" width="355"&gt;   &lt;p class="MsoNormal"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1057" type="#_x0000_t75" alt="" style="'width:253.5pt;height:99.75pt'"&gt;    &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image027.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea12.gif"&gt;   &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image027.gif" shapes="_x0000_i1057" border="0" height="133" width="338" /&gt;&lt;!--[endif]--&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;   &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="padding: 3.75pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Collision of packets;&lt;br /&gt;  packet was not decoded&lt;br /&gt;   &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr style=""&gt;   &lt;td style="padding: 3.75pt; width: 266.25pt;" valign="top" width="355"&gt;   &lt;p class="MsoNormal"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1058" type="#_x0000_t75" alt="" style="'width:252pt;height:102.75pt'"&gt;    &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image028.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea13.gif"&gt;   &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image028.gif" shapes="_x0000_i1058" border="0" height="137" width="336" /&gt;&lt;!--[endif]--&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="padding: 3.75pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;This is from a Yaesu   FT209 transceiver with bass boost activated. The boost creates incorrect   pre-emphasis: the low tone is emphasized, not the high tone. These packets   can only be decoded about 80% of the time. The sending station must turn off   the radio's bass boost option to correct this.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr style=""&gt;   &lt;td style="padding: 3.75pt; width: 266.25pt;" valign="top" width="355"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt; &lt;br /&gt;   &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;   &lt;td style="padding: 3.75pt;"&gt;   &lt;p class="MsoNormal"&gt; &lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;  Below, a  9600 baud signal sample:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1059" type="#_x0000_t75" alt="" style="'width:252pt;height:102.75pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image029.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea14.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image029.gif" shapes="_x0000_i1059" border="0" height="137" width="336" /&gt;&lt;!--[endif]--&gt;&lt;/p&gt;  &lt;p&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;This is a generally good signal that was decoded, but you can see small sparks caused by some "bug" at either the transmitting station or receiving radio or sound card.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;2. Waterfall -&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;  This is a frequency spectrum display that shows activity in the audio pass band over the last few seconds. Received signals create color streaks which will 'fall' down the display as time progresses. Relative signal strength is indicated by the colors, which are -- weakest to strongest -- blue, green, yellow, red. Black indicates no signal. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The waterfall should be centered between the two vertical white lines. For AFSK (UHF/VHF), it should center automatically. For HF operations (FSK), adjust the radio's receive frequency to center the waterfall. Centering is critical for accurate decoding of HF packets. The strongest signal (yellow/red color streak) must lie between those two lines, as this next screen shot illustrates:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1060" type="#_x0000_t75" alt="" style="'width:255.75pt;height:105pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image030.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea15.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image030.gif" shapes="_x0000_i1060" border="0" height="140" width="341" /&gt;&lt;!--[endif]--&gt;&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The screen shot below shows an HF radio that needs tuning. The yellow area showing packet activity is below the tuned frequency marked by the two vertical lines:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1061" type="#_x0000_t75" alt="" style="'width:257.25pt;height:108pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image031.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea16.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image031.gif" shapes="_x0000_i1061" border="0" height="144" width="343" /&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt; &lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;This sample below is a waterfall display showing two 1200 baud packets. The packets have black areas to their left and right of the two vertical white lines.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1062" type="#_x0000_t75" alt="" style="'width:256.5pt;height:110.25pt'"&gt;  &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image032.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/3tunea17.gif"&gt; &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image032.gif" shapes="_x0000_i1062" border="0" height="147" width="342" /&gt;&lt;!--[endif]--&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The upper packet has fair modulation and was decoded. Also, note in the black area above the packet that there are small green vertical lines. This is the result of TXDelay, i.e. a short interval of carrier with no modulation.&lt;br /&gt;&lt;br /&gt;The bottom packet has very low modulation (little color; similar to a carrier with no modulation), but the packet was still decoded. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;3. Eye &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; - is really a scatter diagram. The closer together the scattered points, the better the signal.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;4. Frequency -&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; a real-time display of where signals are being heard along a frequency scale. The TWO white vertical lines are centered around the dialed frequency, and the majority of signal peaks and valleys should fall between the left line (lower tone) and the right line (upper tone). If they don't, you'll need to change the radio's dialed frequency to center the signal between the white lines.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h4&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: navy;"&gt;Set Volume Button&lt;/span&gt;&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Pressing this button takes you to the s&lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm"&gt;ound card Volume Settings window&lt;/a&gt; where you can adjust TX audio levels, RX audio levels, and the RX input source jack.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h2&gt; &lt;span style="color: rgb(204, 51, 0);"&gt;Problems with Program Behavior&lt;/span&gt;&lt;/h2&gt;  &lt;p&gt;&lt;span style="font-size: 10pt;"&gt;1..&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probprog.htm#general"&gt;Problems with the AGWPE Program&lt;/a&gt;&lt;br /&gt;2. &lt;a href="http://www.kc2rlm.info/soundcardpacket/5probprog.htm#Clients"&gt;Linking to Client Applications&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt;"&gt;3. &lt;a href="http://www.kc2rlm.info/soundcardpacket/5probprog.htm#extrapackets"&gt;Extra packets seen&lt;/a&gt;&lt;/span&gt; &lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="color: red;"&gt;Note:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; Please make sure you are using the &lt;a href="http://www.kc2rlm.info/soundcardpacket/AGWPrograms.htm"&gt;latest version of AGWPE&lt;/a&gt; before troubleshooting problems. Your problem may have been fixed by the most recent version of AGWPE!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;As you troubleshoot receive problems, remember that AGWPE provides you with a some visual aids:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If AGWPE loads successfully, you will see the AGWPE tower icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1063" type="#_x0000_t75" alt="" style="'width:24pt;height:24pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image004.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TowerIcon.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image004.gif" shapes="_x0000_i1063" border="0" height="32" width="32" /&gt;&lt;!--[endif]--&gt;at the bottom right of your screen in      the Windows &lt;span style="color: rgb(0, 153, 153);"&gt;System Tray&lt;/span&gt;.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If a "radioport" has been successfully configured, you      should see the AGWPE modem icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1064" type="#_x0000_t75" alt="" style="'width:24pt;height:11.25pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image009.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TNCnone.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image009.gif" shapes="_x0000_i1064" border="0" height="15" width="32" /&gt;&lt;!--[endif]--&gt;next to the tower icon. There will be      one modem icon for each working radioport. A green pixel in the modem icon      will flash once if AGWPE successfully decodes a packet. A red pixel in the      modem icon will flash once if AGWPE has sent a packet to the soundcard and      radio for transmission.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;h4&gt;1. &lt;a name="general"&gt;General Program Problems&lt;/a&gt;&lt;/h4&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: red;"&gt;General Troubleshooting Hint:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;  Any time you have trouble with a configuration setting in AGWPE, it may be best to just start fresh: close AGWPE and delete any &lt;span style="color: blue;"&gt;port*.ini&lt;/span&gt; files and the &lt;span style="color: blue;"&gt;agwpe.ini&lt;/span&gt; in your AGWPE directory/folder. Then restart and re-configure AGWPE from the very beginning. It doesn't take much time.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;When I try to start AGWPE, I get an error message      that says "Can not find WS2_32.dll"&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Sounds like you're running Windows 95. You need the Winsock 2 Update from Microsoft. See the &lt;a href="http://www.kc2rlm.info/soundcardpacket/4winupdate.htm"&gt;Windows update page&lt;/a&gt; on this site for the full solution. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;I'm running Windows 98 SE. After I configure AGWPE for      my sound card and restart AGWPE, I get Windows' blue crash screen saying &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: red;"&gt;"A fatal exception 0E has occurred      at (some address) in VXD KMIXER. The current application will be      terminated."&lt;br /&gt;    &lt;br /&gt;     &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;You have a problem with your      sound card driver and the KMIXER.SYS, Windows' audio mixer kernel.       Windows 98 used VXD drivers in its original version but then switched to      WDM drivers in SE (Second Edition). I suspect there's a problem with      Windows calling the incorrect driver file. You might try totally      uninstalling the card and drivers from Windows and then, when it restarts,      point it to the new WDM drivers.  On the other hand, some users have      found success, with the opposite, counter-intuitive strategy -- uninstall      the newer WDM drivers and install the VXD drivers.&lt;span style="color: red;"&gt;&lt;br /&gt;    &lt;br /&gt;     &lt;/span&gt;Warren sent me his solution that is, essentially, to install the      latest drivers for his sound card:&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;"Here is my solution to the Win98SE problem with the VXD and WDM issue with AGWPE. My problem was the VXD KMIXER(06) fatal error &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;My environment: Win98SE All Windows updates done Pentium 533MHz 512MB Ram Chipset Via Pro133 82C693A and 82C686A (&lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Southbridge&lt;/st1:city&gt;&lt;/st1:place&gt;). Sound is integrated on the mother board and is AC'97 v2.1 CODEC in the 82C686A &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Southbridge&lt;/st1:place&gt;&lt;/st1:city&gt; chip. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;When first checked, the drivers being used for the sound chip were:&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(51, 153, 102);"&gt;VIAaudio.sys 4.10.3104 MMDevldr 4.10.1998 &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;A visit to the VIA site gave a later driver package. The file downloaded was &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(51, 153, 102);"&gt;Vinyl_AudioCodec_V570a.zip &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;(This also produces another volume controls interface, called Vinyl Deck, that gives an easier volume interface than the Windows one. )&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;Even though I read the suggestion about forcing Win98SE to take the VXD driver, I decided to just let the new driver package run and install WDM as it should. This proved successful and AGWPE does not now produce the VXD error. &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;The drivers are now: Vinyl AC'97 Codec Combo Driver (WDM) 10.10.2004 &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;So it looks like a fix by using the latest sound drivers and these more modern drivers seem to take care of the use of VXD / WDM in different Win98/98SE editions."&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;The AGWPE banner comes up, but then I get an error      message that says:&lt;br /&gt;      "&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: red;"&gt;Your      SoundCard Driver cannot Support the Wave Format&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;".&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;    &lt;br /&gt;     &lt;b&gt;One of two things maybe wrong:&lt;br /&gt;      &lt;/b&gt;&lt;/span&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Most likely AGWPE is configured to use a device       other than a sound card, most  commonly, a &lt;span style="color: red;"&gt;telephone       modem&lt;/span&gt;. To fix this, go to the&lt;span style="color: rgb(0, 153, 153);"&gt; &lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwbasic.htm#soundcardproperties"&gt;Sound       Card Modem /TNC Setup&lt;/a&gt; &lt;/span&gt;window, and select a sound card in the &lt;span style="color: blue;"&gt;Sound Card Selection&lt;/span&gt; field.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Your sound card driver really can not support       the wave format. Make sure you have the most recent version of the driver       for your version of Windows.&lt;br /&gt;     &lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;AGWPE tries to start but then a "&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: red;"&gt;Copyright Violation&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;" box appears. I click      "OK",  but the program then closes&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;.&lt;br /&gt;     &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;     &lt;b&gt;The &lt;span style="color: rgb(0, 153, 153);"&gt;AGWPE.SYS&lt;/span&gt; file is missing from      your AGWPE folder. You can reinstall the entire program from the zip file      or just the &lt;span style="color: rgb(0, 153, 153);"&gt;AGWPE.SYS&lt;/span&gt; file. (The      AGWPE.SYS file has the date of the program, so don't use the AGWPE.SYS      file from another version. It will display the wrong version date when you      start the program.)&lt;br /&gt;     &lt;/b&gt;&lt;br /&gt;      &lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;AGWPE starts and runs but first I get a message that      says:&lt;br /&gt;      "&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: red;"&gt;AGWTCPIP.SYS      Not Found! TCPIP Over Radio will be IDLE!&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;"&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;    &lt;br /&gt;     &lt;b&gt;You have turned on AGWPE's special &lt;span style="color: rgb(0, 153, 153);"&gt;"TCP/IP      Over Radio" (TOR)&lt;/span&gt; feature but have not installed the special      TOR software adapter. If you really meant to use this feature, &lt;a href="http://www.kc2rlm.info/soundcardpacket/6tor.htm"&gt;see the TOR pages&lt;/a&gt;      on this web site for information about installing the adapter. Most people      do not need or use this feature. It is NOT needed for normal packet      functions or to interface with your applications (applications use the &lt;span style="color: rgb(0, 153, 153);"&gt;TCP/IP Application Interface&lt;/span&gt; to connect to      AGWPE, not &lt;span style="color: rgb(0, 153, 153);"&gt;TCP/IP Over Radio).&lt;br /&gt;    &lt;br /&gt;     &lt;/span&gt;To turn &lt;span style="color: rgb(0, 153, 153);"&gt;TOR&lt;/span&gt; off and stop the      message, go to the AGWPE menu (click on the AGWPE tower icon) and select &lt;span style="color: rgb(0, 153, 153);"&gt;TCP/IP Over Radio Setup.&lt;/span&gt; In the resulting      window select "&lt;span style="color: blue;"&gt;Thank's NO TCP/IP&lt;/span&gt;".     &lt;br /&gt;      &lt;/b&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;I can run AGWPE and my packet program on my laptop for      about 30 (or 15 or 60) minutes and then it just crashes.&lt;br /&gt;     &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;     Turn off the computer's energy saving mode.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;When I drag my mouse over AGWPE's modems icon in the      system tray, a message pops up telling me how the port is configured and      how many frames (packets) I have received and sent. But even when I      haven't sent any frames, as time goes on, AGWPE says that I have been      sending more and more frames. Is that normal?&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;&lt;br /&gt;    &lt;br /&gt;     &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;It is normal. In its default      mode, AGWPE calculates the "best" traffic parameters      (slot/persist, resptime, etc.), every 2 minutes and these recalculated      values get reported as sent frames even though nothing is actually      transmitted by the radio. Don't worry. AGWPE is not keying up your radio      and transmitting on its own.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;AGWPE loads but then my system just freezes. I need to      power off to reboot.&lt;br /&gt;     &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;     One user said that new sound card drivers fixed the problem.&lt;br /&gt;    &lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;AGWPE starts but then gives a message that "&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: red;"&gt;Packet Engine Pro Shuts Down Abnormaly,      It Is Strong Recommended to restart your Computer&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;".&lt;br /&gt;        &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;or&lt;b&gt;&lt;br /&gt;     AGWPE is behaving very strangely, particularly my radioport configuration.&lt;br /&gt;        &lt;/b&gt;or&lt;b&gt;&lt;br /&gt;     AGWPE won't start and locks my system.&lt;br /&gt;     &lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;     In the AGWPE folder, delete the AGWPE.ini file and all port?.ini (port0.ini,      port1.ini, etc.) files and then restart and reconfigure AGWPE.&lt;br /&gt;    &lt;br /&gt;     The problem may have developed when you configured a radioport to use a      COM or LPT port that was already claimed by another program or device; or      the TNC was not plugged into the COM or LPT port; or you may have tried to      delete and add a port without restarting the program after deleting one      port and trying to add another.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;I'm running Windows 95 and when I start AGWPE, the      AGWPE tower icon appears in the Task Bar *not* the System Tray. If I right      click on the icon, I get the usual AGWPE menu, but "Setup      Interfaces" does nothing; the popup menu just closes. I can't seem to      make AGWPE do anything.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; or&lt;span style="color: navy;"&gt;&lt;br /&gt;     I fill in the new port information, close the program and restart it, but      the port shows "IDLE" and I can't open the&lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt; &lt;/span&gt;&lt;span style="color: rgb(0, 153, 153);"&gt;Properties &lt;/span&gt;&lt;span style="color: navy;"&gt;window for that port by clicking on&lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt; &lt;/span&gt;&lt;span style="color: blue;"&gt;OK&lt;/span&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;.&lt;br /&gt;    &lt;br /&gt;     &lt;/span&gt;You need to update the Windows "common controls" file,      COMCTL32.DLL file. See the &lt;a href="http://www.kc2rlm.info/soundcardpacket/4winupdate.htm"&gt;Windows      update page&lt;/a&gt; on this site for the full solution.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style="margin-bottom: 12pt;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;AGWPE closed and the Packet Engine icon&lt;/span&gt;&lt;span style="color: navy;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;&lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1065" type="#_x0000_t75" alt="" style="'width:24pt;height:24pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image004.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TowerIcon.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image004.gif" shapes="_x0000_i1065" border="0" height="32" width="32" /&gt;&lt;!--[endif]--&gt;disappeared, but the modem icon  &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1066" type="#_x0000_t75" alt="" style="'width:20.25pt;"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image033.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TNC.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image033.gif" shapes="_x0000_i1066" border="0" height="18" width="27" /&gt;&lt;!--[endif]--&gt;remained on the System Tray!&lt;br /&gt;     &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;     This may happen if AGWPE is closed down unexpectedly. Usually restarting      AGWPE will correct it, although a reboot may be necessary.  If AGWPE      fails to start (you may get a "&lt;span style="color: rgb(0, 153, 153);"&gt;Fatal      Exception Error&lt;/span&gt;" message), go to the AGWPE folder/directory      and delete all files ending in &lt;span style="color: red;"&gt;.ini&lt;/span&gt;; then      restart and reconfigure AGWPE.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;Modem Icon Never Appears&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;:&lt;span style="color: red;"&gt; &lt;/span&gt;The modem icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1067" type="#_x0000_t75" alt="" style="'width:20.25pt;"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image033.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TNC.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image033.gif" shapes="_x0000_i1067" border="0" height="18" width="27" /&gt;&lt;!--[endif]--&gt;won' t appear until you configure an      AGWPE port and then closed and restarted AGWPE. If the modem icon &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1068" type="#_x0000_t75" alt="" style="'width:20.25pt;"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image033.gif" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/TNC.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image033.gif" shapes="_x0000_i1068" border="0" height="18" width="27" /&gt;&lt;!--[endif]--&gt;  doesn't appear then:&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Double check the properties for the AGWPE port       to make sure you have done it correctly. Use the &lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwbasic.htm#portsettings"&gt;Port       Settings&lt;/a&gt; information on  this site for guidance.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Look for possible port conflicts with the PTT       port you have selected. See next section:&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;  &lt;table class="MsoNormalTable" style="border: medium none ; border-collapse: collapse;" border="1" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 4.5pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;a name="portconflict"&gt;&lt;b&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;Port   Conflicts&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;It's possible that some other device is   affecting the COM/LPT port you have chosen for PTT control. For example, one   user forgot that he had an unused phycial adapter "installed" in   Windows that was conflicting with the PTT port. Another user reported a   conflict with the Palm HotSync Manager, which loads on startup and puts   the COM RTS pin high;  Windows didn't report that the COM port was being   used by the Palm device driver, but it was. Another user had both the COM   port and an infrared port assigned to the same IRQ.  Another user   suggested that, if your XP machine is running an NVIDIA graphics adapter,   some of its drivers are reported to tie up COM1 for no reason -- so disable Nview   2.0.&lt;br /&gt; &lt;br /&gt;  It may be difficult to identify port conflicts, since AGWPE may start and run   despite the conflict, i.e. no error message. Conflicts may arise either   from a device, such as a printer, or from a program that uses the same port.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Try this first: temporarily force AGWPE   to a port where there CAN'T be a conflict with another program. Reset   the &lt;span style="color: blue;"&gt;Serial or &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;LPT&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt;&lt;/span&gt;   in &lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwget.htm#Port%20Settings"&gt;AGWPE's   properties window&lt;/a&gt; to a &lt;span style="color: rgb(204, 51, 0);"&gt;non-existent&lt;/span&gt; &lt;span style="color: blue;"&gt;parallel port&lt;/span&gt;, perhaps LPT 3  (scroll down   past all the COM options to the LPT options).&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If AGWPE now receives packets and your   other program now works, then you know you did indeed have a port conflict.   Fix the conflict (see below) and then change the AGWPE PTT port settings back   to a real port, i.e. not the non-existent one.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;To search for a device that might be   causing the problem, first go to the &lt;span style="color: rgb(0, 153, 153);"&gt;Start menu &lt;/span&gt;and   then&lt;span style="color: rgb(0, 153, 153);"&gt; Settings: Control Panel: System. &lt;/span&gt;On   the&lt;span style="color: rgb(0, 153, 153);"&gt;  "Device Manager &lt;/span&gt;tab, select   "&lt;span style="color: blue;"&gt;View devices by Connection&lt;/span&gt;" and   double click on "&lt;span style="color: blue;"&gt;Computer&lt;/span&gt;". This   should tell you which devices are using each IRQ. Look for a conflict with   your chosen AGWPE PTT physical port (COMx, LPTx) and some other device.&lt;br /&gt; &lt;br /&gt;  If there is a device conflict, you'll need to either reset the port used by   the conflicting device (could be hard) or tell AGWPE to use a different PTT   port (might be easer). To change the port AGWPE uses, move the PTT cable to a   different physical COM or LPT port.  Then make the corresponding change   in the &lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwbasic.htm#portsettings"&gt;Port   Properties&lt;/a&gt; in AGWPE.&lt;br /&gt; &lt;br /&gt;  If only one device is assigned to each COMx and LPTx port "serial port   IRQ", then there is no conflicting &lt;i&gt;device&lt;/i&gt;, so there is probably a   conflicting &lt;i&gt;program&lt;/i&gt; which is using the port. Either:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;reconfigure the conflicting program to use        another port&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;just close the offending program before working        with AGWPE&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;change the PTT port in AGWPE (see paragraph        above).&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;h4&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;&lt;/span&gt;2. &lt;a name="Clients"&gt;Linking to Client Applications&lt;/a&gt;&lt;/h4&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;I am having trouble configuring my client application      to link to AGWPE.&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;    &lt;br /&gt;     There may be instructions in the &lt;span style="color: rgb(0, 153, 153);"&gt;Help&lt;/span&gt;      section of your client application; or you can try the &lt;span style="color: navy;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/7compat.htm"&gt;Application      Setup&lt;/a&gt;&lt;/span&gt; page on this website.&lt;br /&gt;    &lt;br /&gt;     If you're having trouble getting a particular application to work with      AGWPE, first make sure AGWPE works with  &lt;span style="color: rgb(0, 153, 153);"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/AGWPrograms.htm"&gt;AGW Terminal      Program.&lt;/a&gt;&lt;/span&gt;  If AGWTerm won't work with AGWPE, then you have      a problem with AGWPE that needs to be resolved first.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;      &lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;I see the little&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(51, 153, 102);"&gt;green &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;pixel flashing on the TNC icon   &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1069" type="#_x0000_t75" alt="" style="'width:24pt;height:11.25pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image034.png" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/greenblink.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image035.jpg" shapes="_x0000_i1069" border="0" height="15" width="32" /&gt;&lt;!--[endif]--&gt;  so it appears AGWPE is receiving      packets, but the packets don't seem to be getting from AGWPE to my packet      program; my program isn't showing any packet activity.&lt;br /&gt;            or  &lt;br /&gt;     When I try to run a client application,  I get an error message from      the client indicating the IP connection was refused.&lt;br /&gt;    &lt;br /&gt;     &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Check for these problems:&lt;span style="color: navy;"&gt;&lt;br /&gt;      &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Make sure AGWPE's &lt;span style="color: rgb(0, 153, 153);"&gt;TCP/IP       Application Interface&lt;/span&gt; is active: from the AGWPE menu select &lt;span style="color: rgb(51, 204, 204);"&gt;Setup Interfaces&lt;/span&gt; . On the &lt;span style="color: rgb(0, 153, 153);"&gt;Winsock &amp;amp; HTTP Interface Setup screen; Winsock       Interface tab&lt;/span&gt;, enable the &lt;span style="color: blue;"&gt;Winsock TCP/IP       Application Interface &lt;/span&gt;with a checkmark&lt;span style="color: blue;"&gt;.&lt;/span&gt;       Also make sure the &lt;span style="color: rgb(0, 153, 153);"&gt;TCP&lt;/span&gt; field is set &lt;span style="color: blue;"&gt;8000&lt;/span&gt;.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Any application linking to AGWPE with the TCP/IP       Application Interface should have a corresponding field to specify       AGWPE's TCP port  number (8000, by default); see the &lt;span style="color: navy;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/7compat.htm"&gt;Application       Setup&lt;/a&gt;&lt;/span&gt; page for advice about selected programs. The application       should also have a field to specify the IP Address of the computer where       AGWPE is running. That address will be "127.0.0.1" or       "localhost" if AGWPE is on the same computer as the       application.  Read the application's &lt;span style="color: rgb(0, 153, 153);"&gt;Help&lt;/span&gt;       section or see &lt;a href="http://www.kc2rlm.info/soundcardpacket/6network.htm"&gt;AGWPE on a       Network&lt;/a&gt; for advice when AGWPE is on a different computer.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Make sure the application is listening to the       correct AGWPE radio ports. The application may be linked to AGWPE but not       linked to all of AGWPE's radio ports. For example, some programs, such as       UI-View, allow you to block access to  specific AGWPE radio ports       (UI-View calls it "masking" ). Read the application's &lt;span style="color: rgb(0, 153, 153);"&gt;Help&lt;/span&gt; section or see the &lt;span style="color: navy;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/7compat.htm"&gt;Application       Setup&lt;/a&gt;&lt;/span&gt; page for advice about selected programs.&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Make sure the TCP/IP Protocol is installed on       your computer. If you use the internet successfully, then it is. If you       don't have either the Window's Dialup adapter or a network card installed       on your computer, then the protocol may not be installed. To correct       this, just create a Dialup connection (see Windows' &lt;span style="color: rgb(0, 153, 153);"&gt;Help&lt;/span&gt; for advice; you can use a dummy       telephone number for the connection).&lt;br /&gt;     &lt;br /&gt;      If you still have a problem, make sure the "Internet Protocol       (TCP/IP)" is installed for the Dialup connection or the network       adapter. Normally it is installed by default and active, but it may have       been deleted somehow (see the &lt;a href="http://www.kc2rlm.info/soundcardpacket/4wintcp.htm"&gt;Windows:       Enabling the TCP/IP Protocol page&lt;/a&gt; for advice).&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: red;"&gt;If you have a firewall program and/or       router running&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;, turn off the       firewall temporarily to see if this fixes the problem. If it does,       configure the firewall and/or router so that AGWPE can communicate with       other programs via AGWPE's TCP/IP Application Interface port (default is       8000).&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Try changing the default &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;TCP&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt;       from 8000 to some other number, say 8100. Make the change in both AGWPE       and in your client program.&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;       &lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;My packet program suddenly closed and I got this error      message from Windows:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;&lt;br /&gt;    &lt;br /&gt;          &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(0, 51, 204);"&gt;(The Application) caused an invalid page fault in module      WINMM.DLL&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;You probably have a Windows sound scheme in effect and there was a conflict over use of the sound card. To prevent this from happening, set the Windows' &lt;span style="color: rgb(0, 153, 153);"&gt;Sound scheme&lt;/span&gt; to &lt;span style="color: rgb(0, 51, 204);"&gt;No Sounds&lt;/span&gt;. See the &lt;a href="http://www.kc2rlm.info/soundcardpacket/3voladd.htm#nosounds"&gt;Window Sound Settings page&lt;/a&gt; on this site for further advice.&lt;br /&gt;&lt;br /&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;I seem to have the AGWPE program working fine. My      problem is when I run certain packet programs, such as RXClust or AGWTerm,      a box opens saying:&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;table class="MsoNormalTable" style="background: silver none repeat scroll 0% 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" border="1" cellpadding="0"&gt;  &lt;tbody&gt;&lt;tr style=""&gt;   &lt;td style="padding: 2.25pt;"&gt;   &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Object Windows Exception&lt;/span&gt;&lt;/b&gt;   &lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Failure in common control DLL&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;OK to resume? YES / NO&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;   &lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;This is a Windows 95, 98, and ME problem. Do an online search for &lt;/span&gt;&lt;span style="color: rgb(0, 51, 204);"&gt;comctl32.dll&lt;/span&gt;&lt;/b&gt; &lt;b&gt;&lt;span style="font-size: 10pt;"&gt;to find a download patch for your version of windows.&lt;/span&gt;&lt;/b&gt;&lt;br /&gt; &lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;I have two applications sharing an AGWPE sound card      radio port. But Application A is not seeing packets sent by Application B      and vice versa.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;It is a feature of AGWPE that the received frames it sends to an application do not include frames transmitted by other applications using the same instance of AGWPE. So if you have this:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt; font-family: Century; color: rgb(0, 51, 204);"&gt;App A --------|&lt;br /&gt;                 |&lt;br /&gt;            AGWPE -------- radio(s) etc.&lt;br /&gt;                 |&lt;br /&gt;App B --------|&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p style="margin-left: 0.5in;"&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Then, using KISS frames, App A will not see the original frames transmitted by App B.&lt;br /&gt;&lt;br /&gt;If you do want App A to see App B's transmission, then a work-round is to configure a loop-back port in AGWPE. Then transmit the beacons from your application(s) to the RF radioport &lt;span style="color: red;"&gt;and&lt;/span&gt; to the loop-back port, and configure your application(s) to "listen" on both the RF radioport and the loop-back port so they can hear what the other program asked AGWPE to send.&lt;br /&gt; &lt;/span&gt;&lt;/b&gt; &lt;/p&gt;  &lt;h4&gt;&lt;a name="extrapackets"&gt;3.  Extra Packets Seen&lt;/a&gt;&lt;/h4&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If your packet application displays duplicates of every received      packet, reasons can be:&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;the second sound card radioport is active in       AGWPE even though it is not being used. To correct this, select &lt;st1:placename st="on"&gt;&lt;span style="color: blue;"&gt;Single&lt;/span&gt;&lt;/st1:placename&gt;&lt;span style="color: blue;"&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/span&gt;       (not &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Dual&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Port&lt;/st1:placetype&gt;&lt;/st1:place&gt;) on the &lt;a href="http://www.kc2rlm.info/soundcardpacket/2agwbasic.htm#portsettings"&gt;Properties       screen&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;you are using a mono plug instead of a stereo       plug for the LINE IN jack&lt;br /&gt;       &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If your packet application displays packets that are from another      frequency:&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;you are probably running two radio ports from       the sound card (left and right channels) and audio from one radio port is       being heard on the other port. The reason for this is not clear. The best       known solution is to reduce the RX audio input on each radioport to the       minimum needed to decode packets using the &lt;a href="http://www.kc2rlm.info/soundcardpacket/3volset.htm#AGWPEVolSet"&gt;volume       control settings&lt;/a&gt;.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If your problem is not resolved by the problem solving pages on this website,  join the AGWPE Yahoo Group to ask a question or search the archives for previous postings that may relate to your problem&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;h2&gt;&lt;span style="color: rgb(204, 51, 0);"&gt;Problems with Receiving&lt;/span&gt;&lt;/h2&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;As you troubleshoot receive problems, remember that AGWPE provides you with a some visual aids:&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;The &lt;span style="color: navy;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voltuneaid.htm"&gt;Sound Card      Tuning Aid&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voltuneaid.htm"&gt; screen&lt;/a&gt;      is accessible from the AGWPE menu. It can be used to "see" the      quality of received signals and, for HF packet particularly, help in      tuning the radio to the correct frequency. Go to the &lt;span style="color: navy;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voltuneaid.htm"&gt;Tuning Aid&lt;/a&gt;&lt;/span&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voltuneaid.htm"&gt; page&lt;/a&gt; to      see examples of how good and packet signals should look.&lt;br /&gt;      &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; If AGWPE successfully decodes a packet on a radioport, then      the &lt;span style="color: green;"&gt;green&lt;/span&gt; light on that radioport's modem      icon will flash once &lt;!--[if gte vml 1]&gt;&lt;v:shape id="_x0000_i1070" type="#_x0000_t75" alt="" style="'width:24pt;height:11.25pt'"&gt;       &lt;v:imagedata src="file:///C:\DOCUME~1\C11AE~1.BLA\LOCALS~1\Temp\msohtml1\01\clip_image034.png" href="http://www.kc2rlm.info/soundcardpacket/AGWImages/greenblink.gif"&gt;      &lt;/v:shape&gt;&lt;![endif]--&gt;&lt;!--[if !vml]--&gt;&lt;img src="file:///C:/DOCUME%7E1/C11AE%7E1.BLA/LOCALS%7E1/Temp/msohtml1/01/clip_image035.jpg" shapes="_x0000_i1070" border="0" height="15" width="32" /&gt;&lt;!--[endif]--&gt;.&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="color: red;"&gt;Note:&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt; Please make sure you are using the &lt;a href="http://www.kc2rlm.info/soundcardpacket/AGWPrograms.htm"&gt;latest version of AGWPE&lt;/a&gt; before troubleshooting problems. Your problem may have been fixed in the most recent version of AGWPE!&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;&lt;span style="font-size: 10pt;"&gt;1. &lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#NoActivity"&gt;No Sine Wave in Oscilloscope&lt;/a&gt;&lt;br /&gt;2. &lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#NoDecode"&gt;Oscilloscope Activity But No Decoding&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;  &lt;div class="MsoNormal" style="text-align: center;" align="center"&gt;  &lt;hr align="center" size="2" width="100%"&gt;  &lt;/div&gt;  &lt;h3&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;1.  &lt;a name="NoActivity"&gt;No Sine Wave in Oscilloscope &lt;/a&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/h3&gt;  &lt;h3&gt;&lt;span style="font-size: 10pt; color: black;"&gt;Tune to a busy packet channel and select the Sine Wave oscilloscope mode in the &lt;/span&gt;&lt;span style="font-size: 10pt; color: navy;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/3voltuneaid.htm"&gt;Sound Card Tuning Aid&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; color: black;"&gt;. If you do not see sine wave activity, look for a reason at one of five places along the RX audio path:&lt;/span&gt;&lt;/h3&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXradio"&gt;&lt;span style="font-size: 10pt;"&gt;a&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXradio"&gt;.      Radio/antenna&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXportset"&gt;&lt;span style="font-size: 10pt;"&gt;b&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXportset"&gt;.      AGWPE's radioport settings&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXVolCtrl"&gt;&lt;span style="font-size: 10pt;"&gt;c&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXVolCtrl"&gt;.      Volume Control settings&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXcable"&gt;d. RX      audio cable&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://www.kc2rlm.info/soundcardpacket/5probrx.htm#RXcard"&gt;e.      Sound card or driver&lt;/a&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt; color: rgb(204, 51, 0);"&gt;a. &lt;a name="RXradio"&gt;Radio/antenna&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;First confirm that audio signals -- preferably packets! --  are are being received at the radio. Disconnect the sound card interface temporarily and see if you can hear packets from the radio's speaker and/or see the radio's 'S' bars or the 'Busy" indicator light up.&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul type="disc"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If you don't see or hear packet activity:&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;is the squelch too high? Since AGWPE prefers no       squelch for &lt;span style="color: maroon;"&gt;transmitting&lt;/span&gt;, it's best to       leave the squelch off (even though AGWPE will still &lt;span style="color: maroon;"&gt;receive&lt;/span&gt; with the squelch on, providing the       squelch is not set too high). &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;is tone squelch (CTCSS and DTSS) turned off? &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;if dual VFOs, is the correct VFO/band selected? &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;is the antenna connected? &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;is the radio tuned to the right frequency? &lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;is the mode set for FM and not accidentally in       CW, SSB or another mode?&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;can you hear packets by using a different       antenna (more gain)? or by moving the antenna to another location       (higher, away from possible EMI interference)?&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;can you hear packets using a different radio       with a different antenna? with a different radio but the same antenna?&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;If you can't hear packets from the radio's speaker (internal or      external):&lt;/span&gt;&lt;/b&gt;&lt;/li&gt;&lt;ul type="circle"&gt;&lt;li class="MsoNormal" style=""&gt;&lt;b&gt;&lt;span style="font-size: 10pt;"&gt;Is the speaker volume knob set too low? Low       speaker volume would only affect sound card receiving if your interface's       RX cable connects to the radio's external speaker or microphone jack, not       a data 
